The Divorcee is a 1930 American pre-Code drama film written by Nick Grindé, John Meehan, and Zelda Sears, based on the 1929 novel Ex-Wife by Ursula Parrott. It was directed by Robert Z. Leonard, who was nominated for the Academy Award for Best Director. The film was also nominated for Best Picture, and won Best Actress for its star Norma Shearer.
He Who Gets Slapped is a 1924 American silent psychological thriller film starring Lon Chaney, Norma Shearer, and John Gilbert, and directed by Victor Sjöström. The film was written by Victor Seastrom and Carey Wilson, based on the Russian play He Who Gets Slapped by playwright Leonid Andreyev, which was completed by Andreyev in August 1915, two months before its world premiere at the Moscow Art Theatre on October 27, 1915. A critically successful Broadway production, using an English language translation of the original Russian by Gregory Zilboorg, was staged in 1922, premiering at the Garrick Theatre on January 9, 1922, with Richard Bennett (actor) playing the "HE" role on stage. The Russian original was made into a Russian movie in 1916.
Carmel Myers was an American actress who achieved her greatest successes in silent film.
Johann Ludwig Jacob, professionally known as Lou Jacobs, was a German-born American auguste clown who performed for Ringling Bros. and Barnum & Bailey Circus for more than 60 years. He was inducted into the International Clown Hall of Fame in 1989. He is credited with popularizing the clown car, which has been a staple of circus clown acts ever since. He is also often cited as the originator of the red rubber ball nose, which is used by many clowns today. He was the first living person to have his portrait appear on an American postage stamp.
Benjamin Christensen was a Danish film director, screenwriter and an actor, both in film and on the stage. As a director, he was best known for his 1922 film Häxan. His most memorable and acclaimed acting performance was in the film Michael (1924), where he played Claude Zoret, the male lover of the film's title character in a landmark gay film.
The Stolen Jools is a 1931 American pre-Code comedy short produced by the Masquers Club of Hollywood, featuring many cameo appearances by film stars of the day. The stars appeared in the film, distributed by Paramount Pictures, to raise funds for the National Vaudeville Artists Tuberculosis Sanitarium. The UCLA Film and Television Archive entry for this film says—as do the credits—that the film was co-sponsored by Chesterfield cigarettes to support the "fine work" of the NVA sanitarium.
4 Devils is a lost 1928 American sound drama film directed by German director F. W. Murnau and starring Janet Gaynor. While the original release has no audible dialog, it was released with a synchronized musical score with sound effects using both the sound-on-disc and sound-on-film process.
Tillie's Punctured Romance is a lost 1928 American silent circus comedy film starring W. C. Fields as a ringmaster and Louise Fazenda as a runaway. Written by Monte Brice and Keene Thompson and directed by A. Edward Sutherland, this film has nothing to do with the 1914 Charlie Chaplin film aside from sharing the same title, but Chester Conklin and Mack Swain appear in both films.
Charles Albert Murray, was an American film actor of the silent era.
Mary Carr, was an American film actress and was married to the actor William Carr. She appeared in more than 140 films from 1915 to 1956. She was given some of filmdoms plum mother roles in silent pictures, especially Fox's 1920 Over the Hill to the Poorhouse, which was a great success. She was interred in Calvary Cemetery. Carr bore a strong resemblance to Lucy Beaumont, another famous character actress of the time who specialized in mother roles. As older actresses such as Mary Maurice and Anna Townsend passed on, Carr, still in her forties, seem to inherit all the matriarchal roles in silent films.
Charles Emmett Mack, was an American film actor during the silent film era. He appeared in seventeen films between 1916 and 1927.
The Woman for Joe is a 1955 British drama film directed by George More O'Ferrall and starring Diane Cilento, George Baker, Jimmy Karoubi and David Kossoff. The screenplay concerns the owner of a circus sideshow and his prize attraction, who become romantically involved with the same woman. The film was made at Pinewood Studios. The sets were designed by the art director Maurice Carter.
The Waning Sex is a 1926 American silent romantic comedy film directed by Robert Z. Leonard. Based on the 1923 play of the same name by Fanny and Frederic Hatton, the film starred Norma Shearer and Conrad Nagel.
Upstage is a 1926 American silent romantic drama film directed by Monta Bell, starring Norma Shearer and New York musical comedy star Oscar Shaw.
Mockery (1927) is an American silent film about the Russian Revolution starring Lon Chaney. The movie was the second film made in Hollywood by Danish director Benjamin Christensen and stars Chaney as a Siberian peasant who aids a countess who is threatened by the encroaching insurgency. The screenplay was written by Bradley King, based on a story by Benjamin Christensen, which in turn was adapted from a short story by Stig Esbern. The sets were designed by Cedric Gibbons and Alexander Toluboff.
Old San Francisco is a 1927 American silent historical drama film starring Dolores Costello and featuring Warner Oland. The film, which was produced and distributed by Warner Bros., was directed by Alan Crosland.
The White Rose is a 1923 American silent drama film directed by D. W. Griffith. The film was written, produced, and directed by Griffith, and stars Mae Marsh, Ivor Novello, Carol Dempster, and Neil Hamilton. Though this film is extant, it is one of Griffith's rarely seen films.
The George Eastman Award for distinguished contribution to the art of film was established by the George Eastman Museum in 1955 as the first film award given by an American archive and museum to honor artistic work of enduring value.
Spangles is a 1926 American silent drama film produced and distributed by Universal Pictures. It was directed by Frank O'Connor and starred Marian Nixon, Pat O'Malley, and Hobart Bosworth.
The Girl from Montmartre is a 1926 American silent romantic drama film directed by Alfred E. Green and starring Barbara La Marr in her last film role. It was distributed through First National on the day after La Marr died.
