The Four Feathers (1978 film)

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The Four Feathers
TheFourFeathers1977.jpg
DVD cover
GenreAdventure
Drama
Romance
War
Based on The Four Feathers
by A. E. W. Mason
Written by Gerald Di Pego
Directed by Don Sharp
Starring Beau Bridges
Jane Seymour
Robert Powell
Simon Ward
Harry Andrews
Music by Allyn Ferguson
Country of originUnited Kingdom
Original languageEnglish
Production
Executive producer Robert D. Cardona
Producer Norman Rosemont
Production locations Wiltshire, England
Hampshire, England
Almería, Spain
Cinematography John Coquillon
EditorEric Boyd-Perkins
Running time100 minutes
Production companiesNorman Rosemont Productions
Trident Films
Original release
Network NBC
ReleaseJanuary 1, 1978 (1978-01-01)

The Four Feathers is a 1978 British television film adaptation of the classic 1902 novel The Four Feathers by novelist A. E. W. Mason. Directed by Don Sharp, this version starred Beau Bridges, Robert Powell, Simon Ward and Jane Seymour, and was nominated for a Primetime Emmy Award. It follows the novel almost exactly, and response to the film was very positive.[ citation needed ]

Contents

Plot

Lieutenant Harry Faversham (Beau Bridges) is the latest scion of a prominent military family. A deeply sensitive boy, he is much traumatised by the early death of his kind-hearted mother. Though he never wants to be a soldier, he feels obliged to join the Army. Though no coward (as he will later show), he has no interest in an army career. Having met and become engaged to Ethne, he decides to resign his commission. The fact that war in the Sudan is coming is irrelevant to this decision. During their engagement ball on the final day of his Army career, Faversham receives telegrams summoning him and three of his brother officers (Durrance, Willoughby and Trench) back to the regiment prior to being sent to the Sudan. As determined as ever to leave the Army, Faversham burns the telegrams so that he can pretend not to have been summoned back to the regiment before his commission expires. Willoughby sees him burning papers and notices that he is embarrassed to have been taken by surprise in doing so.

Upon return to barracks Durrance, Willoughby and Trench are told they have returned 2 days late and that telegrams had been sent. Willoughby realises what Harry was doing and tells his 2 comrades who immediately assume Harry is a coward and destroyed the telegrams out of fear and to prevent himself from being sent off with the regiment. All 3 decide to issue three white feathers with their calling cards, betokening cowardice. When Faversham receives the cards Ethne pressures him to confess his earlier foolish action and she unfortunately assumes he is a coward and issues him with a white feather of her own. Their engagement broken, Harry turns to his father and in spite of explaining his actions his father casts him out when he finds out what he has done.

Harry determines to right the wrong his former friends have done to him. He journeys to the Sudan and with the help of an ally he disguises himself as an Arab. He decides that he will save each of his 3 friends and prove his bravery and in so doing they will take back their white feather and his name will be saved. He learns of an impending attack on the regiment, and tries to make it in time to save them.

During the battle, his closest friend Captain Jack Durrance becomes engaged in close combat, during which he is blinded when a black-powder rifle goes off next to his face. Harry attacks the Arabs who surround Durrance rescuing him. He helps Durrance to escape and he recuperates in a military hospital but learns that he is now permanently blind. Durrance has struck up a relationship with Ethne and she writes to the stricken Jack telling him that while she walked out on Harry she intends to be by his side and agrees to marry him.

Next on Harry's list is Willoughby who he follows as he leaves the safety of his barracks. Willoughby enters an unsafe area and the disguised Harry watches over him. In a bar as Willoughby is about to be stabbed, Harry yells a warning and intervenes. The two men fight off a gang and Willoughby is saved. Harry hands Willoughby his white feather and instructs him to return it to Ethne before disappearing. Willoughby returns to England and approaches Ethne regaling her with the story of Harry's bravery. Ethne then realises, that Harry must have also rescued Jack and tells Harry's father. The old man is thankful that their family name is being restored.

Last on the list is Trench who has been captured by the Arabs and imprisoned in the Dervish prison. Harry gets himself imprisoned and over time exposes himself to Trench and the two come up with an escape plan. As they escape the sick Trench tells Harry to kill him, should they be recaptured. They manage to fend off an attack of Arabs and escape back to Cairo where Harry hands Trench his feather.

Meanwhile in England a butler reads the news of Trench's escape to Jack. It is also disclosed that Harry was the one who aided and abetted Trench's escape. Jack decides he cannot marry Ethne as she loves Harry, so he concocts a plan to lie to her that his sight is returning and he needs to leave her for treatment in Germany. He frees her from their engagement and leaves.

Harry returns to England and confronts his cold father, who finally tells Harry that he has redeemed the family name. Harry tells his father he turned down a captaincy in the army and that any future children will not take up a military career. The older man finally respects his son and they reconcile, agreeing to get to know one another. Trench then visits Ethne and directs her to Harry where they both embrace as Harry returns Ethne's white feather to her.

Cast

Production

The film was produced by Norman Rosemont, who specialised in making adaptations of classic tales for television. He had recently made The Man in the Iron Mask , Captains Courageous and The Count of Monte Cristo . The films would be made for over $1 million which was more than US networks would pay for them, but they could be released theatrically overseas. "The great classic authors wrote good stories with strong plots about people you could care for", said Rosemont. "And filming them at length – usually three hours – you can get most of the plot in." [1]

The Four Feathers was, like Captains Courageous, a Bell special for the ABC (i.e. it was sponsored by Bell Systems). [2]

Norman Rosemont normally filmed works in the public domain but he had to pay London Films $150,000 for the rights to Four Feathers. [1]

Part of the money was provided by Trident Films, an off-shot of Trident Television, a Leeds-based regional television group. [3]

Director Don Sharp was known for his action films. [4] He had been working on several feature films that failed to raise finance when he was offered the job of directing The Four Feathers; Sharp was initially reluctant to do a remake but liked the script and had a very positive experience. [5]

The casting of Powell and Bridges was announced in July 1977. [6] Bridges had a dialect coach, Robert Easton, to help him with the accent. [7]

Filming started in August 1977 and took place in England and Spain. The Duke of Wellington's estate was used for English scenes. The desert sequences were shot in Almería, Spain over three weeks. During the Spanish part of filming, Powell referred to occasions when the unit was affected by sandstorms, saying, "Everyone wore surgical masks and goggles and was covered from head to foot, except the bloody actors". [8]

Sharp enjoyed working with Beau Bridges and Robert Powell. He had a more difficult relationship with producer Norman Rosemont, who Sharp said would get paranoid and argumentative. Sharp did greatly respect Rosemont's story skills and showmanship. [5]

Reception

Critical

The Los Angeles Times praised it as "a large, sumptuous movie in the grand, romantic tradition... staged with fine sweep and power by Don Sharp from a meticulous adaptation". [9] The Christian Science Monitor called it "rollicking entertainment." [10]

A New York Times reviewer wrote: "Mr. Bridges is quite effective as the bearded adventurer, and the action scenes are jolly good, if you will. 'Four Feathers' may possibly be the bloodiest pacifist lesson ever devised, but its grand posturing and silly sentiments work nicely." [11]

The Monthly Film Bulletin called it "a museum piece, brought up from the vaults, dusted down and carefully mounted." [12]

Ratings

It was the 28th highest rated show of the week on American television. [13]

References

  1. 1 2 DAVID LEWIN (23 November 1980). "Why Norman Rosemont Likes to Film the Classics: Norman Rosemont's TV Films". New York Times. p. D35.
  2. Smith, Cecil (31 July 1977). "The Rosemont Special: Classic Tales for TV". Los Angeles Times. p. o53.
  3. "Advertising sales at Trident boosts profit". The Irish Times. Dublin, Ireland. 18 January 1978. p. 12.
  4. Vagg, Stephen (27 July 2019). "Unsung Aussie Filmmakers: Don Sharp – A Top 25". Filmink.
  5. 1 2 Sharp, Don (2 November 1993). "Don Sharp Side 6" (Interview). Interviewed by Teddy Darvas and Alan Lawson. London: History Project. Retrieved 14 July 2021.
  6. Margulies, Lee (22 July 1977). "INSIDE TV: A Laundering for ABC's Soap". Los Angeles Times. p. 32.
  7. Buck, Jerry (30 December 1977). "Tube Talk: Beau Bridges at the Four Feathers Remake". The Lewiston Daily Sun. p. 10.
  8. Cecil Smith (1 January 1978). "Robert Powell: From Christ To Cad". Los Angeles Times.
  9. Cecil Smith (2 January 1978). "TV Review: 'Four Feathers' in Grand Tradition". Los Angeles Times.
  10. "New Year's specials: an uneven lineup". The Christian Science Monitor. 30 December 1977. p. 22.
  11. John J. O'Connor (30 December 1977). "TV: Celebrating New Year's, 'Sheba' Comes Back, Other Dramas". New York Times. p. A22.
  12. "FOUR FEATHERS, The". Monthly Film Bulletin. Vol. 45, no. 528. London. 1 January 1978. p. 46.
  13. "CBS Gets a Win in the Nielsen Bowl". Los Angeles Times. 5 January 1978. p. f18.