The Druid Circle

Last updated
The Druid Circle
The Druid Circle.jpg
Written by John Van Druten
Directed byJohn Van Druten
Date premieredOctober 22, 1947 (1947-10-22)
Place premiered Morosco Theatre
Original languageEnglish
SubjectMiddle-aged ire at youthful love.
GenreDrama
SettingSenior common room; Maddox's flat; White's flat; one week in March, early 1920s

The Druid Circle is a 1947 play in three acts written by John Van Druten. It has a medium-sized cast, slow pacing, five scenes, and three settings. [1] A history professor, frustrated to be working at a university near the border of England and Wales, discovers a love letter written by one of his students to a girl. After humiliating them both, the Professor realises too late the meanness of his actions when it rebounds on him. The play's title comes from "Druid", British academic slang denoting a erudite scholar who has lost his sense of humanity, with "Circle" indicating a group of the same. [2]

Contents

Produced by Alfred de Liagre Jr, staged by the author, with scenic design by Stewart Chaney, it starred Leo G. Carroll. [3] It ran on Broadway from October through December 1928, lasting for sixty-nine [1] or seventy performances. [4]

Characters

Lead

Supporting

Featured

Synopsis

The locale is a small university on the border of England and Wales, the time is one week in March, during the early 1920s. Professor White has been at the same university since he was a student himself. His marriage had been loveless and his wife had died twenty years ago. Daily contact with the same ossified minds of his colleagues and the atmosphere of petty gossip has worn away whatever ambition or idealism he may have had. He finds himself incensed by the happy home life of the lecturer Maddox, recently come from London with his stylish wife. He is irked by the scholarly promise of a student leader, Tom Lloyd-Ellis, whose popularity he resents. One day he finds a candid letter Tom wrote to his fiance, Megan Lewis, a student in the university's college for women. The letter is both a vicarious delight to White's long-suffocated soul, and a goad since Tom has made slighting reference to White as incapable of the love he expresses for Megan.

White says nothing about the letter, knowing the couple will have missed it and will soon have to come to him. Tom and Megan first seek advice from Maddox and his wife Brenda, who are sympathetic but can only suggest waiting until White reveals his purpose in concealing the letter. Meanwhile, White's aged mother forces him to confront his thwarted career, sacrifising himself at a penurious university with no real academic reputation. When Tom and Megan go to Professor White, he acknowledges having the letter, but won't let them have it until Tom reads it aloud in front of Megan and him. Tom reads it, after which Megan rushes from the room and runs away from the college. This causes an uproar at the university, and the Dean eventually traces the cause to Professor White's cruelty. In the final scenes White feels remorse over his callousness, and resigns at the stern suggestion of the Dean, while Megan returns on her own to be reunited with Tom, and Maddox decides to leave this stultifying institution.

Original production

Background

John Van Druten had been an instructor at just such a university as figures in The Druid Circle. [5] Though the play wasn't produced until 1947, Van Druten wrote it just after his first success with Young Woodley in 1925. [6] The original title was Professor White, which Van Druten changed to The Druid Circle just before rehearsals started on September 10, 1947. [7]

Alfred de Liagre Jr and Van Druten had worked before on the long-running hit The Voice of the Turtle , and the 1945 play The Mermaids Singing. Financial backing for the The Druid Circle was provided by James Merrill Herd through the Herd Theatrical Corporation, which consolidated money from many individuals into a package investment to support theatrical productions. [8]

Cast

Principal cast for the tryouts in New Haven and Boston, and during the original Broadway run.
RoleActorDatesNotes and sources
Professor White Leo G. Carroll Oct 02, 1947 - Dec 20, 1947
Tom Lloyd-EllisWalter StarkeyOct 02, 1947 - Dec 20, 1947
MaddoxBoyd CrawfordOct 02, 1947 - Dec 20, 1947
Megan LewisEllen HumphreyOct 02, 1947 - Oct 11, 1947
Susan Douglas Oct 13, 1947 - Dec 20, 1947She replaced Ellen Humphrey starting with the second week of the Boston tryout. [9]
Mrs. White Ethel Griffies Oct 02, 1947 - Dec 20, 1947
Miss Dagnall Lillian Bronson Oct 02, 1947 - Dec 20, 1947
Brenda Maddox Neva Patterson Oct 02, 1947 - Dec 20, 1947
Miss TrevelyanMerle MaddernOct 02, 1947 - Dec 20, 1947
Professor PhillipsNoel LeslieOct 02, 1947 - Dec 20, 1947
TobinAidan TurnerOct 02, 1947 - Dec 20, 1947
BlodwynCherry HardyOct 02, 1947 - Dec 20, 1947

Tryouts

The Druid Circle was performed for the first time at the Shubert Theatre in New Haven, Connecticut on October 2, 1947. [10] Local opinion was mixed; reviewer John Innes thought it a good evening's entertainment though carrying no particular message. [11] The critic for the Hartford Courant was less enthusiastic: "The Druid Circle failed to convince this reviewer of its fundamental sincerity. There is a suspicious kind of precociousness about the whole business, a blandness and smirky superiority which are slightly dismaying." [10]

After four performances in New Haven, the production went to Boston, where it opened at the Wilbur Theatre on October 6, 1947. [12] Cyrus Durgin of The Boston Globe was enthusiastic about the acting, particularly Leo G. Carroll, "one of the finest actors of the day". [12] He also praised Van Druten's writing, but noticed some weakness with the play's structure: "The plot is difficult to handle, for it depends in every act on telling about things which have happened off-stage and then going on from there." [12] He praised Ethel Griffies scene-stealing in the second act, and finished by suggesting some reworking of the third act. [12]

George Jean Nathan stated that during the tryouts the time period for the play was 1912, but when going to Broadway it was abruptly switched to the early 1920s. [13] There is nothing in any of the tryout reviews to confirm or deny his assertion of the time period. [10] [11] [12]

Premiere and reception

The Druid Circle had its Broadway premiere at the Morosco Theatre on October 22, 1947, [14] displacing Van Druten's The Voice of the Turtle, which now moved over to the Martin Beck Theatre. [15] Leo G. Carroll was the only performer listed in advertising, but his name was below the title in smaller font and preceded by "with". [16]

Brooks Atkinson of The New York Times thought the first act "trifling", but once over, "John van Druten goes straight to the heart of one of his best dramas". [fn 1] [17] Atkinson's most generous praise was for the acting of Leo G. Carroll, in a role that precluded his usual charm and geniality, and thought Ethel Griffies "another treasure". [17] Arthur Pollock of the Brooklyn Daily Eagle thought The Druid Circle "more of a study than a play", a character sketch of Professor White. [3] He summarized the production by saying "Mr. Van Druten has staged the play as if he were in no hurry to make it a hit". [3]

John Chapman of the New York Daily News disagreed with the critic for the Hartford Courant: "...it is a sincere drama and sometimes a moving one". [2] His only quibble was with the relationship of the young lovers: "...being an incipient member of the Druid Circle, I felt now and again that the young lovers were just a little too starry-eyed, a little too pure of heart and simple of mind for even the 1920s". [2]

Closing

The Druid Circle closed at the Morosco on December 20, 1947. [18] There was no post-Broadway tour; instead, Leo G. Carroll went right into rehearsals for a Theatre Guild production of You Never Can Tell . [19]

Notes

  1. Wikipedia has the author's surname as "Van Druten" but many contemporary references cite it, like Atkinson, as "van Druten".

Related Research Articles

<span class="mw-page-title-main">Leo G. Carroll</span> English actor (1886–1972)

Leo Gratten Carroll was an English actor. In a career of more than forty years, he appeared in six Hitchcock films including Spellbound, Strangers on a Train and North by Northwest and in three television series, Topper, Going My Way, and The Man from U.N.C.L.E..

<span class="mw-page-title-main">John Van Druten</span> Actor, playwright (1901–1957)

John William Van Druten was an English playwright and theatre director. He began his career in London, and later moved to America, becoming a U.S. citizen. He was known for his plays of witty and urbane observations of contemporary life and society.

<span class="mw-page-title-main">Jules Dassin</span> American film director (1911–2008)

Julius Dassin was an American film and theatre director, producer, writer and actor. A subject of the Hollywood blacklist in the McCarthy era, he subsequently moved to France, and later Greece, where he continued his career. He was a member of the Academy of Motion Picture Arts and Sciences and the Screen Directors' Guild.

Jason Wingreen was an American actor. He portrayed bartender Harry Snowden on the CBS sitcom All in the Family (1977–1979), a role he reprised on the continuation series Archie Bunker's Place (1979–1983). He was also the original voice of Star Wars character Boba Fett in The Empire Strikes Back (1980).

<span class="mw-page-title-main">Olive Deering</span> American actress

Olive Deering was an American actress of film, television, and stage, active from the late 1940s to the mid-1960s. She was a life member of The Actors Studio, as was her elder brother, Alfred Ryder.

<span class="mw-page-title-main">John Marriott (actor)</span> American actor

John Marriott was an American actor of the stage, film and screen, whose career spanned five decades. His acting career began on the stage in Cleveland, prior to his moving to New York City, where he was a regular performer on the Broadway stage. In the 1940s he also began to perform in films, when he reprised his role from the hit Broadway play, The Little Foxes, in the William Wyler movie of the same name, starring Bette Davis. While he appeared infrequently in films, he was quite active in theater, both on Broadway and in regional productions. His final performance was on-screen, in the Al Pacino film, Dog Day Afternoon.

<span class="mw-page-title-main">Wesley Addy</span> American actor (1913–1996)

Robert Wesley Addy was an American actor of stage, television, and film.

<i>Hells Bells</i> (play) 1925 play

Hell's Bells AKA Fool's Gold, is a 1924 play in three acts written by Barry Conners. It is a farce with a large cast and one setting. The story concerns two middle-aged Arizona-based prospecters, sent back East by a speculator to sell shares in his mine. To expedite sales, they pose as millionaires, which leads the Connecticut sisters of one prospector to have him committed so they can obtain control of his supposed wealth.

The Noose is a 1926 play in three acts written by Willard Mack. It is a melodrama, with a large cast, fast pacing, and two settings. The story tells of a young man condemned for the murder of a fellow bootlegger, and his refusal to explain why he did it.

Murray Kinnell was a British-born American actor, recognized for playing smooth, gentlemanly, although rather shady characters. He began acting on the English stage in 1907, toured in the United States from 1912 through 1914, then returned to England where he served in the British Army during World War I. After the war, he emigrated to the US. He appeared in 71 films between the pre-code era of 1930 and 1937. He later served the Screen Actors Guild in several positions for 16 years.

<span class="mw-page-title-main">Dennis Hoey</span> English actor (1893–1960)

Dennis Hoey was a British film and stage actor, best known for playing Inspector Lestrade in six films of Universal's Sherlock Holmes series.

Me and Molly is a three-act play with eight scenes by Gertrude Berg, based on Berg's long-running radio drama The Goldbergs. It has a large cast, one setting, and moderate pacing. It is a domestic situation comedy, bordering on soap opera, as Jake Goldberg tries to start his own business while his family adjusts to life in a new apartment.

<i>Main Street to Broadway</i> 1953 film by Tay Garnett

Main Street to Broadway is a 1953 American romantic musical comedy-drama film by independent producer Lester Cowan, his final credit, in collaboration with The Council of the Living Theatre, which provided tie-up with a number of well-known Broadway names. The backstage story features Tom Morton as an aspiring playwright who hopes to stage a Broadway production, Mary Murphy, as a young lady from Indiana, and radio-TV humorist Herb Shriner in a rare acting role as a hardware store owner.

<span class="mw-page-title-main">Carl Harbord</span> English-American actor (1908–1958)

Carl Harbord was an English stage, film and television actor.

<i>The First Legion</i> 1951 film

The First Legion is a 1951 American drama film directed by Douglas Sirk and written by Emmet Lavery. The film stars Charles Boyer, William Demarest, Lyle Bettger, Walter Hampden, Barbara Rush, Wesley Addy, H. B. Warner and Leo G. Carroll. The film was released on April 27, 1951, by United Artists. The film was based on Lavery's play of the same name, which opened on Broadway at the 46th Street Theatre on October 1, 1934. The play, which had no female characters, moved to the Biltmore Theater where it closed January 5, 1935.

Old Acquaintance is a 1940 play by the British writer John Van Druten. It is a three-act comedy, with a small cast and two settings. The story is a conflict between two women, childhood friends from Harrisburg, Pennsylvania and now both successful writers. It is all conversation, with exits and entrances the only action. It was considered a "woman's play" by contemporary reviewers.

Vivienne Baber was an actress in the United States. She had a starring role in the 1932 film The Black King.

Boy Meets Girl is a three-act, seven-scene play, written by Bella and Samuel Spewack, staged and produced by George Abbott. It is a farce with a large cast, fast pacing, two settings and a film sequence. The action centers around two scenarists at the Royal Studios in Hollywood, their volatile producer, the fading western actor they write for, and a pregnant single waitress whose baby they turn into a film star. The play's title comes from a trope common to early film plots: Boy Meets Girl, Boy Loses Girl, Boy Gets Girl. Though not original to the play, the phrase received a boost in popular usage as a result.

Rusty Lane, was a college professor who in his forties left academia to become a professional actor. He appeared in several Broadway productions during the 1940s and 1950s, including three years as an original cast member for Mister Roberts. He was in the original cast for another Tony award-winning play, The Desperate Hours. Lane also took up screen acting, performing in 21 films and making hundreds of televisions appearances from 1950 up through 1973, including as the star of the TV series Crime with Father, and as a regular cast member of the daytime serial The Clear Horizon.

The Greeks Had a Word for It is a 1930 play written by Zoe Akins. It is a three-act comedy that becomes farce only at the end. It has a medium-sized cast, multiple settings, and pacing that reviewers said showed "indecision" and "sluggishness". It is so episodic in nature that one critic called it three one-act plays joined together by leading characters. It depicts the relationships of three ex-chorus girls with themselves and their would-be paramours. The author never reveals what word she had in mind.

References

  1. 1 2 Nathan p.116
  2. 1 2 3 4 Chapman, John (October 23, 1947). "Young Sex, Elderly Repressions Tangle Gently in 'Druid Circle'". Daily News. New York, New York. p. 425 via Newspapers.com.
  3. 1 2 3 Pollock, Arthur (October 23, 1947). "Theater". Brooklyn Daily Eagle. Brooklyn, New York. p. 9 via Newspapers.com.
  4. Boardman p.269
  5. Gaver, Jack (November 8, 1947). "Up And Down Broadway". Latrobe Bulletin. Latrobe, Pennsylvania. p. 6 via Newspapers.com.
  6. Storm, Axel (November 10, 1947). "Broadway Nights". The Bradford Era. Bradford, Pennsylvania. p. 9 via Newspapers.com.
  7. "Van Druten Play Renamed". Daily News. New York, New York. September 8, 1947. p. 367 via Newspapers.com.
  8. Watt, Douglas (September 18, 1947). "Herd Favors Cheaper Shows Rather Than a Price Boost". Daily News. New York, New York. p. 887 via Newspapers.com.
  9. "Sue Steps In". Daily News. New York, New York. October 13, 1947. p. 386 via Newspapers.com.
  10. 1 2 3 T. H. P. (October 3, 1947). "'Druid Circle' Stage In New Haven". Hartford Courant. Hartford, Connecticut. p. 19 via Newspapers.com.
  11. 1 2 Innes, John (October 3, 1947). "New Shubert's Play Meets Test Of Critic's Measuring Stick". The Bridgeport Telegram. Bridgeport, Connecticut. p. 58 via Newspapers.com.
  12. 1 2 3 4 5 Durgin, Cyrus (October 7, 1947). "Wilbur Theatre 'The Druid Circle'". The Boston Globe. Boston, Massachusetts. p. 30 via Newspapers.com.
  13. Nathan p.118
  14. O'Brian, Jack (October 23, 1947). "Van Bruten [sic] Play Premiered On New York Stage". Portland Evening Express. Portland, Maine. p. 23 via Newspapers.com.
  15. Wahls, Robert (September 20, 1947). "'Summer' May Follow 'Desire' in the Williams' Sweepstakes". Daily News. New York, New York. p. 247 via Newspapers.com.
  16. "Opens Tonight 8:15 Sharp (ad)". Brooklyn Daily Eagle. Brooklyn, New York. October 22, 1947. p. 13 via Newspapers.com.
  17. 1 2 Atkinson, Brooks (October 23, 1947). "At The Theatre". The New York Times. New York, New York. p. 28 via NYTimes.com.
  18. "Last 2 Times TODAY (ad)". Brooklyn Daily Eagle. Brooklyn, New York. December 20, 1947. p. 16 via Newspapers.com.
  19. "Leo Carroll Joins Guild Shaw Play". Daily News. New York, New York. December 18, 1947. p. 413 via Newspapers.com.

Bibliography