The Red Dog Saloon is a bar and live music venue located in Virginia City, Nevada. The bar played an important role in the history of the psychedelic music scene.
Folk music enthusiast Mark Unobsky bought the Henry Comstock’s house in Virginia City. Then used the building to open a folk club with Chandler A. Laughlin III (1937—2012), a folk club owner, and Don Works in the early 1960s.
In April 1963, Chandler established a family identity among approximately fifty people who attended the traditional, all-night Native American peyote ceremony. This ceremony combined a psychedelic experience with traditional Native American spiritual values;[ citation needed ] these people went on to sponsor a new genre of musical expression at the venue. [1]
During the summer of 1965, Laughlin [2] [3] [4] [5] recruited much of the original talent of the traditional folk music and psychedelic rock. [1] He and his friends created what became known as "The Red Dog Experience," featuring previously unknown musical acts, such as Big Brother and the Holding Company, The Charlatans, The Wildflower and others — who played in the refurbished saloon during 1965-1966. There was no clear delineation between "performers" and "audience" in the bar. During, which music psychedelic experimentation and Bill Ham's first primitive light shows came. [1] [6] [7]
LSD manufacturer Owsley Stanley lived in Berkeley during 1965 and provided LSD that became a part of the experience. At the saloon, The Charlatans were the first psychedelic rock band to play live whilst on LSD. [8]
Psychedelic rock is a rock music genre that is inspired, influenced, or representative of psychedelic culture, which is centered on perception-altering hallucinogenic drugs. The music incorporated new electronic sound effects and recording techniques, extended instrumental solos, and improvisation. Many psychedelic groups differ in style, and the label is often applied spuriously.
Psychedelia usually refers to a style or aesthetic that is resembled in the psychedelic subculture of the 1960s and the psychedelic experience produced by certain psychoactive substances. This includes psychedelic art, psychedelic music and style of dress during that era. This was primarily generated by people who used psychedelic drugs such as LSD, mescaline and psilocybin and also non-users who were participants and aficionados of this subculture. Psychedelic art and music typically recreate or reflect the experience of altered consciousness. Psychedelic art uses highly distorted, surreal visuals, bright colors and full spectrums and animation to evoke, convey, or enhance the psychedelic experience.
A hippie, also spelled hippy, especially in British English, is someone associated with the counterculture of the 1960s, originally a youth movement that began in the United States during or around 1964 and spread to different countries around the world. The word hippie came from hipster and was used to describe beatniks who moved into New York City's Greenwich Village, San Francisco's Haight-Ashbury district, and Chicago's Old Town community. The term hippie was used in print by San Francisco writer Michael Fallon, helping popularize use of the term in the media, although the tag was seen elsewhere earlier.
In the United States, California is commonly associated with the film, music, and arts industries; there are numerous world-famous Californian musicians. New genres of music, such as surf rock and third wave ska, have their origins in California.
The Charlatans were an American folk rock and psychedelic rock band that played a role in the development of the San Francisco Haight-Ashbury music scene during the 1960s. They are often cited by critics as being the first group to play in the style that became known as the San Francisco Sound.
Daniel Ivan Hicks was an American singer-songwriter and musician, and the leader of Dan Hicks and His Hot Licks. His idiosyncratic style combined elements of cowboy folk, jazz, country, swing, bluegrass, pop, and gypsy music. He is perhaps best known for the songs "I Scare Myself" and "Canned Music". His songs are frequently infused with humor, as evidenced by the title of his tune "How Can I Miss You When You Won't Go Away?" His album Live at Davies (2013) capped over forty years of music.
Acid rock is a loosely defined type of rock music that evolved out of the mid-1960s garage punk movement and helped launch the psychedelic subculture. While the term has sometimes been used interchangeably with "psychedelic rock", acid rock also specifically refers to a more musically intense, rawer, or heavier subgenre or sibling of psychedelic rock. Named after lysergic acid diethylamide (LSD), the style is generally defined by heavy, distorted guitars and often contains lyrics with drug references and long improvised jams.
The Psychedelic era was the time of social, musical and artistic change influenced by psychedelic drugs, occurring from the mid-1960s to mid-1970s. The era was defined by the proliferation of LSD and its following influence in the development of psychedelic music and psychedelic film in the Western world.
New Riders of the Purple Sage is an American country rock band. The group emerged from the psychedelic rock scene in San Francisco in 1969 and its original lineup included several members of the Grateful Dead. The band is sometimes referred to as the New Riders or as NRPS.
"Hey Joe" is an American song from the 1960s that has become a rock standard and has been performed in many musical styles by hundreds of different artists. The lyrics tell of a man who is on the run and planning to head to Mexico after shooting his unfaithful wife. In 1962, Billy Roberts registered "Hey Joe" for copyright in the United States.
KPIG-FM is a radio station located near the city of Santa Cruz, California, United States. Founded in 1988, the studio is based in Watsonville, California, and broadcasts to the counties of Santa Cruz and Monterey. It also has a radio repeater on 94.9 MHz FM in San Luis Obispo County as KPYG. The station's logo, designed by John F. Johnson, features a sunglasses-wearing pig in farmer's clothing and a cowboy hat, as well as its branding, website and city of license. It has been owned by Stephens Media Group since October 2019.
The San Francisco sound refers to rock music performed live and recorded by San Francisco-based rock groups of the mid-1960s to early 1970s. It was associated with the counterculture community in San Francisco, particularly the Haight-Ashbury district, during these years. San Francisco is a westward-looking port city, a city that at the time was 'big enough' but not manic like New York City or spread out like Los Angeles. Hence, it could support a 'scene'. According to journalist Ed Vulliamy, "A core of Haight Ashbury bands played with each other, for each other"
Red dog or Red Dog may refer to:
Psychedelic music is a wide range of popular music styles and genres influenced by 1960s psychedelia, a subculture of people who used psychedelic drugs such as DMT, LSD, mescaline, and psilocybin mushrooms, to experience synesthesia and altered states of consciousness. Psychedelic music may also aim to enhance the experience of using these drugs and has been found to have a significant influence on psychedelic therapy.
Stanley George Miller, better known as Mouse or Stanley Mouse, is an American artist who is notable for his 1960s psychedelic rock concert poster designs and album covers for the Grateful Dead, Journey, and other bands.
Progressive folk is a style of contemporary folk that adds new layers of musical and lyrical complexity, often incorporating various ethnic influences.
The hippie subculture began its development as a youth movement in the United States during the early 1960s and then developed around the world.
Liquid light shows are a form of light art that surfaced in the early 1960s as accompaniment to electronic music and avant-garde theatre performances. They were later adapted for performances of rock or psychedelic music.
The Charlatans is the self-titled debut album by the San Francisco psychedelic rock band the Charlatans, and was released by Philips Records in 1969.
The Family Dog Denver was a concert dance hall located at 1601 West Evans Avenue in Denver, Colorado. Opened from September 1967 to July 1968, it is regarded as a seminal music venue that launched Denver on its trajectory to its current status as a major concert destination by introducing never-before-seen acts like The Doors, Van Morrison, Jimi Hendrix, Cream, Buffalo Springfield, Janis Joplin, Chuck Berry, and many others. Many acts, like The Doors and Van Morrison, for example, had yet to become famous when they played The Dog, evidenced by the poster artists having to stylize the names of their leading songs into the poster art for the shows. The Family Dog is also seen as a cultural turning point in Denver from the conservative, western-minded sensibility of the early and mid-20th century to the current, liberal-minded climate. The venue's history, surrounding drama and ultimate impact had been largely unknown and unrealized until it was unearthed and detailed for the first time in the 2021 documentary The Tale of the Dog, produced and directed by Dan Obarski & Scott Montgomery and distributed by Cinedigm. As there are no useful photos, no video and little written history remaining of the Family Dog Denver, the film's oral history format told in first person by the people who were there serves as a definitive reference for “The Dog.”