The Million Eyes of Sumuru | |
---|---|
Directed by | Lindsay Shonteff |
Screenplay by | Kevin Kavanagh |
Story by | Peter Welbeck |
Based on | Sumuru by Sax Rohmer |
Produced by | Harry Alan Towers |
Starring | Frankie Avalon George Nader Shirley Eaton Wilfrid Hyde-White Klaus Kinski Maria Rohm |
Cinematography | John Von Kotze |
Edited by | Allan Morrison |
Music by | Johnny Scott |
Production company | Sumuru Films |
Distributed by | Anglo-Amalgamated Warner-Pathe (UK) American International Pictures (United States) |
Release dates |
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Running time | 95 minutes |
Country | United Kingdom |
Language | English |
The Million Eyes of Sumuru, also known as The Million Eyes of Su-muru and Sumuru, is a 1967 British-Hong Kong spy film directed by Lindsay Shonte and starring Frankie Avalon, George Nader and Shirley Eaton. [1] It was produced by Harry Alan Towers and filmed at the Shaw Brothers studios in Hong Kong. It was based on a series of novels by Sax Rohmer about a megalomaniacal femme fatale. [2] (Towers had just made a series of films about Rohmer's Fu Manchu. [3] )
The film was released in the U.S. by American International Pictures on 17 May 1967. In the U.K., it was released through Warner-Pathé on 3 December, titled simply Sumuru. [4]
Sumuru is a beautiful and evil woman who plans world domination by having her sexy all-female army eliminate male leaders and replace them with her female agents.
The Chief of Security for President Boong of Sinonesia is killed. Two Americans in Hong Kong, Nick West and his friend Tommy Carter, are persuaded by the head of British intelligence, Colonel Baisbrook, to investigate. They discover the organisation headed by Sumuru, which claims to be interested in peaceful activities.
A dead girl winds up in Nick's bed and he ends up being framed for murder. Nick and Tommy go to Hong Kong to stop an assassination.
Variety wrote "Nader delivers some unfunny comic lines in a way that they are not completely lost and Avalon poses, moves and talks like a nightclub entertainer." [5]
Filmink wrote the film "is never as much fun as you hope it’d be: George Nader seems to be sending up heterosexuality throughout the movie, but it must be admitted that he fits into the “world” of the movie more than Frankie Avalon, whose presence feels weird. Still, the movie is worth checking out for the locations and Eaton, who is having a grand old time." [6]
Shirley Eaton reprised her role as Sumuru in Jess Franco's follow-up The Girl from Rio (1969). Eaton later said "I did enjoy being the wicked lady Sumuru in two rather bad films, which I had not had the chance to be before." [7] However, she retired from acting shortly afterwards.
The Million Eyes of Sumuru inspired riot grrrl musician Lois Maffeo to adopt Bikini Kill as a band name. She and her friend Margaret Doherty used the name for a one-off performance where they donned faux fur punk cave girl costumes. Tobi Vail liked the name and appropriated it for the iconic punk group after Maffeo settled on the band name Cradle Robbers. [8]
The film is used in Episode 18 of the KTMA season of Mystery Science Theater 3000 as well as an episode in Season 13. [9] It is also featured as a video on demand from its spiritual successor RiffTrax. [10]
Francis Thomas Avallone , better known as Frankie Avalon, is an American singer, actor and former teen idol. He had 31 charting U.S. Billboard singles from 1958 to late 1962, including number one hits, "Venus" and "Why" in 1959.
Shirley Jean Eaton is an English former actress and singer. Eaton appeared regularly in British films throughout the 1950s and 1960s, and gained her highest profile for her appearance as Bond Girl Jill Masterson in the James Bond film Goldfinger (1964), which gained her bombshell status. Eaton also had roles in the early Carry On films.
Back to the Beach is a 1987 American comedy film starring Frankie Avalon and Annette Funicello, directed by Lyndall Hobbs. The original music score is composed by Steve Dorff. The film generated a total domestic gross of $13,110,903. It received a "two thumbs up" rating from Siskel and Ebert, who compared it favorably to Grease.
Beach Party is a 1963 American film and the first of seven beach party films from American International Pictures (AIP) aimed at a teen audience. This film is often credited with creating the beach party film genre.
How to Stuff a Wild Bikini is a 1965 Pathécolor beach party film from American International Pictures. The sixth entry in a seven-film series, the movie was directed by William Asher and features Mickey Rooney, Annette Funicello, Dwayne Hickman, Brian Donlevy, and Beverly Adams. It was written by Asher and Leo Townsend. The film features a brief appearance by Frankie Avalon and includes Buster Keaton in one of his last roles.
Beach Blanket Bingo is a 1965 American beach party film directed by William Asher. It is the fifth film in the Beach Party film series. The film stars Frankie Avalon, Annette Funicello, Linda Evans, Deborah Walley, Paul Lynde, and Don Rickles. Earl Wilson and Buster Keaton appear. Evans's singing voice was dubbed by Jackie Ward. It was the last time Avalon had the lead in a beach party films.
Dr. Goldfoot and the Bikini Machine is a 1965 Pathécolor comedy film directed by Norman Taurog and distributed by American International Pictures. Starring Vincent Price, Frankie Avalon, Dwayne Hickman, Susan Hart and Jack Mullaney, and featuring Fred Clark, the film is a parody of the then-popular spy trend, made using actors from AIP's beach party and Edgar Allan Poe films. The film was retitled Dr G. and the Bikini Machine in England due to a threatened lawsuit from Eon, holder of the rights to the James Bond series.
Muscle Beach Party is the second of seven beach party films produced by American International Pictures. It stars Frankie Avalon and Annette Funicello and was directed by William Asher, who also directed four other films in this series.
Anglo-Amalgamated Productions was a British film production company, run by Nat Cohen and Stuart Levy, which operated from 1945 until roughly 1971. Low-budget and second features, often produced at Merton Park Studios, formed much of its output. It was the UK distributor of many films produced by American International Pictures (AIP), who distributed AA's films in the United States.
Pajama Party is a 1964 beach party film starring Tommy Kirk and Annette Funicello. This is the fourth in a series of seven beach films produced by American International Pictures. The other films in this series are Beach Party (1963), Muscle Beach Party (1964), Bikini Beach (1964), Beach Blanket Bingo (1965), How to Stuff a Wild Bikini (1965), Ski Party a one-off film with a brief beach scene at the end (1965) and The Ghost in the Invisible Bikini (1966).
The Vengeance of Fu Manchu is a 1967 British crime thriller adventure film directed by Jeremy Summers and starring Christopher Lee, Horst Frank, Douglas Wilmer and Tsai Chin. It was the third British/West German Constantin Film co-production of the Dr. Fu Manchu series and the first to be filmed in Hong Kong at the renowned Shaw Brothers studio. It was generally released in the U.K. through Warner-Pathé on 3 December 1967.
Fireball 500 is a 1966 stock car racing film, blended with the beach party film genre. A vehicle for stars Frankie Avalon, Annette Funicello, and Fabian, it was one of a string of similar racing films from the 1960s. Written by William Asher and Leo Townsend, and directed by William Asher, it tells the story of Dave Owens (Avalon), a stock car racer forced to run moonshine.
Five Golden Dragons is a 1967 international co-production comedy action film set in Hong Kong and photographed in Techniscope on location in September 1966 at the Tiger Balm Pagoda and Shaw Brothers studios. It was directed by Jeremy Summers and starred Bob Cummings in his final theatrical feature film, Margaret Lee who sings two songs in the film, Rupert Davies and a cast of "guest stars".
The Blood of Fu Manchu, also known as Kiss of Death, Kiss and Kill and Against All Odds, is a 1968 British adventure crime film directed by Jesús Franco, based on the fictional Asian villain Dr. Fu Manchu created by Sax Rohmer. It was the fourth film in a series, and was preceded by The Vengeance of Fu Manchu. The Castle of Fu Manchu followed in 1969.
Sumuru, or Sax Rohmer's Sumuru, is a 2003 British-South African-German pulp science fiction film directed by Darrell Roodt and starring Alexandra Kamp and Michael Shanks. It is an update of the character Sumuru created by pulp novelist Sax Rohmer. It was the first adaptation of Sumuru in a sci-fi setting.
The Girl from Rio is a 1969 spy-fi film directed by Jess Franco and starring Shirley Eaton, Richard Wyler, George Sanders and Maria Rohm. Written and produced by Harry Alan Towers, the film follows a tribe of Amazonian women, as, led by their queen, they attack wealthy men as part of a long-term plan to take over the world. A co-production between West Germany, Spain and the United States, the film is a sequel to The Million Eyes of Sumuru (1967), and is based on Sax Rohmer's Sumuru character. Nevertheless, Sumuru's character is referred to as either "Sumitra" or "Sunanda".
Sumuru is a female supervillain created by Sax Rohmer, author of the Fu Manchu series of novels. She first appeared in a 1945-1946 BBC radio serial, which was rewritten as a novel in 1950. Four more novels were published between 1951 and 1956. Two movies were then made in the 1960s and one more in 2003.
Beach Ball is a 1965 American beach party movie starring Edd Byrnes and partly financed by Roger Corman.
Sergeant Deadhead is a 1965 American musical comedy film directed by Norman Taurog and starring Frankie Avalon. It features many cast members who appeared in the Beach Party movies.
Bikini Beach is a 1964 American teen film directed by William Asher and starring Frankie Avalon and Annette Funicello. The film belongs to the beach party genre of movies, popular in the 1960s. This is the third in the series of seven films produced by American International Pictures (AIP).