Georg Thomalla was a German actor. He appeared in about one hundred fifty film and television productions between 1939 and 2000 and was widely known in Germany for his comedic roles.
Else Elster was a German actress who appeared in over forty films during the Weimar and Nazi eras.
Death Over Shanghai is a 1932 German thriller film directed by Rolf Randolf and starring Gerda Maurus, Else Elster and Theodor Loos. The Chinese Ministry of Education requested that the German government have the film destroyed because they had received reports that it "ridiculed China and the Chinese people".
Madame Makes Her Exit is a 1932 German romantic comedy film directed by Wilhelm Thiele and starring Liane Haid, Hans Brausewetter, Hilde Hildebrand. It premiered on 12 January 1932. A separate French-language version Amourous Adventure was also released, directed by Thiele with a largely different cast.
A Woman Like You is a 1939 German romance film directed by Viktor Tourjansky and starring Brigitte Horney, Joachim Gottschalk and Hans Brausewetter. A young woman lives an unfulfilled life until she falls in love during a holiday abroad.
A Salzburg Comedy or Little Border Traffic is a 1943 German comedy film directed by Hans Deppe and starring Willy Fritsch, Hertha Feiler and Heinz Salfner. Erich Kästner wrote the screenplay based on one of his own novels. As he had been blacklisted by the Nazi Party he used the pseudonym Berhold Bürger. The novel was again adapted for the 1957 film Salzburg Stories.
Peace of Mind is a 1931 German comedy film directed by Max Obal and starring Fritz Kampers, Lucie Englisch, and Paul Hörbiger. It was shot on location around Berlin. The film's sets were designed by the art director Jacek Rotmil. It is one of a number of farces set during the pre-First World War Germany military which were made in the early 1930s.
The Unfaithful Eckehart is a 1940 German comedy film directed by Hubert Marischka and starring Hans Moser, Hedwig Bleibtreu and Lucie Englisch. It is based on Hans Stürm's play of the same title, which had previously been made into a 1928 film and a 1931 film.
The Testament of Cornelius Gulden is a 1932 German drama film directed by E. W. Emo and starring Magda Schneider, Georg Alexander, and Theo Lingen. It is based on the 1930 novel of the same title by Ludwig von Wohl.
Nanette Makes Everything is a 1926 German silent film directed by Carl Boese and starring Mady Christians, Georg Alexander and Vivian Gibson.
Tante Jutta aus Kalkutta is a 1953 West German comedy film adapted from the play of the same name. It was directed by Karl Georg Külb and starred Viktor Staal, Ida Wüst, and Ingrid Lutz.
Frederica is a 1932 German historical musical drama film directed by Fritz Friedmann-Frederich and starring Mady Christians, Hans-Heinz Bollmann and Veit Harlan. It is based on the 1928 operetta of the same name by Franz Lehar which depicts the love affair between Friederike Brion and the young Goethe.
Mrs. Lehmann's Daughters is a 1932 German comedy film directed by Carl Heinz Wolff and starring Hansi Niese, Hertha Thiele, and Else Elster. It is a remake of the 1925 silent film Three Waiting Maids. A Swedish remake Marriageable Daughters was produced the following year.
To Be Without Worries is a 1953 Austrian-German historical comedy film directed by Georg Marischka and starring Walter Müller, Hans Moser and Walter Koch.
Nothing But Coincidence is a 1949 West German comedy film directed by E. W. Emo and starring Theo Lingen, Sonja Ziemann, and Josef Meinrad.
A Woman Like You is a 1933 German comedy film directed by Carl Boese and starring Liane Haid, Georg Alexander, and S. Z. Sakall.
Alarm at Midnight or Help! Armed Assault! is a 1931 German thriller film directed by Johannes Meyer and starring Hans Stüwe, Hans Brausewetter, and Otto Wallburg.
The First Right of the Child is a 1932 German drama film directed by Fritz Wendhausen and starring Hertha Thiele, Eduard Wesener and Helene Fehdmer.
The Eternal Spring is a 1940 German drama film directed by Fritz Kirchhoff and starring Eugen Klöpfer, Bernhard Minetti and Lina Carstens. It is part of the tradition of Heimatfilm.
