The Fair Co-Ed | |
---|---|
Directed by | Sam Wood |
Written by | Byron Morgan (scenario) Joseph Farnham (intertitles) |
Based on | The Fair Co-Ed by George Ade |
Produced by | Irving Thalberg Sam Wood William Randolph Hearst |
Starring | Marion Davies |
Cinematography | John Seitz |
Edited by | Conrad Nervig |
Production company | |
Distributed by | Metro-Goldwyn-Mayer |
Release date |
|
Running time | 70 minutes (7 reels) |
Country | United States |
Languages | 1927 Silent Version 1928 Sound Version (Synchronized) (English intertitles) |
Budget | $347,000 [1] |
The Fair Co-Ed, also known as The Varsity Girl, is a 1927 American silent film comedy starring Marion Davies and released through MGM. The film was produced by William Randolph Hearst, through Cosmopolitan Productions and directed by Sam Wood. The film was released in a sound version in 1928 with a synchronized musical score with sound effects.
The film is based on a 1909 play/musical comedy The Fair Co-Ed by George Ade which starred a young Elsie Janis, and opened on Broadway on February 1, 1909. [2]
The film survives today, supposedly in the MGM/UA archives, now controlled by Warner Brothers. [3]
Marion Bright enrolls in college to pursue a handsome young man, Bob, only to discover that he is coach of the women's basketball team there. Marion joins the team and becomes its star player, but becomes unpopular when she refuses to play a game after a disagreement with Bob. Happily for all, she has a change of heart and returns in time to help the team win the big game.
The sound version of this film featured a theme song entitled "The Fair Co-Ed" which was composed by William Axt and David Mendoza.
In her 25th film, Marion Davies starred as a madcap college student with a yen for the basketball coach Johnny Mack Brown. William Randolph Hearst always disliked this film and disliked director Sam Wood. Hearst always referred to this film as "that cheap-looking comedy" that went for "yap laughs". But laughs there were as Davies joins the college basketball team to be near Brown and to spite her rival (Jane Winton). Davies races back and forth on basketball courts, zooms about in jalopies, and even climbs a tree in this one. One of the highlights in the shooting of this film was when Charles Lindbergh visited the set. Davies was his favorite movie star. This was another box-office hit for Davies. [5]
The following is an overview of 1927 in film, including significant events, a list of films released and notable births and deaths.
Leila Marie Koerber, known by her stage name Marie Dressler, was a Canadian-born stage and screen actress and comedian, who was popular in Hollywood in early silent and Depression-era film.
Marion Davies was an American actress, producer, screenwriter, and philanthropist. Educated in a religious convent, Davies fled the school to pursue a career as a chorus girl. As a teenager, she appeared in several Broadway musicals and one film, Runaway Romany (1917). She soon became a featured performer in the Ziegfeld Follies.
Louella Rose Oettinger, known professionally as Louella Parsons, was an American gossip columnist and a screenwriter. At her peak, her columns were read by 20 million people in 700 newspapers worldwide.
John Brown was an American college football player and film actor billed as John Mack Brown at the height of his screen career. He acted and starred mainly in Western films.
Arthur Lake was an American actor known best for bringing Dagwood Bumstead, the bumbling husband of Blondie, to life in film, radio, and television.
Beverly of Graustark is a 1926 American silent romantic comedy film directed by Sidney Franklin and starring Marion Davies, Antonio Moreno, and Creighton Hale. The film's screenplay was written by Agnes Christine Johnston based on the novel by George Barr McCutcheon, and set in the fictional land of Graustark. The film features a final sequence in Technicolor. It was the first film by Sidney Franklin for MGM.
The Cat's Meow is a 2001 historical drama film directed by Peter Bogdanovich, and starring Kirsten Dunst, Eddie Izzard, Edward Herrmann, Cary Elwes, Joanna Lumley, Jennifer Tilly, and Ronan Vibert. The screenplay by Steven Peros is based on his 1997 play of the same title, which was inspired by the mysterious death of film mogul Thomas H. Ince that occurred on William Randolph Hearst's yacht during a weekend cruise celebrating Ince's birthday in November 1924. Among those in attendance were Hearst's longtime companion and film actress Marion Davies, fellow actor Charlie Chaplin, writer Elinor Glyn, columnist Louella Parsons, and actress Margaret Livingston. The film provides a speculative assessment on the unclear manner of Ince's death.
Show People is a 1928 American synchronized sound comedy film directed by King Vidor. While the film has no audible dialog, it was released with a synchronized musical score with sound effects using both the sound-on-disc and sound-on-film process. The film was a starring vehicle for actress Marion Davies and actor William Haines and included notable cameo appearances by many of the film personalities of the day, including stars Charlie Chaplin, Douglas Fairbanks, William S. Hart and John Gilbert, and writer Elinor Glyn. Vidor also appears in a cameo as himself, as does Davies.
Charles Davies Lederer was an American screenwriter and film director. He was born into a theatrical family in New York, and after his parents divorced, was raised in California by his aunt, Marion Davies, actress and mistress to newspaper publisher William Randolph Hearst. A child prodigy, he entered the University of California, Berkeley at age 13, but dropped out after a few years to work as a journalist with Hearst's newspapers.
Cain and Mabel is a 1936 American romantic comedy film directed by Lloyd Bacon and designed as a vehicle for Marion Davies in which she co-stars with Clark Gable. The story had been filmed before, in 1924, by William Randolph Hearst's production company, Cosmopolitan, as a silent called The Great White Way, starring Anita Stewart and Oscar Shaw. In this version, Robert Paige introduced the song "I'll Sing You a Thousand Love Songs", with music by Harry Warren and words by Al Dubin, who also wrote "Coney Island", "Here Comes Chiquita", and other songs.
The Patsy is a 1928 American silent comedy-drama film directed by King Vidor, co-produced by and starring Marion Davies for Cosmopolitan Productions, and released by Metro-Goldwyn-Mayer. It was based on a play of the same name by Barry Conners, and served as Marie Dressler's comeback film after a long slump in her film career. Davies played the dowdy and downtrodden Patricia, the younger daughter in a household ruled by an imperious mother (Dressler) and selfish sister.
Cosmopolitan Productions, also often referred to as Cosmopolitan Pictures, was an American film company based in New York City from 1918 to 1923 and Hollywood until 1938.
Lights of Old Broadway is a 1925 American silent drama film directed by Monta Bell, produced by William Randolph Hearst's Cosmopolitan Productions, and released by Metro-Goldwyn-Mayer. The film stars Marion Davies in a dual role and Conrad Nagel, and is an adaptation of the play The Merry Wives of Gotham by Laurence Eyre (USA). The film has color sequences using tinting, Technicolor, and the Handschiegl color process.
Zander the Great is a 1925 American silent comedy drama film directed by George W. Hill, in his first directing role for MGM. The film stars Marion Davies. The screenplay by Frances Marion is based upon the Edward Salisbury Field 1923 play of the same name.
When Knighthood Was in Flower is a 1922 American silent historical film directed by Robert G. Vignola, based on the novel by Charles Major and play by Paul Kester. The film was produced by William Randolph Hearst for Marion Davies and distributed by Paramount Pictures. This was William Powell's second film. The story was re-filmed by Walt Disney in 1953 as The Sword and the Rose, directed by Ken Annakin.
Hollywood Without Make-Up is a 1963 American film produced by Ken Murray and directed by Rudy Behlmer, Loring d'Usseau and Ken Murray (uncredited).
Little Old New York is a 1923 American silent historical drama film starring Marion Davies and directed by Sidney Olcott that was based on a play of the same name by Rida Johnson Young. The film was produced by William Randolph Hearst's Cosmopolitan production unit.
Yolanda is a 1924 American silent historical drama film produced by William Randolph Hearst and starring Marion Davies. Robert G. Vignola directed as he had Enchantment (1921) and several other Davies costume films. The film began production as a Metro-Goldwyn film, with the company becoming Metro-Goldwyn-Mayer in May 1924.