The album peaked at number 41 on the Top R&B/Hip-Hop Albums and number 23 on the Top Rap Albums charts in the United States.
Its instrumental version (composed of first 16 tracks) was released in 2015. The Diam Piece 2, the album's sequel, was released in 2019.
Background
In a September 2014 interview with Unkut, Diamond D spoke about the album, saying: "It’s more or less a production LP, about two and a half years it took. A lot of tracks I didn’t even use. I had about 27 tracks but I only used 18. Some of the artists I was in the studio with, and others – because of their touring schedule and my touring schedule – I just sent them music and they sent me the session back. If the track that I give them has a sample in it that’s giving it direction then they’ll follow that. If there is no sample or concept at the beginning I just let the MC's paint their own pictures and try to figure out how can make it connect. I use a lot more live instrumentation now. I still chop and manipulate samples, but my sound just sounds bigger now. Just using better equipment so the sample frequencies are better".[1]
The Diam Piece received generally favorable reviews from music critics. Praverb of XXL praised the album, describing it as "a blast from the past, when compilations reigned supreme. Listening this album brought back memories of SoundBombing or Lyricist Lounge, the presentation of thought out lyrics and accompanying backdrops works", calling it "real hip-hop at its best".[5] Del F. Cowie of Exclaim! wrote: "other contributions from other producer/MCs like the Stepbrothers, Hi-Tek and Kev Brown, which look promising on paper, sometimes underwhelm detracting from the album's potency, but Diamond wisely does not completely cede the booth and he steps to the mic on a few tracks like "Superman" and "Jose Feliciano", making his most succinct observation on the Pete Rock-assisted jewel "Only Way 2 Go", on which he asserts 'All these producers want to rhyme now/ I led all that'".[2] Dean Mayorga of HipHopDX declared: "while it is clear that Diam Piece is not without it's[sic] flaws, it is a successful return nonetheless and hopefully a foreshadowing of more to come", noting that "production on the album is centered upon varied, melodic samples and the priority of the drum beat ... however, with the current heavy sounding styles inspired either by Trap or EDM, Diamond's production—regardless of how focused it may be— lacks a certain dynamism. Instead, he favors a head-bopping groove that lulls the albums pace into a too comfortable third gear".[3]
In his mixed review for RapReviews, Matt Jost stated: "the album simply doesn't come across the speakers as crisp and clear as it should. The mix obscures rather than highlights and too often you'll be reminded of 2000-ish beatmaking instead of vintage Diamond D".[4]
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