The Face of Fu Manchu | |
---|---|
Directed by | Don Sharp |
Screenplay by | Peter Welbeck |
Based on | Fu Manchu by Sax Rohmer |
Produced by | Harry Alan Towers |
Starring | Christopher Lee Nigel Green Joachim Fuchsberger Karin Dor Tsai Chin James Robertson Justice |
Cinematography | Ernest Steward |
Edited by | John Trumper |
Music by | Christopher Whelen |
Production companies | Hallam Productions Constantin Film |
Distributed by | Anglo-Amalgamated Warner-Pathé (UK) Constantin Film (West Germany) |
Release date |
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Running time | 96 minutes |
Countries | United Kingdom West Germany |
Language | English |
Budget | £150,000 [1] |
Box office | $1.3 million [2] |
The Face of Fu Manchu is a 1965 thriller film directed by Don Sharp and based on the characters created by Sax Rohmer. It stars Christopher Lee as the eponymous villain, a Chinese criminal mastermind, and Nigel Green as his pursuing rival Nayland Smith, a Scotland Yard detective.
The film was a British-West German co-production, and was the first in a five-part series starring Lee and produced by Harry Alan Towers for Constantin Film, the second of which was The Brides of Fu Manchu released the next year, with the final entry being The Castle of Fu Manchu in 1969. Only the first two were directed by Sharp. [3]
It was shot in Technicolor and Techniscope on location in County Dublin, Ireland.
The beheading of Dr. Fu Manchu is witnessed in China by his nemesis, Nayland Smith. Back in London, however, it is increasingly apparent to Smith—now assistant commissioner in Scotland Yard— that the international criminal mastermind is still operating. Smith determines that a hypnotized actor took Dr. Fu Manchu's place. The villain kidnaps the esteemed Professor Muller, whose research holds the key to realizing an ancient Tibetan legend. A deadly poison created from the seeds of a rare Tibetan flower—the Blackhill poppy—is supposed to carry the secret of eternal life. A pint of this poison is powerful enough to kill every person and animal in London.
Nayland Smith correctly deduces that Professor Muller received his supply of Blackhill poppy seeds from illegal drug trade. When Fu Manchu cut off the drug trade, the poppy seeds could only be acquired from Hanuman, a warehouse owner who is secretly in cahoots with Fu Manchu.
Nayland Smith meets Hanuman in his warehouse to question him on the whereabouts of Professor Muller. Hanuman pulls a gun on Smith, who is able to knock him out and flee.
Smith deliberately ignores to Hanuman's secretary, whom he recognizes as Lin Tang, Fu Manchu's daughter and partner-in-crime. Lin Tang recognized Nayland Smith and told Hanuman to kill him.
Hanuman and Lin Tang go to a secret base under the River Thames. There, Lin Tang informs her father that his nemesis is interfering with their plans. Meanwhile, Professor Muller has refused to divulge how to extract the poisonous essence from the seeds. Fu Manchu has his henchmen kidnap the professor's daughter, Maria. After watching the execution-by-drowning of one of Fu Manchu's female servants, Professor Muller reveals that the Grand Lama gave key documents to Professor Gaskel during the Younghusband expedition and are currently locked in a vault in a guarded room of the Museum of Oriental Studies.
Disguised, Lin Tang infiltrates the museum and plants a listening device. Their henchmen enter through the sewers and are killed by Nayland Smith and his allies, who discover that Gaskel has emptied the vault. Lin Tan hears all. She and her father escape.
They emerge in Gaskel's study.. Fu Manchu hypnotizes Professor Gaskel. In Fu Manchu's underground lair, Professor Gaskel and Professor Muller translate the Younghusband papers on stabilising the poisonous essence at room temperature.
Fu Manchu learns that the Essex village of Fleetwick is under freezing temperatures: The seeds' poisonous properties will persist if used there. A radio broadcast to the entire country announces his return, and demands obedience. He kills everyone in Fleetwick, including the soldiers Nayland Smith sent there to protect it, by spraying the poison from a plane onto 3000 people.
Professor Gaskel, his usefulness now over, been hypnotized into committing suicide.
Nayland Smith and his associates determine the location of Fu Manchu's hideout. They plan to flood it by breaking in through the hidden entrance in Hanuman's warehouse. They confront Fu Manchu and his minions, and a brawl ensues. After the lights go out, Fu Manchu and his followers escape to a Tibetan monastery with Professor Muller while the River Thames hideout is flooded. Nayland Smith and his team escape the underground hideout via an exit that leads to a graveyard.
Nayland Smith and company go to Tibet and find Fu Manchu at a Tibetan monastery receiving Blackhill poppy seeds from the Grand Lama. Professor Muller informs them that Fu Manchu already has all the knowledge and poppy seeds he needs to bring the world to its knees. Nayland Smith reassures Professor Muller by revealing that he has a detonator hidden underneath the poppy seeds in one of Fu Manchu's boxes. Nayland Smith, Professor Muller, and their allies leave the monastery. A frustrated Fu Manchu ponders why Nayland Smith did not take the poppy seeds with him. A few seconds later, Smith's detonator goes off and the monastery grounds burst into an enormous ball of flame.
Nayland Smith is riding horseback with his allies and sees the explosion from afar. The film ends with a medium closeup of Fu Manchu fading in over the explosion, and his voice saying, "The world shall hear from me again... the world shall hear from me again".
Credits adapted from the booklet of the Powerhouse Films Blu-ray boxset The Fu Manchu Cycle: 1965-1969. [4]
Uncredited:
Producer Harry Alan Towers said he decided that "the time was ripe for Fu Manchu. It has all the ingredients of Sherlock Holmes plus a touch of the Kaiser's Yellow Peril. I bet more people have heard of Fu Manchu than Mao Tse-Tung. And anyway these days you couldn't have a better nationality for a villain." [1] He said his intention from the beginning was to make "four of (sic) five of these" [1] but denied the films were made to cash in on the James Bond craze:
No relationship. Action, adventure, open-air, escapism – yes – but nothing to do with Bond-ism – Fu Manchu's atmosphere is a kind of timeless Never Never land. Bond is gimmicky and with-it. [5]
Towers decided to make it a period film (it is set in 1912) because it "adds to the plausibility". [1] The film was shot on location in the Republic of Ireland, with Towers commenting:
It's a good country for location work; the British quota helps; on costs, there is not much difference between making a film here and in Britain – both sets of unions see to that. Ardmore? It seems to be doing alright with the present film – and Ireland will always be attractive as long as filmmakers and their artists are seeking refuge from super tax. [5]
The prison sequences were shot at Kilmainham Gaol. [6] Director Don Sharp said Harry Alan Towers had to pay off members of the IRA so they could film there. [7] Many of the other scenes were set at Kenure House in Rush, Dublin [8]
Don Sharp said he was recommended as director by the film's completion guarantor. Harry Alan Tower's previous films had been going over budget and schedule, and he had to use a new director; Sharp's name was put forward and the film began an association between Sharp and Tower. [7]
Sharp said "you never know what his [Fu Manchu's] motives are. I mean, he may want to rule the world, blow it up, corner the gold or seduce all the women. The script doesn't say. So we just keep everything moving fast so the audience doesn't have time to think 'but that's impossible' until they get outside." [1]
"There's not much sex in the books," said Towers, "but we've remedied that. We've got damsels in distress, a woman kidnapped, slave girls whipped. It's very kinky." [1]
The British version of the film was scored by Christopher Whelen, while the German release version was scored by Gert Wilden. A tie-in song, "Don't Fool with Fu Manchu" performed by The Rockin' Ramrods, [9] was not heard in the film.
In order to promote the film in the U.S., "Fu Manchu for Mayor" posters were done up and distributed in New York City during the mayoral election. [10]
The New York Times did not like the film, saying:
The Face of Fu Manchu, back again after all these years, is about as frightening as Whistler's Mother. If this slow, plodding, simple-minded little color melodrama were not so excruciating, it might have been acceptable farce. Christopher Lee, as the old evil one, complete with waxy mustache, looks and sounds like an overgrown Etonite. Fu Manchu, fooey. [11]
Nonetheless, the film was successful enough to result in four sequels. "The first one should have been the last one", Lee wrote in 1983, "because it was the only really good one." [12]
Dr. Fu Manchu is a supervillain who was introduced in a series of novels by the English author Sax Rohmer beginning shortly before World War I and continuing for another forty years. The character featured in cinema, television, radio, comic strips and comic books for over 100 years, and he has also become an archetype of the evil criminal genius and mad scientist, while lending his name to the Fu Manchu moustache.
Arthur Henry "Sarsfield" Ward, better known as Sax Rohmer, was an English novelist. He is best remembered for his series of novels featuring the master criminal Fu Manchu.
The Mask of Fu Manchu is a 1932 American pre-Code film directed by Charles Brabin. Written by Irene Kuhn, Edgar Allan Woolf and John Willard, it was based on the 1932 novel of the same name by Sax Rohmer. The film, featuring Boris Karloff as Fu Manchu and Myrna Loy as his daughter, revolves around Fu Manchu's quest for the golden sword and mask of Genghis Khan. Lewis Stone played his nemesis.
The Fiendish Plot of Dr. Fu Manchu is a 1980 comedy film. It was the final film featuring star Peter Sellers and David Tomlinson. Based on characters created by Sax Rohmer, the film stars Sellers in the dual role of Fu Manchu, a megalomaniacal Chinese evil genius, and English gentleman detective Nayland Smith.
Rasputin the Mad Monk is a 1966 Hammer horror film directed by Don Sharp and starring Christopher Lee, Barbara Shelley, Francis Matthews, Suzan Farmer, Richard Pasco, Dinsdale Landen and Renée Asherson.
Donald Herman Sharp was an Australian film director.
Denis Nayland Smith is a character who was introduced in the series of novels Dr. Fu Manchu by the English author Sax Rohmer. He is a rival to the villain Dr. Fu Manchu.
Harry Alan Towers was a British radio and independent film producer and screenwriter. He wrote numerous screenplays for the films he produced, often under the pseudonym Peter Welbeck. He produced over 80 feature films and continued to write and produce well into his eighties. Towers was married to the actress Maria Rohm, who appeared in many of his films.
The Castle of Fu Manchu is a 1969 film and the fifth and final Dr. Fu Manchu film with Christopher Lee portraying the title character. The film, directed by Jesús Franco, is an English-language coproduction between companies from various European countries including the UK, Spain and West Germany.
Douglas Norman Wilmer was an English actor, best known for playing Sherlock Holmes in the 1965 TV series Sherlock Holmes.
Nigel McGown Green was an English character actor. Because of his strapping build, commanding height and regimental demeanour he would often be found playing military types and men of action in such classic 1960s films as Jason and the Argonauts, Zulu, Tobruk and The Ipcress File.
The Brides of Fu Manchu is a 1966 British/West German Constantin Film co-production adventure crime film based on the fictional Chinese villain Dr. Fu Manchu, created by Sax Rohmer. It was the second film in a series, and was preceded by The Face of Fu Manchu. The Vengeance of Fu Manchu followed in 1967, The Blood of Fu Manchu in 1968, and The Castle of Fu Manchu in 1969. It was produced by Harry Alan Towers for Hallam Productions. Like the first film, it was directed by Don Sharp, and starred Christopher Lee as Fu Manchu. Nigel Green was replaced by Douglas Wilmer as Scotland Yard detective Nayland Smith.
Drums of Fu Manchu (1940) is a 15-chapter Republic serial film based on the character created by Sax Rohmer. Though using the title of the ninth novel in the series, it actually is based on numerous elements from throughout the series to that point, cherry-picked by the writers. It starred Henry Brandon, William Royle and Robert Kellard. It was directed by the serial team of William Witney and John English and is often considered one of the best serial films ever made.
The Vengeance of Fu Manchu is a 1967 British crime thriller adventure film directed by Jeremy Summers and starring Christopher Lee, Horst Frank, Douglas Wilmer and Tsai Chin. It was the third British/West German Constantin Film co-production of the Dr. Fu Manchu series and the first to be filmed in Hong Kong at the renowned Shaw Brothers studio. It was generally released in the U.K. through Warner-Pathé on 3 December 1967.
Fah Lo Suee is a character who was introduced in the series of novels Dr. Fu Manchu by the English author Sax Rohmer (1883-1959). She is the daughter of Dr. Fu Manchu and an unnamed Russian woman, sometimes shown as an ally, sometimes shown as a rival. The character featured in cinema and comic strips and comic books alongside her father, sometimes using another names, and she has also become an archetype of the Dragon Lady.
The Blood of Fu Manchu, also known as Kiss of Death, Kiss and Kill and Against All Odds, is a 1968 British adventure crime film directed by Jesús Franco, based on the fictional Asian villain Dr. Fu Manchu created by Sax Rohmer. It was the fourth film in a series, and was preceded by The Vengeance of Fu Manchu. The Castle of Fu Manchu followed in 1969.
Sumuru is a female supervillain created by Sax Rohmer, author of the Fu Manchu series of novels. She first appeared in a 1945-1946 BBC radio serial, which was rewritten as a novel in 1950. Four more novels were published between 1951 and 1956. Two movies were then made in the 1960s and one more in 2003.
Harry Agar Lyons was an Irish-born British actor. He was born in Cork, Ireland in 1878 and died in Wandsworth, London, England in 1944 at age 72.
Kenure House was a large Georgian house and estate in Rush, County Dublin, Ireland. The main house was constructed between 1703 and 1713 by the Duke of Ormond on the grounds of an earlier house but was destroyed by fire and rebuilt around 1827. A later portico and further additions were added in 1842 to a design by George Papworth. The main house was demolished by Dublin Corporation in 1978 and the granite portico is the only portion of the main house which still stands as of 2022.