Ricardo Elizondo Elizondo was a writer, playwright, historian and archivist, whose work concentrated on preserving and promoting the culture of northeastern Mexico. Several of his books won awards and other recognitions in Mexico and abroad.
A sexploitation film is a class of independently produced, low-budget feature film that is generally associated with the 1960s and early 1970s, and that serves largely as a vehicle for the exhibition of non-explicit sexual situations and gratuitous nudity. The genre is a subgenre of exploitation films. The term "sexploitation" has been used since the 1940s.
Norma Aleandro is an Argentine actress. She is considered one of the most celebrated and prolific Argentine actresses of all time and is recognized as a cultural icon in her home country.
In film, nudity may be either graphic or suggestive, such as when a person appears to be naked but is covered by a sheet. Since the birth of film, depictions of any form of sexuality have been controversial, and in the case of most nude scenes, had to be justified as part of the story.
Cinema of Argentina refers to the film industry based in Argentina. The Argentine cinema comprises the art of film and creative movies made within the nation of Argentina or by Argentine filmmakers abroad.
Fina Torres is a Venezuelan film director and screenwriter. She became internationally recognized after winning the la Caméra d'Or award at the 1985 Cannes Film Festival with her directorial debut film, Oriana.
Armando Bó was an Argentine film actor, director, producer, screenwriter and score composer of the classic era. He made drama and sexploitation films of the 1960s and 1970s starring his favorite actress and romantic partner, sex symbol Isabel Sarli. His works include Thunder Among the Leaves, which features the first nude scene in an Argentine film.
Leopoldo Torre Nilsson, also known as Leo Towers and as Babsy, was an Argentine film director, producer and screenwriter.
Libertad María de los Ángeles Vichich Blanco was an Argentine film actress, famous for starring in several erotic films during the 1960s.
Hilda Isabel Gorrindo Sarli, nicknamed Coca, was an Argentine actress. She was known for starring in several sexploitation films by Armando Bó, especially in the 1960s and 1970s. She began her career as a model, becoming Miss Argentina and reaching the semi-finals of Miss Universe 1955. She was discovered by Bó in 1956 and made her acting debut the following year with Thunder Among the Leaves, in which a controversial nude scene featuring Sarli made it the first film to feature full frontal nudity in Argentine cinema.
Fuego is a 1969 Argentine sexploitation film written, produced and directed by Armando Bó and starring Isabel Sarli. It is one of the many erotic films that the couple made between 1959 and 1980.
The 15th Cannes Film Festival was held from 7 to 23 May 1962. The Palme d'Or went to the O Pagador de Promessas by Anselmo Duarte. The festival opened with Les Amants de Teruel, directed by Raymond Rouleau.
Ricardo Becher (1930–2011) was an Argentine film director, screenwriter and journalist. He directed twelve films 1955 and 2006. His 1969 film Coup de Grâce was entered into the 19th Berlin International Film Festival.
Thunder Among the Leaves is a 1958 Argentine-Paraguayan drama film directed by Armando Bó, starring himself, Isabel Sarli, Ernesto Báez and Andrés Laszlo. The screenplay by Paraguayan writer Augusto Roa Bastos was based on his short story La hija del ministro. Set in Paraguay, the story is about a strike at a sawmill.
Sex in film, the presentation of aspects of sexuality in film, especially human sexuality, has been controversial since the development of the medium. Films which display or suggest sexual behavior have been criticized by religious groups or have been banned or censored by governments, although attitudes have changed much along the years and a more permissive social environment has developed in certain parts of the world, notably in Europe, North America, Australia and New Zealand. In countries with a film rating system, films which contain explicit sex scenes typically receive a restricted classification. Nudity in film may be regarded as sexual or as non-sexual.
Paradise: Love is a 2012 drama film directed by Ulrich Seidl. It tells the story of a 50-year-old Austrian woman who travels to Kenya as a sex tourist. The project is an Austrian production with co-producers in Germany and France. It is the first installment in Seidl's Paradise trilogy, a project first conceived as one film with three parallel stories.
Carne is a 1968 Argentine sexploitation film written and directed by Armando Bó. It stars Isabel Sarli as Delicia, a worker in a meat-packing factory where she becomes the victim of rapists.
México Bárbaro is a 2014 Mexican anthology horror film composed of eight shorts, each by a different Mexican horror film director. It premiered at the Sitges International Fantastic Film Festival on October 8, 2014. In 2015, it was released on DVD and VOD in the U.S. and in 2016 on Netflix around the world. The film was sold to six countries during the Le Marché du Film at Festival de Cannes 2015, including MPI/Dark Sky Films. The film is part of the new Cine de Terror Mexicano movement.
Berta Ortegosa (1920–2010) was an Argentine actress. She starred in films such as Historia de una mala mujer (1947), Albéniz (1947), Don Juan Tenorio (1949), Hombres a precio (1949), Catita es una dama (1956), La casa del ángel (1957), Setenta veces siete (1962), Mujeres perdidas (1964) and Boquitas pintadas (1974). Ortegosa was known for her dramatic roles, and was a frequent collaborator with director Leopoldo Torre Nilsson. She was married to the actor Luis Corradi.
Blanca Lagrotta was an Argentine actress. She starred in films such as El nieto de Congreve (1949), Deshonra (1952), Mercado de abasto (1955), Setenta veces siete (1962), Amor libre (1969), Operación Masacre (1972), Un mundo de amor (1975) and El fantástico mundo de María Montiel (1978). In Leopoldo Torre Nilsson's 1962 picture Setenta veces siete she portrayed the Mother of Isabel Sarli's character. The film was entered into the 1962 Cannes Film Festival.
