The Diaspora Sonnets

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The Diaspora Sonnets
"The Diaspora Sonnets" by Oliver de la Paz book cover.png
Author Oliver de la Paz
Publisher Liveright
Publication date
July 18, 2023
Pages112
AwardsNew England Book Award for Poetry
ISBN 978-1324092988
Preceded byThe Boy in the Labyrinth 

The Diaspora Sonnets is a 2023 poetry collection by Oliver de la Paz, published by Liveright. [1] It was longlisted for the 2023 National Book Award for Poetry and won the New England Book Award for Poetry. [2] [3]

Contents

Contents and background

De la Paz grew up in a Filipino American family in Eastern Oregon. His family had moved there following the Vietnam War; they resettled "between the Umatilla Army Depot and the Mountain Home Airforce Base", where de la Paz's mother worked as a pediatrician. There, de la Paz stated, there was no Filipino American community, and he stopped speaking Tagalog. As a response to boredom, de la Paz approached literature. [4]

De la Paz stated in International Examiner that his poetry "arises from attempts to explain myself and my family to others, and in my failure to make initial sense of these attempts. I’d have to create metaphor so that people would understand my point of view. Essentially use of poetic expression developed as a survival mechanism for my immigrant family." Accordingly, The Diaspora Sonnets, in three sections, enlists the sonnet form but also questions de la Paz's allegiance to formalism; he intended to pose the question of "In the case of the sonnet, what does it mean when a Filipino American writes in a Western European form?" [5]

In November of 2022, the poem "Diaspora Sonnet Traveling Between Apartment Rentals" was selected by Victoria Chang for The New York Times. Chang said that "These sonnets don’t have all the elements of typical sonnets, such as rhyme and meter, but they have the usual 14 lines and a volta, or turn, in the penultimate stanza ... The final volta tightly encapsulates the immigrant experience — that of new grammar and new lands that are both alluring and tenuous." [6]

Critical reception

Electric Literature called the book one of the best poetry collections in 2023. [7] LitHub recommended the book in a list of forthcoming poetry collections for July 2024, stating "One of Oliver de la Paz’s gifts is his sense of the book as a whole ... Amidst poems rich in details of the resulting changing natural landscapes emerge vivid portraits: we see the father in his twenties holding a hatbox, later, a gun." [8]

Some critics observed de la Paz's technique in relation to his professed themes of diaspora. [9] The Poetry Foundation said "De la Paz creates loops of words, actions, and images within the patterned design of poetic form, rhyme scheme, anaphoric titling, and poem ordering ... The book’s repeating motifs, the pantoum’s repeating lines, the chain migration poem’s rhyme scheme, and the sonnet’s metrical rhythms work on literary traditions to mediate readers’ relationships to diasporic dislocation and trauma." [10]

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Poetry is a form of literary art that uses aesthetic and often rhythmic qualities of language to evoke meanings in addition to, or in place of, literal or surface-level meanings. Any particular instance of poetry is called a poem and is written by a poet.

The term sonnet refers to a fixed verse poetic form, traditionally consisting of fourteen lines adhering to a set rhyming scheme. It derives from the Italian word sonetto. Originating in 13th-century Sicily, the sonnet was in time taken up in many European-language areas, mainly to express romantic love at first, although eventually any subject was considered acceptable. Many formal variations were also introduced, including abandonment of the quatorzain limit – and even of rhyme altogether in modern times.

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Richard Berengarten is an English poet. Having lived in Italy, Greece, the US and the former Yugoslavia, his perspectives as a poet combine English, French, Mediterranean, Jewish, Slavic, American and Oriental influences. His poems explore historical and political material, inner worlds and their archetypal resonances, and relationships and everyday life. His work is marked by its multicultural frames of reference, depth of themes, and variety of forms. In the 1970s, he founded and ran the international Cambridge Poetry Festival. He has been an important presence in contemporary poetry for the past 40 years, and his work has been translated into more than 90 languages.

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References

  1. de la Paz, Oliver (July 18, 2023). The Diaspora Sonnets. Liveright. ISBN   978-1324092988.
  2. Stewart, Sophia (September 15, 2023). "2023 National Book Award Longlists Announced". PublishersWeekly.com. Retrieved 2024-11-14.
  3. Dellis, Kate (2024-04-30). "Worcester's poet laureate Oliver de la Paz turns postcards to poetry in his new book of sonnets". GBH. Retrieved 2024-11-14.
  4. "Oliver de la Paz on Absences and Using the Form of the Sonnet to Capture Life in a Diaspora". Literary Hub. 2023-07-10. Retrieved 2024-11-14.
  5. Flor, Robert Francis (2024-01-05). "Q&A: Oliver de la Paz's 'The Diaspora Sonnets' plays with form, pattern-making". International Examiner. Retrieved 2024-11-14.
  6. Paz, Oliver de la (November 23, 2022). "Poem: Diaspora Sonnet Traveling Between Apartment Rentals". The New York Times .
  7. "Electric Lit's Best Poetry Collections of 2023". Electric Literature. 2023-11-28. Retrieved 2024-11-14.
  8. Frank, Rebecca Morgan (2023-07-06). "Bathhouse Sex, DIY Sestinas, Steamy Surrealism, and Sonnets: New Poetry Coming in July". Literary Hub. Retrieved 2024-11-14.
  9. Llagas, Karen (2023-11-27). "The Diaspora Sonnets by Oliver de la Paz". RHINO. Retrieved 2024-11-14.
  10. Alidio, Kimberly (2017-04-25). "What Home Is Isn't That". The Poetry Foundation. Retrieved 2024-11-14.