Pope Sylvester I was the bishop of Rome from 31 January 314 until his death on 31 December 335. He filled the See of Rome at an important era in the history of the Western Church, though very little is known of his life.
The Archbasilica of Saint John Lateran is the Catholic cathedral of the Diocese of Rome in the city of Rome, and serves as the seat of the bishop of Rome, the pope. The archbasilica lies outside of Vatican City proper, which is located approximately four kilometres northwest. Nevertheless, as properties of the Holy See, the archbasilica and its adjoining edifices enjoy an extraterritorial status from Italy, pursuant to the terms of the Lateran Treaty of 1929. Dedicated to the Christ, in honor of John the Baptist and John the Evangelist, the place name, Laterano (Lateran) comes from an ancient Roman family (gens), whose palace (domus) grounds occupied the site; the adjacent Lateran Palace was the primary residence of the pope until the Middle Ages.
The Donation of Constantine is a forged Roman imperial decree by which the 4th-century emperor Constantine the Great supposedly transferred authority over Rome and the western part of the Roman Empire to the Pope. Composed probably in the 8th century, it was used, especially in the 13th century, in support of claims of political authority by the papacy.
The Apostolic Palace is the official residence of the Pope, the head of the Catholic Church, located in Vatican City. It is also known as the Papal Palace, the Palace of the Vatican and the Vatican Palace. The Vatican itself refers to the building as the Palace of Sixtus V, in honor of Pope Sixtus V, who built most of the present form of the palace.
San Saba is an ancient basilica church in Rome, Italy. It lies on the so-called Piccolo Aventino, which is an area close to the ancient Aurelian Walls next to the Aventine Hill and Caelian Hill.
Giulio Pippi, known as Giulio Romano, was an Italian painter and architect. He was a pupil of Raphael, and his stylistic deviations from High Renaissance classicism help define the sixteenth-century style known as Mannerism. Giulio's drawings have long been treasured by collectors; contemporary prints of them engraved by Marcantonio Raimondi were a significant contribution to the spread of sixteenth-century Italian style throughout Europe.
Sebastiano del Piombo was an Italian painter of the High Renaissance and early Mannerist periods famous as the only major artist of the period to combine the colouring of the Venetian school in which he was trained with the monumental forms of the Roman school. He belongs both to the painting school of his native city, Venice, where he made significant contributions before he left for Rome in 1511, and that of Rome, where he stayed for the rest of his life, and whose style he thoroughly adopted.
The four Raphael Rooms form a suite of reception rooms in the Apostolic Palace, now part of the Vatican Museums, in Vatican City. They are famous for their frescoes, painted by Raphael and his workshop. Together with Michelangelo's Sistine Chapel ceiling frescoes, they are the grand fresco sequences that mark the High Renaissance in Rome.
The Transfiguration is the last painting by the Italian High Renaissance master Raphael. Cardinal Giulio de Medici – who later became Pope Clement VII – commissioned the work, conceived as an altarpiece for Narbonne Cathedral in France; Raphael worked on it in the years preceding his death in 1520. The painting exemplifies Raphael's development as an artist and the culmination of his career. Unusually for a depiction of the Transfiguration of Jesus in Christian art, the subject is combined with the next episode from the Gospels in the lower part of the painting. The work is now in the Pinacoteca Vaticana in the Vatican City.
The Borgia Apartments are a suite of rooms in the Apostolic Palace in the Vatican, adapted for personal use by Pope Alexander VI. In the late 15th century, he commissioned the Italian painter Bernardino di Betto (Pinturicchio) and his studio to decorate them with frescoes.
Carlo Maratta or Maratti was an Italian painter, active mostly in Rome, and known principally for his classicizing paintings executed in a Late Baroque Classical manner. Although he is part of the classical tradition stemming from Raphael, he was not exempt from the influence of Baroque painting and particularly in his use of colour. His contemporary and friend, Giovanni Bellori, wrote an early biography on Maratta.
Old St. Peter's Basilica was the church buildings that stood, from the 4th to 16th centuries, where St. Peter's Basilica stands today in Vatican City. Construction of the basilica, built over the historical site of the Circus of Nero, began during the reign of Roman Emperor Constantine I. The name "old St. Peter's Basilica" has been used since the construction of the current basilica to distinguish the two buildings.
Tommaso Laureti, often called Tommaso Laureti Siciliano, was an Italian painter from Sicily who trained in the atelier of the aged Sebastiano del Piombo and worked in Bologna. From 1582, he worked for papal patrons in Rome in a Michelangelo-inspired style with special skill in illusionistic perspective, that in his Roman work avoided all but traces of Mannerism.
The Baptism of Constantine is a painting by assistants of the Italian Renaissance artist Raphael. It was most likely painted by Gianfrancesco Penni, between 1517 and 1524.
The Vision of the Cross is a painting made between 1520 and 1524 by assistants of the Italian renaissance artist Raphael. After the master's death in 1520, Gianfrancesco Penni, Giulio Romano and Raffaellino del Colle from Raphael's workshop worked together to finish the commission to decorate with frescoes the rooms that are now known as the Stanze di Raffaello, in the Apostolic Palace in the Vatican.
The Mass at Bolsena is a painting by the Italian renaissance artist Raphael. It was painted between 1512 and 1514 as part of Raphael's commission to decorate with frescoes the rooms that are now known as the Raphael Rooms, in the Apostolic Palace in the Vatican. It is located in the Stanza di Eliodoro, which is named after The Expulsion of Heliodorus from the Temple.
The Meeting of Leo I and Attila is a fresco by the Italian Renaissance artist Raphael. It was painted from 1513 to 1514 as part of Raphael's commission to decorate the rooms that are now known as the Stanze di Raffaello, in the Apostolic Palace in the Vatican. It is located in the Stanza di Eliodoro, which is named after The Expulsion of Heliodorus from the Temple.
The Battle of the Milvian Bridge, or The Battle at Pons Milvius, is a fresco in one of the rooms that are now known as the Stanze di Raffaello, in the Apostolic Palace in the Vatican depicting the Battle of the Milvian Bridge.
Constantine the Great's (272–337) relationship with the four Bishops of Rome during his reign is an important component of the history of the Papacy, and more generally the history of the Catholic Church.
The Acts of Sylvester are a series of legendary tales about the fourth-century bishop of Rome, Sylvester I. Sylvester was the bishop of Rome at the critical point in European history when Constantine the Great became the first Christian emperor. Yet, despite the claims that arose in later centuries of Roman primacy, some academics question whether Sylvester played a significant role in the Christianization of the Roman Empire during this crucial period. They contend these legends arose in order to augment the reputation of Sylvester and to correct a number of embarrassing events for the Church, such as his conspicuous absence at both the Synod of Arles in 314 and the First Council of Nicaea in 325, and the fact that Constantine had been baptized by an Arian bishop.
