The Female Quixote; or, The Adventures of Arabella is a comedic novel by Scottish writer Charlotte Lennox imitating and parodying the ideas of Miguel de Cervantes' Don Quixote . Published in 1752, two years after she wrote her first novel, The Life of Harriot Stuart, it was her best-known and most-celebrated work. It was approved by both Henry Fielding and Samuel Richardson, applauded by Samuel Johnson, and used as a model by Jane Austen for Northanger Abbey . [1] It has been called a burlesque, "satirical harlequinade", and a depiction of the real power of females. [2] While some dismissed its protagonist Arabella as a coquette who simply used romance as a tool, Scott Paul Gordon said that she "exercises immense power without any consciousness of doing so". [3] Norma Clarke has ranked it with Clarissa , Tom Jones and Roderick Random as one of the "defining texts in the development of the novel in the eighteenth century". [4]
Arabella, the heroine of the novel, was brought up by her widowed father in a remote English castle, where she read many French romance novels, and, imagining them to be historically accurate, expected her life to be equally adventurous and romantic. When her father died, he declared that she would lose part of her estate if she did not marry her cousin Glanville. After imagining wild fantasies for herself in the country, she visits Bath and London. Glanville is concerned at her mistaken ideas, but continues to love her, while Sir George Bellmour, his friend, attempts to court her in the same chivalric language and high-flown style as in the novels. When she throws herself into the Thames in an attempt to flee from horsemen whom she mistakes for "ravishers" in an imitation of Clélie, she becomes weak and ill. This action might have been inspired by the French satire The Mock-Clielia, in which the heroine "rode at full speed towards the great Canal which she took for the Tyber, and wherein to she threw herself, that she might swim over in imitation of Clelia whom she believed herself to be". [5] This leads to Arabella falling ill, upon which a doctor is called to take care of her. It is then that the doctor learns of Arabella's delusions concerning romance, and explains to her the difference between literature and reality. As a result, she finally decides to accept Glanville's hand in marriage.
The critical reception of The Female Quixote was generally favourable: its plot and elevated language, moral vision, and witty commentaries on romance novels were applauded. Fielding's Covent-Garden Journal gave a favorable notice of her book. [6] Dr. Johnson gave a party in honor of her first novel, The Life of Harriot Stuart, in which he served a "magnificent hot apple-pye ... and this he would have stuck with bay-leaves," and "further, he had prepared for her a crown of laurel, with which, but not till he had invoked the muses by some ceremonies of his own invention, he encircled her brows". He was much taken with her work and supportive of The Female Quixote. [7] However, Mrs. Barbauld criticized that it was "rather spun out too much, and not very well wound up." Ronald Paulson remarked that though at first the book seemed to focus "on the heroine's mind", it turned into an "intense psychological scrutiny of Arabella ... replaced by a rather clumsy attempt at the rapid satiric survey of society". [8]
Critics have debated whether the last chapter of The Female Quixote was written by Lennox herself or Samuel Johnson, due to its stylistic differences that appeared to be similar to Johnson's own writing, that stand out from the other chapters of the book. Margaret Dalziel, editor of the 1970 edition of The Female Quixote, mentioned characteristics which she believed to be of Johnson's in a two-page note in the heading of chapter eleven in book nine. [9] However, in the appendix of the same edition, Duncan Isles rejected the claim, saying that the claim rested too much on subjective stylistic evidence. [10] Other factors that suggest Johnson as the author of the last chapter include various typesetting differences. However, the errors have been attributed to various factors, including Lennox's difficulty to complete the last chapters, which likely would have led to her submitting them late to the printing press, resulting in the typeset errors. [11]
Don Quixote, the full title being The Ingenious Gentleman Don Quixote of La Mancha, is a Spanish novel by Miguel de Cervantes. It was originally published in two parts, in 1605 and 1615. Considered a founding work of Western literature, it is often said to be the first modern novel. Don Quixote is also one of the most-translated books in the world and one of the best-selling novels of all time.
Frances Burney, also known as Fanny Burney and later Madame d'Arblay, was an English satirical novelist, diarist and playwright. In 1786–1790 she held the post of "Keeper of the Robes" to Charlotte of Mecklenburg-Strelitz, George III's queen. In 1793, aged 41, she married a French exile, General Alexandre d'Arblay. After a long writing career and wartime travels that stranded her in France for over a decade, she settled in Bath, England, where she died on 6 January 1840. The first of her four novels, Evelina (1778), was the most successful and remains her most highly regarded, followed by Cecilia (1782). Most of her stage plays were not performed in her lifetime. She wrote a memoir of her father (1832) and many letters and journals that have been gradually published since 1889, forty-nine years after her death.
This article contains information about the literary events and publications of 1750.
This article contains information about the literary events and publications of 1752.
Charlotte Lennox, néeRamsay, was a Scottish author and a literary and cultural critic, whose publishing career flourished in London. Best known for her novel The Female Quixote (1752), she was frequently praised for her genius and literary skill. As a result, Sir Joshua Reynolds painted her portrait and she was featured in "The Nine Living Muses of Great Britain" in 1778. Samuel Johnson declared her superior to all other female writers, and Henry Fielding said that she "excelled Cervantes." Her pioneering study of Shakespeare's source material is still cited and her magazine (1760–1761) is the focus of "The Lady's Museum Project."
Lady Charlotte Susan Maria Bury was an English novelist, who is chiefly remembered in connection with a Diary illustrative of the Times of George IV (1838).
Amelia is a sentimental novel written by Henry Fielding and published in December 1751. It was the fourth and final novel written by Fielding, and it was printed in only one edition while the author was alive, although 5,000 copies were published of the first edition. Amelia follows the life of Amelia and Captain William Booth after they are married. It contains many allusions to classical literature and focuses on the theme of marriage and feminine intelligence, but Fielding's stance on gender issues cannot be determined because of the lack of authorial commentary discussing the matter. Although the novel received praise from many writers and critics, it received more criticism from Fielding's competition, possibly resulting from the "paper war" in which the author was involved.
Mary Hays (1759–1843) was an autodidact intellectual who published essays, poetry, novels and several works on famous women. She is remembered for her early feminism, and her close relations to dissenting and radical thinkers of her time including Robert Robinson, Mary Wollstonecraft, William Godwin and William Frend. She was born in 1759, into a family of Protestant dissenters who rejected the practices of the Church of England. Hays was described by those who disliked her as 'the baldest disciple of [Mary] Wollstonecraft' by The Anti Jacobin Magazine, attacked as an 'unsex'd female' by clergyman Robert Polwhele, and provoked controversy through her long life with her rebellious writings. When Hays's fiancé John Eccles died on the eve of their marriage, Hays expected to die of grief herself. But this apparent tragedy meant that she escaped an ordinary future as wife and mother, remaining unmarried. She seized the chance to make a career for herself in the larger world as a writer.
Mary: A Fiction is the only complete novel by 18th-century British feminist Mary Wollstonecraft. It tells the tragic story of a woman's successive "romantic friendships" with a woman and a man. Composed while Wollstonecraft was a governess in Ireland, the novel was published in 1788 shortly after her summary dismissal and her decision to embark on a writing career, a precarious and disreputable profession for women in 18th-century Britain.
Elizabeth Singer Rowe was an English poet, essayist and fiction writer called "the ornament of her sex and age" and the "Heavenly Singer". She was among 18th-century England's most widely read authors. She wrote mainly religious poetry, but her best-known work, Friendship in Death (1728), is a Jansenist miscellany of imaginary letters from the dead to the living. Despite a posthumous reputation as a pious, bereaved recluse, Rowe corresponded widely and was involved in local concerns at Frome in her native Somerset. She remained popular into the 19th century on both sides of the Atlantic and in translation. Though little read today, scholars have called her stylistically and thematically radical for her time.
Chawton House is a Grade II* listed manor house in Hampshire on the South side of Chawton village, and the present building was started in 1580.
The Covent-Garden Journal was an English literary periodical published twice a week for most of 1752. It was edited and almost entirely funded by novelist, playwright, and essayist Henry Fielding, under the pseudonym, "Sir Alexander Drawcansir, Knt. Censor of Great Britain". It was Fielding's fourth and final periodical, and one of his last written works.
Forced seduction is a theme found frequently in Western literature wherein man-on-woman rape eventually turns into a genuine love affair.
Sophia is a novel published in 1762 by Charlotte Lennox, a British novelist best known for her 1752 satirical novel The Female Quixote. Originally published in Lennox's periodical The Lady's Museum as Harriet and Sophia between 1760-1, this novel is only the second British novel to be serialized in a magazine, and the first one to be published this way by a woman.
Katharine Beutner is an American novelist, essayist, and academic. She is the author of Alcestis, winner of the Edmund White Award from the Publishing Triangle in 2011. From 2013 to 2017 she was an assistant professor of English at the University of Hawaiʻi at Mānoa. From 2017 to 2019, she was a visiting assistant professor and from 2019 to 2023, she was an assistant professor of English at the College of Wooster. Since 2023, she has been an associate professor of English at University of Wisconsin–Milwaukee.
Henrietta is an 18th-century novel by Scottish author Charlotte Lennox. The first edition was published in 1758, and the second edition, revised by Lennox was published in 1761.
Arabella is a female given name, possibly of Greek, Latin, or Celtic origin.
Sarah Scudgell Wilkinson was an English writer of children's books and novels. Some of her many chapbooks adapted existing novels.
E. M. Foster was a Romantic-era woman novelist. Some 14 popular novels of hers appeared in London between 1795 and 1810.
Elizabeth Purbeck and Jane Purbeck were English sisters and co-authors during the Romantic era who published six novels between 1789 and 1802.
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