The Dark Ages: An Age of Light | |
---|---|
Genre | Documentary |
Written by | Waldemar Januszczak |
Directed by | Waldemar Januszczak |
Presented by | Waldemar Januszczak |
Composers | Simon Russell Peter Mayne |
Country of origin | United Kingdom |
Original language | English |
No. of series | 1 |
No. of episodes | 4 |
Production | |
Executive producers | Mark Bell (BBC) Peter Grimsdale |
Producer | Lidia Ciszewska |
Cinematography | Owen Scurfield Ian Serfontein Matt Conway |
Running time | 57-60 minutes |
Production company | ZCZ films |
Original release | |
Network | BBC |
Release | 27 November – 18 December 2012 |
The Dark Ages: An Age of Light is a four-part documentary television series written, directed, and presented by the British art critic Waldemar Januszczak looking at the art and architecture of the so-called Dark Ages (i.e. Early Middle Ages) that shows it to be an era with advancements contrary to popular perceptions of the period. It was broadcast by the BBC in November and December 2012. [1]
Januszczak shows how Christianity emerged into the Roman Empire as an artistic force in the third and fourth centuries. Early Christians had no art. They were an illegal secret cult, and practised in very small groups. Januszczak asserts that Rotas Squares, found throughout the Roman Empire including Pompeii, were early Christian symbols along with the fish and the anchor. When the Edict of Milan made Christianity legal, Christian art began appearing. With no description of Jesus in the Bible, the earliest images of Christ were blond, curly-haired, young, and beardless, an appearance Januszczak says was borrowed from Apollo, the pagan god of the sun, who was usually depicted with a halo. Januszczak tells us that the Vatican has galleries filled with these "cheerful initial Christs, armed with their Harry Potter wands, which they wave busily as they perform a succession of helpful miracles." [2] Images of angels were copied from those of Nike. With the emergence of Saint Mary and the adoption of Christianity by the emperor Constantine, artists drew upon other pagan artwork for inspiration, and more heroic and powerful images of Jesus emerged. They also embraced the development of new forms of architecture to contain and display their art.
Viewing figures: 661,000 [3]
The "Barbarians" are often blamed for the collapse of the Roman Empire, but in reality they were fascinating civilisations that produced magnificent art. Focusing on the often already Christian Huns, Vandals and Goths, Januszczak follows each tribe's journey across Europe to settle in new lands and discovers the incredible art they produced along the way.
Viewing figures: 697,000 [4]
Along with Christianity, the Dark Ages saw the emergence of another religion — Islam. After emerging in the Near East, it spread across North Africa and into Europe in such a short time that there was originally no art. In more settled times, highly decorated mosques began to be built based on the prophet Mohammad's own home. Their architectural and scientific achievements, including the mapping of the stars, dwarfed anything existing in the western world. Januszczak visits the Dome of the Rock, desert palaces forgotten by modern Islam with their more sensual artwork, the Mosque of Ibn Tulun where it was believed Noah's Ark landed, and the Mosque of Cordoba. He identifies the Nilometer used to measure the flood of the Nile and uses an astrolabe that Muslims used to find the direction of Mecca.
This episode concentrates on the Vikings and their inventive craftsmanship, the expansive Carolingians' art of exquisite finesse and richness and the skillful hardworking ingenious Anglo-Saxons. Januszczak shows the Viking skill in making ships and their attacks on Christian centres such as Lindisfarne not only to loot but to defend their own Norse gods. He visits the Jelling stones that commemorated the Danes' conversion to Christianity. Charles Martel and the Franks belief they were God's chosen people after the defeat of Muslim forces later led to Charlemagne being declared Holy Roman Emperor by the Pope and the creation of the largest empire since the Romans. Januszczak considers Charlemagne's Palatine Chapel, Aachen, as a brutal and cold attempt to copy the Muslim Mosque of Cordoba. Anglo-Saxon art is represented by the Sutton Hoo hoard. Januszczak concludes that in the Dark Ages it was not the sword but the written word, whether in wood, stone, or what he considers the greatest masterpiece of all art, the Lindisfarne Gospels, that defined the age.
Viewing figures: n/a
Mary Beard, Professor of Classics at the University of Cambridge, disputed the claim in episode one that the Rotas Square was a Christian symbol on the blog of the Times Literary Supplement. [5]
Larry Hurtado, Emeritus Professor of New Testament Language, Literature & Theology at the University of Edinburgh's School of Divinity, in his personal blog criticized the idea that the early Christians were a secretive movement, [6] and pointed out misunderstandings evident in the explanations given by Janusczak for the manner of portrayal of Jesus Christ in early Christian art. [7]
Christendom historically refers to the Christian states, Christian empires, Christian-majority countries and the countries in which Christianity dominates, prevails, or that it is culturally or historically intertwined with.
In Christianity, Christology, translated from Greek as 'the study of Christ', is a branch of theology that concerns Jesus. Different denominations have different opinions on questions such as whether Jesus was human, divine, or both, and as a messiah what his role would be in the freeing of the Jewish people from foreign rulers or in the prophesied Kingdom of God, and in the salvation from what would otherwise be the consequences of sin.
The resurrection of Jesus is the Christian belief that God raised Jesus from the dead on the third day after his crucifixion, starting – or restoring – his exalted life as Christ and Lord. According to the New Testament writing, Jesus was firstborn from the dead, ushering in the Kingdom of God. He appeared to his disciples, calling the apostles to the Great Commission of forgiving sin and baptizing repenters, and ascended to Heaven.
The Ascension of Jesus is the Christian belief, reflected in the major Christian creeds and confessional statements, that Jesus ascended to Heaven after his resurrection, where he was exalted as Lord and Christ, sitting at the right hand of God.
The Lindisfarne Gospels is an illuminated manuscript gospel book probably produced around the years 715–720 in the monastery at Lindisfarne, off the coast of Northumberland, which is now in the British Library in London. The manuscript is one of the finest works in the unique style of Hiberno-Saxon or Insular art, combining Mediterranean, Anglo-Saxon and Celtic elements.
Christianity and Islam are the two largest religions in the world, with 2.8 billion and 1.9 billion adherents, respectively. Both religions are considered as Abrahamic, and are monotheistic, originating in the Middle East.
In ecclesiology, the Christian Church is what different Christian denominations conceive of as being the true body of Christians or the original institution established by Jesus. "Christian Church" has also been used in academia as a synonym for Christianity, despite the fact that it is composed of multiple churches or denominations, many of which hold a doctrinal claim of being the "one true church", to the exclusion of the others.
Christianity and other religions documents Christianity's relationship with other world religions, and the differences and similarities.
The Early Middle Ages, sometimes controversially referred to as the Dark Ages, is typically regarded by historians as lasting from the late 5th to the 10th century. They marked the start of the Middle Ages of European history, following the decline of the Western Roman Empire, and preceding the High Middle Ages. The alternative term late antiquity, for the early part of the period, emphasizes elements of continuity with the Roman Empire, while Early Middle Ages is used to emphasize developments characteristic of the earlier medieval period. The time between the 8th and 11th centuries is assigned to the Early Middle Ages generally, even by those who extend (late) antiquity to a time well after the 5th century.
Pauline Christianity or Pauline theology, otherwise referred to as Gentile Christianity or Pagan Christianity, is the theology and form of Christianity which developed from the beliefs and doctrines espoused by the Hellenistic-Jewish Apostle Paul through his writings and those New Testament writings traditionally attributed to him. Paul's beliefs were rooted in the earliest Jewish Christianity, but they deviated from this Jewish Christianity in their emphasis on inclusion of the Gentiles into God's New Covenant and in his rejection of circumcision as an unnecessary token of upholding the Mosaic Law.
The Germanic peoples underwent gradual Christianization in the course of late antiquity and the Early Middle Ages. By AD 700, England and Francia were officially Christian, and by 1100 Germanic paganism had also ceased to have political influence in Scandinavia.
In Christianity, a martyr is a person who was or is killed for their testimony for Jesus or faith in Jesus. In years of the early church, stories depict this often occurring through death by sawing, stoning, crucifixion, burning at the stake, or other forms of torture and capital punishment. The word martyr comes from the Koine word μάρτυς, mártys, which means "witness" or "testimony".
The Christ myth theory, also known as the Jesus myth theory, Jesus mythicism, or the Jesus ahistoricity theory, is the view that the story of Jesus is a work of mythology with no historical substantiality. Alternatively, in terms given by Bart Ehrman paraphrasing Earl Doherty, it is the view that "the historical Jesus did not exist. Or if he did, he had virtually nothing to do with the founding of Christianity."
Richard Cevantis Carrier is an ancient historian. He is long-time contributor to skeptical websites, including The Secular Web and Freethought Blogs, Carrier has published a number of books and articles on philosophy and religion in classical antiquity, discussing the development of early Christianity from a skeptical viewpoint, and concerning religion and morality in the modern world. He has publicly debated a number of scholars on the historical basis of the Bible and Christianity. He is a prominent advocate of the theory that Jesus did not exist, which he has argued in a number of his works. Carrier's methodology and conclusions in this field have proven controversial and unconvincing to most ancient historians, and he and his theories are often identified as fringe.
Waldemar Januszczak is an English art critic and television documentary producer and presenter. Formerly the art critic of The Guardian, he took the same role at The Sunday Times in 1992, and has twice won the Critic of the Year award.
The term proto-orthodox Christianity or proto-orthodoxy describes the early Christian movement that was the precursor of Christian orthodoxy. It was coined by Bentley Layton, but is often erroneously attributed to New Testament scholar Bart D. Ehrman. Ehrman argues that this group from the moment it became prominent by the end of the third century, "stifled its opposition, it claimed that its views had always been the majority position and that its rivals were, and always had been, 'heretics', who willfully 'chose' to reject the 'true belief'." In contrast, Larry W. Hurtado argues that proto-orthodox Christianity is rooted in first-century Christianity.
Christianity in the 1st century covers the formative history of Christianity from the start of the ministry of Jesus to the death of the last of the Twelve Apostles and is thus also known as the Apostolic Age. Early Christianity developed out of the eschatological ministry of Jesus. Subsequent to Jesus' death, his earliest followers formed an apocalyptic messianic Jewish sect during the late Second Temple period of the 1st century. Initially believing that Jesus' resurrection was the start of the end time, their beliefs soon changed in the expected Second Coming of Jesus and the start of God's Kingdom at a later point in time.
Christianity in the 8th century was much affected by the rise of Islam in the Middle East. By the late 8th century, the Muslim empire had conquered all of Persia and parts of the Eastern Roman (Byzantine) territory including Egypt, Palestine, and Syria. Suddenly parts of the Christian world were under Muslim rule. Over the coming centuries the Muslim nations became some of the most powerful in the Mediterranean basin.
The Carolingian Cross is but one variation in the vast historical imagery of Christian symbolic representations of the Crucifixion of Jesus, going back to at least the ninth century. All crosses and Christian symbols have an inherent meaning arising from a multitude of sources and distinct features that set them apart from other religions. From both a design aspect and a theological perspective, the Carolingian Cross consists of a mixture of Christian and pre-Christian concepts built over a long history of cultural adaptation, religious iconography, liturgical practices and theological premises. German graphic designer Rudolf Koch in 1932 published a collection of 158 plates of drawings of Christian symbols. Under the heading of "Cross", this includes twelve drawings of Christian cross variants. One of these, the "Carolingian Cross" shows a cross of four triquetras.
Anti-Christian sentiment, also referred to as Christophobia or Christianophobia, constitutes the fear of, hatred of, discrimination, and/or prejudice against Christians, the Christian religion, and/or its practices.