The Falling | |
---|---|
Directed by | Raul Sanchez Inglis |
Written by | Raul Sanchez Inglis Simon Barry |
Produced by | Greg Malcolm Vicki Sotheran |
Starring | Christopher Shyer Nicole Oliver Rob Lee |
Cinematography | Gregory Middleton |
Edited by | Kelly Herron |
Music by | Chris Ainscough |
Production company | Sodona Entertainment |
Distributed by | Domino Film & Television |
Release date |
|
Running time | 94 minutes |
Country | Canada |
Language | English |
The Falling is a Canadian thriller drama film, directed by Raul Sanchez Inglis and released in 1998. [1] The film centres on a love triangle between Lars (Christopher Shyer), Karis (Nicole Oliver) and Morgan (Rob Lee). [2]
The film unfolds in three segments, each representing one of their own perspectives. Lars meets Karis in a bar and takes her home for a night of passionate and uninhibited sex before Karis's jealous ex-husband Morgan arrives the next morning; Morgan sees himself as a gentle, loving man who is wounded by his wife's extramarital affairs; Karis envisions herself as an indecisive woman torn between two relationships with men she's not sure she loves. [3] The film's triptych structure, with its shifting perspectives on how each of the three characters perceives the reality of the situation, was compared by critics to Rashomon , Run Lola Run and The Red Violin . [4]
The film received a special industry screening in Vancouver on July 29, 1998, [5] before having its official public premiere at the 1998 Toronto International Film Festival in September. [6] It went into commercial release in 1999. [2]
The film was not well received by critics. Liam Lacey of The Globe and Mail called it "little more than a slick erotic thriller featuring model-pretty actors, who would be right at home on a U.S. adult cable station." [3]
For the Toronto Star , Norman Wilner wrote that "in the end, it's left to cinematographer Gregory Middleton to redeem the picture as best he can. His formal compositions and atmospheric lighting give The Falling a big-screen sheen that obscures its movie-of-the-week turgidity." [2]
Finbarr O'Reilly of the National Post was more positive, writing that "the film, shot in Vancouver, is veiled in shadows, and the ongoing rain, thunder and lightning often makes the sinister atmosphere feel like a bludgeon (Karis' bouffant hairdo and chunky earrings also make her look more like a middle-aged Rosedale matron than the funky urban chick she's meant to be). Still, it works in certain scenes where the saturated colours, muted trip-hop music and slow-motion camera work merge to symbolize the labyrinthine tunnels of the mind explored by the film." [4]
Middleton received a Genie Award nomination for Best Cinematography at the 19th Genie Awards in 1999. [7]
The Toronto Film Critics Association (TFCA) is an organization of film critics from Toronto-based publications. As of 1999, the TFCA is a member of the FIPRESCI.
The Academy of Canadian Cinema and Television presents an annual award for Best Motion Picture to the best Canadian film of the year.
The Academy of Canadian Cinema and Television presents an annual award for Best Performance by an Actor in a Leading Role to the best performance by a lead actor in a Canadian film. The award was first presented in 1968 by the Canadian Film Awards, and was presented annually until 1978 with the exception of 1969, when no eligible feature films were submitted for award consideration, and 1974 due to the cancellation of the awards that year.
The Academy of Canadian Cinema & Television presents an annual award for Best Performance by an Actress in a Leading Role to the best performance by a lead actress in a Canadian film. The award was first presented in 1968 by the Canadian Film Awards, and was presented annually until 1978 with the exception of 1969, when no eligible feature films were submitted for award consideration, and 1974 due to the cancellation of the awards that year.
The Toronto Film Critics Association Award for Best Film is one of the annual awards given by the Toronto Film Critics Association.
The Toronto Film Critics Association Award for Best Actress is one of the annual awards given by the Toronto Film Critics Association.
The Academy of Canadian Cinema and Television presents an annual award for Best Performance by an Actor in a Supporting Role to the best performance by a supporting actor in a Canadian film. The award was first presented in 1970 by the Canadian Film Awards, and was presented annually until 1978 with the exception of 1974 due to the cancellation of the awards that year.
The Academy of Canadian Cinema and Television presents an annual award for Best Performance by an Actress in a Supporting Role to the best performance by a supporting actress in a Canadian film. The award was first presented in 1970 by the Canadian Film Awards, and was presented annually until 1978 with the exception of 1974 due to the cancellation of the awards that year.
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The Canadian Screen Award for Best Achievement in Art Direction/Production Design is awarded by the Academy of Canadian Cinema and Television to the best Canadian film art direction/production design.
The Canadian Screen Award for Best Costume Design is awarded by the Academy of Canadian Cinema and Television to the best Canadian costume designer. It was formerly called the Genie Award for Best Achievement in Costume Design before the Genies were merged into the Canadian Screen Awards.
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The Toronto Film Critics Association Award for Best Actor is one of the annual awards given by the Toronto Film Critics Association, honouring the best performances by male actors in films.
Cold Comfort is a Canadian psychological thriller film, released in 1989. The film was written by Richard Beattie and Elliot L. Sims based on the play by Jim Garrard, and directed by Vic Sarin.
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The Academy of Canadian Cinema and Television presents an annual award for Best Feature Length Documentary. First presented in 1968 as part of the Canadian Film Awards, it became part of the Genie Awards in 1980 and the contemporary Canadian Screen Awards in 2013.
The Academy of Canadian Cinema and Television's Award for Best Short Documentary is an annual Canadian film award, presented to a film judged to be the year's best short documentary film. Prior to 2012 the award was presented as part of the Genie Awards program; since 2012 it has been presented as part of the expanded Canadian Screen Awards.
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