The Divorcee is a 1930 American pre-Code drama film written by Nick Grindé, John Meehan, and Zelda Sears, based on the 1929 novel Ex-Wife by Ursula Parrott. It was directed by Robert Z. Leonard, who was nominated for the Academy Award for Best Director. The film was also nominated for Best Picture, and won Best Actress for its star Norma Shearer.
Their Own Desire is a 1929 American pre-Code romantic drama film directed by E. Mason Hopper and starring Norma Shearer, Belle Bennett, Lewis Stone, Robert Montgomery, and Helene Millard. The film was adapted by James Forbes and Frances Marion from the novel by Sarita Fuller; Lucille Newmark wrote the titles. It is also the last MGM film in the 1920s. Shearer was nominated for the Academy Award for Best Actress, but lost to herself for The Divorcee.
Benjamin Christensen was a Danish film director, screenwriter and an actor, both in film and on the stage. As a director, he was best known for his 1922 film Häxan. His most memorable and acclaimed acting performance was in the film Michael (1924), where he played Claude Zoret, the male lover of the film's title character in a landmark gay film.
The Rough Riders is a 1927 American silent drama film directed by Victor Fleming, released by Paramount Pictures, and starring Noah Beery, Sr., Charles Farrell, George Bancroft, and Mary Astor. Due to the public apathy towards silent films, a sound version was also prepared early in 1928. While the sound version has no audible dialog, it was released with a synchronized musical score with sound effects using both the sound-on-disc and sound-on-film process. The picture is fictional account of Theodore Roosevelt's military unit in Cuba. This film had an alternate release title, The Trumpet Call. The cinematography was by James Wong Howe and E. Burton Steene.
"The Daring Young Man on the Flying Trapeze", originally published under the title "The Flying Trapeze" and also known as "The Man on the Flying Trapeze", is a 19th-century popular song about a flying trapeze circus performer, Jules Léotard. The refrain states:
The Stolen Jools is a 1931 American pre-Code comedy short produced by the Masquers Club of Hollywood, featuring many cameo appearances by film stars of the day. The stars appeared in the film, distributed by Paramount Pictures, to raise funds for the National Vaudeville Artists Tuberculosis Sanitarium. The UCLA Film and Television Archive entry for this film says—as do the credits—that the film was co-sponsored by Chesterfield cigarettes to support the "fine work" of the NVA sanitarium.
4 Devils is a lost 1928 American synchronized sound drama film directed by German director F. W. Murnau and starring Janet Gaynor. While the film has no audible dialog, it was released with a synchronized musical score with sound effects using the sound-on-film movietone process.
The Noose is an American silent drama film adaptation of the Willard Mack play The Noose, which was released in 1928 by First National Pictures. It stars Richard Barthelmess, Montagu Love, Robert Emmett O'Connor, and Thelma Todd. It was directed by John Francis Dillon and Richard Barthelmess's performance was nominated for the Academy Award for Best Actor. The movie was adapted by Garrett Graham and James T. O'Donohoe from the play. The play was also the basis of the Paramount Pictures film I'd Give My Life (1936).
Charles Albert Murray, was an American film actor of the silent era.
Mary Carr, was an American film actress and was married to the actor William Carr. She appeared in more than 140 films from 1915 to 1956. She was given some of filmdoms plum mother roles in silent pictures, especially Fox's 1920 Over the Hill to the Poorhouse, which was a great success. She was interred in Calvary Cemetery. Carr bore a strong resemblance to Lucy Beaumont, another famous character actress of the time who specialized in mother roles. As older actresses such as Mary Maurice and Anna Townsend passed on, Carr, still in her forties, seem to inherit all the matriarchal roles in silent films.
Charles Emmett Mack, was an American film actor during the silent film era. He appeared in seventeen films between 1916 and 1927.
The Woman for Joe is a 1955 British drama film directed by George More O'Ferrall and starring Diane Cilento, George Baker, Jimmy Karoubi and David Kossoff. The screenplay concerns the owner of a circus sideshow and his prize attraction, who become romantically involved with the same woman. The film was made at Pinewood Studios. The sets were designed by the art director Maurice Carter.
Barbara Frietchie is a 1924 American silent war drama film about an old woman who helps out soldiers during the American Civil War. It is based on the play of the same name by Clyde Fitch that had starred Julia Marlowe at the turn of the century which in turn was taken from the real-life story of Barbara Fritchie. There were two silent film versions, a 1915 version and 1924 version. The 1915 version, directed by Herbert Blaché, starred Mary Miles Minter and Anna Q. Nilsson. The 1924 version, directed by Lambert Hillyer, starred Florence Vidor and Edmund Lowe.
The Waning Sex is a 1926 American silent romantic comedy film directed by Robert Z. Leonard. Based on the 1923 play of the same name by Fanny and Frederic Hatton, the film starred Norma Shearer and Conrad Nagel.
Upstage is a 1926 American silent romantic drama film directed by Monta Bell, starring Norma Shearer and New York musical comedy star Oscar Shaw.
Mockery (1927) is an American silent film about the Russian Revolution starring Lon Chaney. The movie was the second film made in Hollywood by Danish director Benjamin Christensen and stars Chaney as a Siberian peasant who aids a countess who is threatened by the encroaching insurgency. The screenplay was written by Bradley King, based on a story by Benjamin Christensen, which in turn was adapted from a short story by Stig Esbern. The sets were designed by Cedric Gibbons and Alexander Toluboff.
Old San Francisco is a 1927 American synchronized sound historical drama film starring Dolores Costello and featuring Warner Oland. While the film has no audible dialog, it was released with a synchronized musical score with sound effects using the Vitaphone sound-on-disc process. The film, which was produced and distributed by Warner Bros., was directed by Alan Crosland.
The George Eastman Award for distinguished contribution to the art of film was established by the George Eastman Museum in 1955 as the first film award given by an American archive and museum to honor artistic work of enduring value.
Spangles is a 1926 American silent drama film produced and distributed by Universal Pictures. It was directed by Frank O'Connor and starred Marian Nixon, Pat O'Malley, and Hobart Bosworth.
The Girl from Montmartre is a 1926 American silent romantic drama film directed by Alfred E. Green and starring Barbara La Marr in her last film role. It was distributed through First National on the day after La Marr died.
