The Detroit Experiment | ||||
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Studio album by The Detroit Experiment | ||||
Released | March 18, 2003 | |||
Recorded | January 25 – September 2002 | |||
Studio | Detroit, Michigan | |||
Genre | Jazz, electronic | |||
Length | 64:12 | |||
Label | Ropeadope Records | |||
Producer | Carl Craig | |||
Experiment series chronology | ||||
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Singles from The Detroit Experiment | ||||
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Review scores | |
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Source | Rating |
AllMusic | [1] |
BBC | favorable [2] |
The Detroit Experiment is a 2003 studio album by The Detroit Experiment, a collaborative project including DJ/producer Carl Craig, saxophonist Bennie Maupin, trumpeter Marcus Belgrave, pianist Geri Allen, and violinist Regina Carter. It peaked at number 17 on the Billboard Jazz Albums chart, [3] as well as number 24 on the Top Dance/Electronic Albums chart. [4]
It is the second entry in a series of albums, the first being The Philadelphia Experiment (2001) and the third being The Harlem Experiment (2007). [5]
No. | Title | Length |
---|---|---|
1. | "Space Odyssey" | 5:25 |
2. | "Think Twice" | 6:18 |
3. | "Revelation" | 7:45 |
4. | "Baby Needs New Shoes" | 4:38 |
5. | "There Is a God" | 5:50 |
6. | "Church" | 5:27 |
7. | "Enterluud" | 2:32 |
8. | "Vernors" | 4:03 |
9. | "Too High" | 4:28 |
10. | "Highest" | 3:35 |
11. | "Midnight at the Twenty Grand" | 6:58 |
12. | "A Taste of Tribe" | 0:15 |
13. | "The Way We Make Music" | 3:38 |
14. | "Revelation Reprise" | 3:20 |
Chart | Peak position |
---|---|
US Jazz Albums ( Billboard ) [3] | 17 |
US Top Dance/Electronic Albums ( Billboard ) [4] | 24 |
Rhythm and blues, frequently abbreviated as R&B or R'n'B, is an African-American genre of popular music that originated within African-American communities in the 1940s. The term was originally used by record companies to describe recordings marketed predominantly to African Americans, at a time when "rocking, jazz based music ... [with a] heavy, insistent beat" was becoming more popular. In the commercial rhythm and blues music typical of the 1950s through the 1970s, the bands usually consisted of a piano, one or two guitars, bass, drums, one or more saxophones, and sometimes background vocalists. R&B lyrical themes often encapsulate the African-American history and experience of pain and the quest for freedom and joy, as well as triumphs and failures in terms of societal racism, oppression, relationships, economics, and aspirations.
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