The Final Solution | |
---|---|
Background information | |
Also known as | Earth Mother and the Final Solution |
Origin | San Francisco, California, United States |
Genres | |
Years active | 1965 | -1967
Labels | Cream Puff War |
Past members |
|
The Final Solution (also known as Earth Mother and the Final Solution) was an American garage rock band formed in San Francisco, California, in 1965. An early group in the development of what later became known as the San Francisco Sound, the Final Solution contradicted its contemporaries with their controversial name and grim lyrics composed by lead guitarist Ernie Fosselius and bassist Bob Knickerbocker. Although the group never released any recordings in their career, the band was pivotal in the San Francisco's live music scene. A recording of the Final Solution performing at the Matrix in 1966 exists and is available, particularly "So Long Goodbye", which appears on Pebbles, Volume 22 .
Established in 1965, the Final Solution's line-up featured Ernie Fosselius (lead guitar), John Yager (lead vocals, rhythm guitar), John Chance (drums), and Bob Knickerbocker (bass guitar), most of whom spent time at San Francisco State. [1] Regarding the group's potentially offensive moniker, the Final Solution refers to the phrase "There is no final solution", a cryptic but otherwise meaningless statement. Music historian Alec Palao explained "With their solidly middle-class backgrounds, none of the group had any idea of the slogan's implications". [2] Stylistically, the band bore the closest similarity to the Great Society with raga rock influences and minor-keyed melodies. However, in other aspects, the group made a concerted effort to remain apart from their San Franciscan contemporaries, performing downbeat material penned by Fosselius and Knickerbocker, and dressing in a way that did not exhibit the hippie vibe of the city. [3]
The Final Solution, early on billed as Earth Mother and the Final Solution, opened for several bands in San Francisco in venues such as the Matrix and the Fillmore Auditorium throughout 1965 and 1966, completing approximately 50 live performances during their existence. In addition, the group was house band at the Red Dog Saloon for a month in 1966. [2] After the Great Society disbanded in late 1966, drummer Jerry Slick joined the Final Solution, bringing with him some of his former group's material including "Grimly Forming" and "Father". [4] In fact, the two compositions are partially featured on rehearsal tapes by the group, which survive and have since been bootlegged. The Final Solution did demo for Mainstream Records, a Chicago-based record label which released material by other Bay Area groups; however, they could not secure a contract. Discouraged, the group disbanded sometime in 1967, with Fosselius, Knickerbocker, and Slick all going on to work in filmmaking. [3]
Despite never recording during their existence, the Final Solution has gained attention as psychedelic rock from San Francisco also received re-interest. In 1987, a live rendition of "So Long, Goodbye" appeared on Pebbles, Volume 22 . [5] Another song, "Bleeding Rose", is featured on a flexi-disc along with the first issue of the San Francisco fanzine Cream Puff War, in 1991. Tapes of the Final Solution live at the Matrix in 1966 are also available, albeit unofficially. Incidentally, the performance was almost not recorded as the group was a last-minute replacement for another band which cancelled the gig. [2] Music historian Richie Unterberger suspects the recordings will be released on a label at some point, stating: "Although not close to the upper echelon occupied by the best of their San Francisco peers, much of it's worthwhile, particularly their most folk-rock-aligned stuff, such as 'Just Like Gold' and 'Bleeding Rose'". [1]
Jefferson Airplane was an American rock band based in San Francisco, California, that became one of the pioneering bands of psychedelic rock. Formed in 1965, the group defined the San Francisco Sound and was the first from the Bay Area to achieve international commercial success. They headlined the Monterey Pop Festival (1967), Woodstock (1969), Altamont Free Concert (1969), and the first Isle of Wight Festival (1968) in England. Their 1967 breakout album Surrealistic Pillow was one of the most significant recordings of the Summer of Love. Two songs from that album, "Somebody to Love" and "White Rabbit", are among Rolling Stone's "500 Greatest Songs of All Time".
Country Joe and the Fish was an American psychedelic rock band formed in Berkeley, California, in 1965. The band was among the influential groups in the San Francisco music scene during the mid- to late 1960s. Much of the band's music was written by founding members Country Joe McDonald and Barry "The Fish" Melton, with lyrics pointedly addressing issues of importance to the counterculture, such as anti-war protests, free love, and recreational drug use. Through a combination of psychedelia and electronic music, the band's sound was marked by innovative guitar melodies and distorted organ-driven instrumentals which were significant to the development of acid rock.
The Charlatans were an American folk rock and psychedelic rock band that played a role in the development of the San Francisco Haight-Ashbury music scene during the 1960s. They are often cited by critics as being the first group to play in the style that became known as the San Francisco Sound.
The Chocolate Watchband is an American garage rock band that formed in 1965 in Los Altos, California. The band went through several lineup changes during its existence. Combining psychedelic and garage rock components, their sound was marked by David Aguilar's lead vocals, songwriting, as well as proto-punk musical arrangements. The band's rebellious musical posture made them one of the harder-edged groups of the period with many critics labeling them as America's answer to the Rolling Stones.
The Music Machine was an American rock band formed in Los Angeles, California in 1966. Fronted by chief songwriter and lead vocalist Sean Bonniwell, the band cultivated a characteristically dark and rebellious image reflected in an untamed musical approach. Sometimes it made use of distorted guitar lines and hallucinogenic organ parts, punctuated by Bonniwell's distinctively throaty vocals. Although they managed to attain national chart success only briefly with two singles, the Music Machine is today considered by many critics to be one of the groundbreaking acts of the 1960s. Their style is now recognized as a pioneering force in proto-punk; yet within a relatively short period of time, they began to employ more complex lyrical and instrumental arrangements that went beyond the typical garage band format.
Jefferson Airplane Takes Off is the debut studio album by the American rock band Jefferson Airplane, released on 15 August 1966 by RCA Victor. The personnel differs from the later "classic" lineup: Signe Toly Anderson was the female vocalist and Skip Spence played drums. Both soon left the group—Spence in May 1966, Anderson in October—and were replaced by Spencer Dryden and Grace Slick, respectively.
The Great Society was a 1960s San Francisco rock band that existed from 1965 to 1966, and was closely associated with the burgeoning Bay Area acid rock scene. Best known as the original group of model-turned-singer Grace Slick, the initial lineup of the band also featured her then-husband Jerry Slick on drums, his brother Darby Slick on guitar, David Miner on vocals and guitar, Bard DuPont on bass, and Peter van Gelder on flute, bass, and saxophone. Miner and DuPont did not remain with the band for the duration of its existence.
Autumn Records was a 1960s San Francisco–based pop record label. Among the notable acts on its roster was The Beau Brummels, a band who released a pair of top 20 singles, "Laugh, Laugh" and "Just a Little".
"Painter Man" is a song written by British singer Kenny Pickett and guitarist Eddie Phillips, and first recorded by their group the Creation. It was released as a single in October 1966. Written as a response to their avant-garde stage show, the single was their only top-forty hit on the UK Singles Chart, reaching number 36. It fared better in West Germany, where it reached number eight. It was later issued on their album We Are Paintermen.
Born to Be Burned is a compilation album by the San Francisco garage rock and psychedelic rock band the Great Society. The album is made up of material recorded during the band's short-lived association with Autumn Records in 1965, with the majority of it previously unreleased. The exceptions to this are the songs "Someone to Love" and "Free Advice", which had both been issued as a single on Northbeach Records, a subsidiary of Autumn Records, in February 1966.
Ace of Cups is an American rock band formed in San Francisco in 1967 during the Summer of Love era. It has been described as one of the first all-female rock bands.
The Charlatans is the self-titled debut album by the San Francisco psychedelic rock band the Charlatans, and was released by Philips Records in 1969.
Not to be confused with Styx (band)
The Mystery Trend was an American garage rock band formed in San Francisco, California in 1964. The band was among the first wave of San Francisco rock groups to emerge from the city's growing music scene. Exhibiting music prowess leaning toward R&B, the Mystery Trend were set apart from their contemporaries who later developed into psychedelic rock groups. Their recording output was limited, with the group's one single, "Johnny Was a Good Boy", being released in 1967.
Blackburn & Snow were a folk rock duo popular early in the mid-1960s San Francisco music scene in the United States. The duo consisted of guitarist-singer Jeff Blackburn and vocalist Sherry Snow.
"Bad Girl" is a song by the American garage rock band the Zakary Thaks, written by the whole group—Chris Gerniottis, Pete Stinson, Stan Moore, Rex Gregory, and John Lopez—and was first released for the band's debut single on J-Beck Records in July 1966. The song was an immensely successful regional hit in Texas, precipitating "Bad Girl"'s national release on Mercury Records later in the year. Since its initial distribution, the tune has received further recognition for its appearance on several compilation albums.
Teddy and His Patches were an American garage rock band formed in San Jose, California in 1964. The group, for the greater duration of its existence, was rather straightforward in their musical style; however, their best-known recording, "Suzy Creamcheese", exemplifies some of the odder aspects of psychedelia. The song was a regional hit and has since achieved favor among psychedelic music enthusiasts, who rediscovered the composition through several compilation albums.
The Oxford Circle was an American garage rock and psychedelic rock band from Davis, California, near Sacramento, who were active from 1964 to 1967. They became a popular garage rock act with a proto-punk sound influenced by Them and other blues-based bands of the British Invasion, that, in addition to heavy guitar feedback, came to encompass psychedelia. The group began to make appearances in San Francisco, where they became a top draw in venues such as the Avalon Ballroom. They taped a show at the Avalon in 1966 and, after lying in the vaults for years, it was rereleased in 1997 on the Nuggets from California: Live at the Avalon 1966 anthology. In 1967, they released the single, "Foolish Woman" b/w "Mind Destruction", which is also included, along with several other studio outtakes, on the Nuggets from California compilation. In 1967, drummer Paul Whaley left to play in pioneering heavy rock act Blue Cheer. Lead vocalist and guitarist Gary Lee Yoder and bassist Dehner Patten left to form Kak, who recorded for Epic Records. Yoder subsequently went on to join Blue Cheer in one of their later configurations.
The Wilde Knights were an American garage rock band from Longview, Washington, who were active in the 1960s. They emerged from a group known as the Furys and later the Pipers VI, who recorded several frat rock records. After becoming the Wilde Knights, they wrote and recorded two songs in 1965 which were both released as singles that year and are now recognized as garage rock classics, "Beaver Patrol" and "Just Like Me", the latter of which later provided a huge hit for Paul Revere & the Raiders. In the late 1960s they evolved into Genesis, the King Biscuit Entertainers, and American Cheese, and issued records under those various names.
Alejandro "Alec" Palao is a British musician, music historian, writer, and reissue producer. In addition to his musical output with groups like the Sting-rays, the Sneetches, and Mushroom, his works include hundreds of production credits and liner notes on important compilations of vintage rock and soul from Ace Records, Rhino Records, and others, plus a wide array of music-related print and film credits. Palao is unusual in that he normally supervises each aspect of the projects he compiles, including audio transfers and restoration as well as research and liner notes. Honors include five Grammy Award nominations for historical albums and liner notes.