| The Eighth Wonder | |
|---|---|
| Opera by Alan John | |
 Building of the Sydney Opera House, the topic of the opera | |
| Librettist | Dennis Watkins |
| Language | English |
| Based on | Building of the Sydney Opera House |
| Premiere | 14 October 1995 Opera Theatre, Sydney Opera House |
The Eighth Wonder is a 1995 opera by Alan John and with a libretto by Dennis Watkins about the building process of the Sydney Opera House.
The Eighth Wonder was premiered by The Australian Opera at the Sydney Opera House on 14 October 1995 in the presence of the composer and librettist. The opera was broadcast on television by the Australian Broadcasting Corporation on the Friday evening following the world premiere performance.
It was revived by the same company (by this time known as Opera Australia) again at the Sydney Opera House in 2000.
Lyndon Terracini, artistic director of Opera Australia, announced that the work would be performed as part of the 2016 season at the Sydney Opera House, retitled as Sydney Opera House: The Opera. [1] This new adaptation was performed outdoors on the steps of the Opera House, with the audience wearing headphones to hear the singers and orchestra with clarity. [2]
In 2020, spurred by composer Stephen Rae's desire to listen to the opera and finding it unavailable, a project commenced to promote the opera through a comprehensive website dedicated to the opera. [3] The website was launched in March 2021 and resulted in a cover story feature in the April 2021 edition of Limelight magazine. [4]
The opera tells the story of the very building in which it was performed. Soon after the building was commissioned and work had commenced the State Premier who administered its genesis died.
The opera suggests that the Premier believed that if the work was not sufficiently advanced and there was a change of government then the project would be cancelled. Therefore, the foundation work was commenced before the architect had solved the problem of how to build the main structure of the building. The time and cost estimates were also understated to ensure work commenced. There were many other engineering and design problems that had not been solved when work had commenced.
The opera supports the idea that the architect was fully competent to solve these problems and indeed was able to provide solutions that were far more elegant than anything that anyone less inspired, less talented and at one with a vision could provide.
Some time after that there was indeed a change of government. There was much hostility toward the building and the new government was not willing to let the architect complete the project. Much scandal was made of the time and cost of the project. The state bureaucracy wrested control from its architect and the architect's intentions for the interiors of the building were never realised. The architect left the country and disowned the building.
Characters in the opera include the politicians, the architect, an engineer, socialites, and a prominent conductor (the maestro) who betrays the cause of opera for the cause of concert music (see full cast list below). There are also two young artists who firmly identify their future with the building. The names of the characters do not match their real-life counterparts and there are, no doubt, certain other fictional elements.
There is a large chorus and the music is quite accessible, with several bright choral climaxes. The opera consists of two acts, with a total of 15 scenes including Parliament House, the construction site and the suburban backyard where the young artists spend time with their families.
The opera concludes leaving the audience with a sense of loss for the complete vision that was never realised but also with an enormous sense of gratitude and wonderment that as much of that vision that has been completed has been.
Cast:
Creative team:
The Sydney Opera House is a multi-venue performing arts centre in Sydney, New South Wales, Australia. Located on the foreshore of Sydney Harbour, it is widely regarded as one of the world's most famous and distinctive buildings and a masterpiece of 20th-century architecture.
Jørn Oberg Utzon was a Danish architect. In 1957, he won an international design competition for his design of the Sydney Opera House in Australia. Utzon's revised design, which he completed in 1961, was the basis for the landmark, although it was not completed until 1973.
Opera Australia is the principal opera company in Australia. Based in Sydney, New South Wales, its performance season at the Sydney Opera House accompanied by the Opera Australia Orchestra runs for approximately eight months of the year, with the remainder of its time spent at the Arts Centre Melbourne, where it is accompanied by Orchestra Victoria. In 2004, the company gave 226 performances in its subscription seasons in Sydney and Melbourne, Victoria, attended by more than 294,000 people.
The Sydney Conservatorium of Music (SCM) — formerly the New South Wales State Conservatorium of Music, and known by the moniker "The Con" — is the music school of the University of Sydney. It is one of the oldest and most prestigious music schools in Australia, founded in 1915 by Belgian conductor and violinist Henri Verbrugghen.
John Joseph Cahill, also known as Joe Cahill or J. J. Cahill, was a long-serving New South Wales politician, railway worker, trade unionist and Labor Party Premier of New South Wales from 1952 to his death in 1959. Born the son of Irish migrants in Redfern, New South Wales, Cahill worked for the New South Wales Government Railways from the age of 16 before joining the Australian Labor Party. Being a prominent unionist organiser, including being dismissed for his role in the 1917 general strike, Cahill was eventually elected to the Parliament of New South Wales for St George in 1925.
Richard Alan Bonynge is an Australian conductor and pianist. He is the widower of Australian dramatic coloratura soprano Dame Joan Sutherland. Bonynge conducted virtually all of Sutherland's operatic performances from 1962 until her retirement in 1990.
Arup is a British multinational professional services firm headquartered in London that provides design, engineering, architecture, planning, and advisory services across every aspect of the built environment. It employs about 17,000 people in over 90 offices across 35 countries, and has participated in projects in over 160 countries.
Away is a play written by Australian playwright Michael Gow. First performed by the Griffin Theatre Company in 1986, it tells the story of three internally conflicted families holidaying on the coast for Christmas, 1968.
Neil Geoffrey Armfield is an Australian director of theatre, film and opera.
Pinchgut Opera is a chamber opera company in Sydney, Australia, presenting opera from the 17th and 18th centuries performed on period instruments. Founded in 2002, Pinchgut stages two operas each year in Sydney's City Recital Hall. It also performs concerts in both Sydney and Melbourne.
Simone Margaret Young AM is an Australian conductor and academic teacher. She is currently chief conductor of the Sydney Symphony Orchestra.
Richard James Gill was an Australian conductor of choral, orchestral and operatic works. He was known as a music educator and for his advocacy for music education of children.
The Zephyr Quartet is a string quartet based in Adelaide, South Australia. Founded in 1999, they have been recognised with awards and have collaborated with international musicians.
Melbourne Opera was founded in 2002 as a charitable not-for-profit company dedicated to producing opera and associated art forms in Melbourne, Australia. With philanthropic assistance it has also toured to outer-suburban and regional Victorian theatres, as well as to Canberra and Hobart interstate. Despite receiving no government funding since its foundation, the company mounts between three and five main stage productions each year. Its principal rehearsal and performance home is the Athenaeum Theatre.
Barrie Kosky is an Australian theatre and opera director. Based at the Komische Oper Berlin, he has worked internationally.
Donald Robert Shanks AO OBE was an Australian bass-baritone singer who sang over 65 principal roles with Opera Australia and other companies in Australia and overseas. Moffatt Oxenbould said that he had "an immensely important place in the history of opera in this country".
Emma Matthews is an English-born Australian lyric coloratura soprano, noted for operatic roles, but also popular on the concert stage. A Principal Artist with Opera Australia, Matthews has received more Helpmann Awards than any other individual artist, nine Green Room Awards, the Mo Award and the Remy Martin Australian Opera Award.
The Australian World Orchestra (AWO) is a symphony orchestra based in Australia.
Kim David Carpenter is an Australian visual artist, theatre director, designer and devisor. For thirty years he was artistic director of his company, Kim Carpenter's Theatre of Image.
Peter Brian Hall was an Australian architect active in Sydney and elsewhere from the 1950s to the early 1990s. Schooled in the tenets of modernism his practice was also informed by a strong sense of the importance of function and context in design. During his early years Hall was the recipient of numerous education scholarships and bursaries, most notably a traineeship and then employment with the office of the New South Wales Government Architect, a source of highly creative architecture during the 1960s. However, Hall is best known for completing the Sydney Opera House after the resignation of its original architect, Jørn Utzon, in February 1966. At the age of 34, he was invited by the Government Architect to act as design architect in the newly formed consortium Hall Todd & Littlemore to resolve the issues which had led to Utzon's resignation, principally the design of all the interiors and the enclosing glass walls of the unfinished building. The Opera House opened in October 1973 and despite its subsequent success as Sydney's most popular performance venue, understanding of the work of Hall and his team has been coloured by the controversial circumstances of their appointment. For Hall, both personally and professionally, Utzon's legacy was a poisoned chalice – an unprecedented challenge to complete the building to a standard commensurate with its sublime exterior, but one that brought little recognition during his lifetime.
