Aztec mythology is the body or collection of myths of the Aztec civilization of Central Mexico. The Aztecs were Nahuatl-speaking groups living in central Mexico and much of their mythology is similar to that of other Mesoamerican cultures. According to legend, the various groups who became the Aztecs arrived from the North into the Anahuac valley around Lake Texcoco. The location of this valley and lake of destination is clear – it is the heart of modern Mexico City – but little can be known with certainty about the origin of the Aztec. There are different accounts of their origin. In the myth, the ancestors of the Mexica/Aztec came from a place in the north called Aztlan, the last of seven nahuatlacas to make the journey southward, hence their name "Azteca." Other accounts cite their origin in Chicomoztoc, "the place of the seven caves", or at Tamoanchan.
Huitzilopochtli is the solar and war deity of sacrifice in Aztec religion. He was also the patron god of the Aztecs and their capital city, Tenochtitlan. He wielded Xiuhcoatl, the fire serpent, as a weapon, thus also associating Huitzilopochtli with fire.
Mixcoatl, or Camaxtle or Camaxtli, was the god of the hunt and identified with the Milky Way, the stars, and the heavens in several Mesoamerican cultures. He was the patron deity of the Otomi, the Chichimecs, and several groups that claimed descent from the Chichimecs. Under the name of Camaxtli, Mixcoatl was worshipped as the central deity of Huejotzingo and Tlaxcala.
In Aztec mythology, the Centzonmīmixcōah are the gods of the northern stars. They are sons of Camaxtle-Mixcoatl with the Earth Goddess, according to the Codex Ramírez, or Tonatiuh with Chalchiuhtlicue, the goddess of the seas.
In creation myths, the term "Five Suns" refers to the belief of certain Nahua cultures and Aztec peoples that the world has gone through five distinct cycles of creation and destruction, with the current era being the fifth. It is primarily derived from a combination of myths, cosmologies, and eschatological beliefs that were originally held by pre-Columbian peoples in the Mesoamerican region, including central Mexico, and it is part of a larger mythology of Fifth World or Fifth Sun beliefs.
Amphiptere is a type of winged serpent found in European heraldry.
K’uk’ulkan, also spelled Kukulkan, is the serpent deity of Maya mythology. It is closely related to the deity Qʼuqʼumatz of the Kʼicheʼ people and to Quetzalcoatl of Aztec mythology. Prominent temples to Kukulkan are found at archaeological sites in the Yucatán Peninsula, such as Chichen Itza, Uxmal and Mayapan.
Dead Men Walk is a 1943 American horror film produced by Sigmund Neufeld for Producers Releasing Corporation (PRC). It is an original story and screenplay by Fred Myton, starring George Zucco, Mary Carlisle, Nedrick Young, and Dwight Frye, directed by Sam Newfield. It was originally distributed by PRC and reissued in the US in 1948 by Madison Pictures, Inc.
The Mad Ghoul is a 1943 American horror film directed by James Hogan and starring Turhan Bey, Evelyn Ankers, and David Bruce, and featuring George Zucco, Robert Armstrong, and Milburn Stone. The film is about the scientist Dr. Alfred Morris and his assistant Ted Allison. Morris, who is obsessed with an ancient Mayan life-preserving process to the point of madness, has fallen in love with Allison's girlfriend, the concert singer Isabel Lewis. Morris decides to use Allison for his eternal-life experiments, transforming him into a zombie who slowly recalls his past life, but is unaware of his undead status.
Commander USA's Groovie Movies is an American movie showcase series that ran weekend afternoons on the USA Network.
George Zucco was a British character actor who appeared in plays and 96 films, mostly American-made, during a career spanning over two decades, from the 1920s to 1951. In his films, he often played a suave villain, a member of nobility, or a mad doctor.
The Mad Monster is a 1942 American black and white horror film, produced and distributed by "Poverty Row" studio Producers Releasing Corporation. The film stars George Zucco, Glenn Strange, Johnny Downs, and Anne Nagel.
The Giant Claw is a 1957 American monster film from Columbia Pictures, produced by Sam Katzman, directed by Fred F. Sears, that stars Jeff Morrow and Mara Corday. Both Sears and Katzman were well known as low-budget B film genre filmmakers. The film was released as a double feature with The Night the World Exploded.
Quetzalcoatl is a deity in Aztec culture and literature. Among the Aztecs, he was related to wind, Venus, Sun, merchants, arts, crafts, knowledge, and learning. He was also the patron god of the Aztec priesthood. He was one of several important gods in the Aztec pantheon, along with the gods Tlaloc, Tezcatlipoca and Huitzilopochtli. The two other gods represented by the planet Venus are Tlaloc and Xolotl.
The Double-headed serpent is an Aztec sculpture. It is a snake with two heads composed of mostly turquoise pieces applied to a wooden base. It came from Aztec Mexico and might have been worn or displayed in religious ceremonies. The mosaic is made of pieces of turquoise, spiny oyster shell and conch shell. The sculpture is at the British Museum. Ancient Aztecs have also termed this creature as 'Mansee' which translates as 'The Voice of Heart'.
Cē Ācatl Topiltzin Quetzalcōātl is a mythologised figure appearing in 16th-century accounts of Nahua historical traditions, where he is identified as a ruler in the 10th century of the Toltecs— by Aztec tradition their predecessors who had political control of the Valley of Mexico and surrounding region several centuries before the Aztecs themselves settled there.
The Curse of the Aztec Mummy is a 1957 Mexican horror film directed by Rafael Portillo. It is the second film in the Aztec Mummy series which began with The Aztec Mummy which was released earlier that year.
In Aztec mythology, Creator-Brothers gods are the only four Tezcatlipocas, the children of the creator couple Ometecuhtli and Omecihuatl "Lord and Lady of Duality", "Lord and Lady of the Near and the Nigh", "Father and Mother of the Gods", "Father and Mother of us all", who received the gift of the ability to create other living beings without childbearing. They reside atop a mythical thirteenth heaven Ilhuicatl-Omeyocan "the place of duality".
Mexican featherwork, also called "plumería", was an important artistic and decorative technique in the pre-Hispanic and colonial periods in what is now Mexico. Although feathers have been prized and feather works created in other parts of the world, those done by the amanteca or feather work specialists impressed Spanish conquerors, leading to a creative exchange with Europe. Featherwork pieces took on European motifs in Mexico. Feathers and feather works became prized in Europe. The "golden age" for this technique as an art form was from just before the Spanish conquest to about a century afterwards.
