This article includes a list of general references, but it lacks sufficient corresponding inline citations .(April 2014) |
The Egg Crate Wallop | |
---|---|
Directed by | Jerome Storm |
Written by | Julien Josephson |
Produced by | Thomas H. Ince |
Starring | Charles Ray Colleen Moore Jack Connolly J. P. Lockney George B. Williams Frederick Moore Otto Hoffman |
Cinematography | Ted D. McCord (as T. D. McCord) |
Edited by | Edwin Robbins |
Production company | Thomas H. Ince Productions |
Distributed by | Famous Players–Lasky / Paramount Pictures |
Release date |
|
Running time | 5 reels |
Country | United States |
Language | Silent (English intertitles) |
The Egg Crate Wallop is a 1919 American silent comedy film starring Charles Ray and featuring actress Colleen Moore. The film was directed by Jerome Storm and Thomas H. Ince was its producer.
Jim Kelly (Charles Ray) works for a railroad express company in a small Midwest town. After years of heavy lifting, he has developed quite a punch. He is infatuated with Kitty Haskell (Colleen Moore), the daughter of his boss (J.P. Lockner), whom he has worked with for years. Jim has a rival for Kitty's attentions, a city boy who one day watches Mr. Haskell deposit money in the railroad safe. He memorized the combination and later steals the deposit from the safe. Suspicion for the theft falls on both Mr. Haskell and Jim, and Jim decides to go on the run, thinking that Mr. Haskell is guilty and hoping to divert attention from him. He goes to the city, develops his boxing skills, moves to the top of the roster and on the night of the big fight he refuses to throw the bout. He discovers his rival with some of the missing cash, and turns him in... freeing Mr. Haskell and winning the love of Kitty.
Jerome Storm had directed many of Charles Ray's films, most with an athletic theme. Besides this film with Ray as a boxer, he would star in The Busher with Colleen, wherein he was a baseball player. A number of real boxers were brought in to spar with Ray, and were filmed as characters.
The film is listed FIAF / Library of Congress database as being preserved in the Gosfilmofond collection in Russia. [1]
Colleen Moore was an American film actress who began her career during the silent film era. Moore became one of the most fashionable stars of the era and helped popularize the bobbed haircut.
Jerome Storm was an American film director, actor, and writer. He acted in 48 films between 1914 and 1941 and directed 47 films between 1918 and 1932. He was born in Denver, Colorado, and died in Desert Hot Springs, California.
Hands Up! is a 1917 American silent Western film directed by Tod Browning. This was Colleen Moore's last film for Triangle Film Company/Fine Arts Film Company. D. W. Griffith had withdrawn from the Triangle arrangement and taken many performers and staff, who were under contract specifically with Fine Arts rather than Triangle. Moore's contract was with Fine Arts. However Griffith had gone to Europe where he made Hearts of the World.
Her Wild Oat (1927) is a silent comedy film made by First National Pictures, directed by Marshall Neilan, and starring Colleen Moore. The screenplay was written by Gerald C. Duffy, based on a story by Howard Irving Young.
The Bad Boy is a lost 1917 American silent crime drama film directed by Chester Withey and starring Robert Harron, Richard Cummings, and Mildred Harris. The film marks the debut of Colleen Moore, who plays a supporting role in the film.
Smiling Irish Eyes (1929) is a Vitaphone American pre-Code musical film with Technicolor sequences. The film is now considered a lost film. However, the Vitaphone discs still exist.
Why Be Good? is a 1929 American silent comedy film produced by First National Pictures starring Colleen Moore and Neil Hamilton. The film has no audible dialogue but is accompanied by a Vitaphone soundtrack with music, sound effects and some synchronized singing.
We Moderns is a 1925 American silent comedy film directed by John Francis Dillon and starring Colleen Moore. The film was produced by Moore's husband John McCormick and was released through First National Pictures. It was based on the play and novel by Israel Zangwill. The play ran for 22 performances in 1924 at the Gaiety Theatre in New York, produced and directed by Harrison Grey Fiske and starring Helen Hayes and Isabel Irving.
Synthetic Sin is a 1929 American comedy film directed by William A. Seiter, based on a play of the same name. While filmed as a silent, it was released by Warner Bros. accompanied with a Vitaphone music soundtrack and sound effects. However most of the Vitaphone discs are still lost, apart from the final reel.
Twinkletoes is a 1926 American silent romantic drama film directed by Charles Brabin and starring Colleen Moore. The film, as with most of Moore's vehicles at this time, was produced by her husband John McCormick with the couple distributing through Moore's resident studio First National. This film is one of Moore's surviving films from the late silent era and is available on DVD.
The Busher is a 1919 American drama film directed by Jerome Storm featuring Colleen Moore, and produced by Thomas H. Ince. The film still exists and is available on DVD from Kino Video, running 55 minutes. There is an alternate edition available from Grapevine Video. This version runs 63 minutes, including a longer opening exposition sequence, and more frequent original intertitles, which help to clarify the story. A print is also held by Gosfilmofond Russian State Archives.
A Hoosier Romance is a 1918 Selig Polyscope silent film, featuring actress Colleen Moore.
Oh, Kay! is a 1928 silent film produced by John McCormick and distributed by First National Pictures. McCormick's wife Colleen Moore starred and Mervyn LeRoy directed the film. It is based on the 1926 musical Oh, Kay!, which had music by George Gershwin, lyrics by Ira Gershwin, and a book by Guy Bolton and P. G. Wodehouse.
His Nibs is a 1921 American comedy film directed by Gregory La Cava and starring Chic Sale and Colleen Moore.
April Showers is a 1923 American silent romantic film directed by Tom Forman starring Colleen Moore. It is not known whether the film currently survives.
Social Register is an American 1934 pre-Code comedy-drama musical film starring Colleen Moore. The film re-united her with her old friend and one of the first directors to give her film career a start, Marshall Neilan. The film was based on the 1931 play of the same name by Anita Loos and John Emerson.
The Savage is a 1917 American silent drama film starring Colleen Moore and Monroe Salisbury that is set in Canada and was directed by Rupert Julian. The film is presumed to be lost.
Al Kaufman was an American boxer and film actor.
Sally is a 1925 American silent romantic comedy film starring Colleen Moore. The film was directed by Alfred E. Green, produced by Moore's husband John McCormick, and based on the musical Sally written by Guy Bolton and Clifford Grey that was adapted to film by June Mathis. The play was a Florenz Ziegfeld Jr. production written specifically for Marilyn Miller that opened on December 21, 1920, at the New Amsterdam Theatre on Broadway. It ran for 570 performances.
Big Brother is a 1923 American silent drama film directed by Allan Dwan and written by Rex Beach and Paul Sloane. The film stars Tom Moore, Edith Roberts, Raymond Hatton, Joe King, Mickey Bennett, Charles Henderson, and Paul Panzer. The film was released on December 23, 1923, by Paramount Pictures.