The Swordsman (1974 film)

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The Swordsman
The Swordsman (1974 film).jpg
Directed by Lindsay Shonteff
Written byHugh Brody
Produced byLindsay Shonteff
Elizabeth Gray
Stuart Black
Starring Linda Marlowe
Alan Lake
Edina Ronay
Cinematography Les Young
Edited byAnton Schiller
Music byColin Pearson
Roger Wootton
Production
company
Lindsay Shonteff Film Productions
Distributed by Rank Film Distributors
Release dates
  • 1974 (1974)
  • 27 June 1976 (1976-06-27)
Running time
90 minutes
CountryUnited Kingdom
LanguageEnglish

The Swordsman (also known as Zapper's Blade of Veangeance) is a 1974 British action film directed by Lindsay Shonteff and starring Linda Marlowe, Alan Lake and Edina Ronay. [1] It was written by Hugh Brody. It is a sequel to Big Zapper (1973) and follows the adventures of female private detective Harriet Zapper. [2]

Contents

Plot

Reynaud Duval runs a fencing school, and wanting to be his father's sole heir, forces him to write a false will and then murders him. He leaves a note with the body which incriminates master swordsman Zendor. Duval's younger brother Karel hires detective Harriet Zapper and her Chinese side-kick Hock to investigate.

Cast

Production

It was produced in 1974, including location shooting in the South of France around Nice.[ citation needed ]

Release

In 1976 it was released on the Odeon Circuit by Rank Film Distributors. [3]

Critical reception

The Monthly Film Bulletin wrote: "The Swordsman is remarkable only for the relentless consistency with which it apes the style of the more overblown TV commercials. Making pseudo-sophisticated hay of swashbuckling adventure, sub-Bond chicanery and the private eye thriller, the film is never more embarrassing than in its archly knowing references to other movies, from Bogart  ... to Jane Russell. All of which, as the script labours over the slightest of exchanges and the plot staggers from implausibility to implausibility, only underlines ineptness of the present material." [4]

Screen International wrote: "After a splendidly bizarre beginning that establishes Reynaud and Guy as cartoon strip baddies in butch black clobber, the film loses pace and much of its impudent vitality. Harriet has lost her drive and aggressive sexuality; and her scenes with Hock are played with a down-beat slowness that make her reactions to his enthusiasm and energy seem closer to those of an overtired mother than the hard-bitten disillusionment of a Samantha Spade or Phillipa Marlowe. Alan Lake makes a superb villain of melodrama, a larger than life swashbuckling baddie deserving a cause of greater devilry and stronger opponents. There is a tongue-in-cheek wit about the dialogue and direction that sometimes cracks the surface of mass market violence; but Lindsay Shonteff has been too sparing with the salt this time." [5]

References

  1. "The Swordsman". British Film Institute Collections Search. Retrieved 29 December 2023.
  2. Sheridan, Simon (2007). Keeping the British End Up: Four Decades of Saucy Cinema. Reynolds & Hearn Books. p. 99. ISBN   978-1905287543.
  3. Gifford, Denis (2016). British Film Catalogue, Volume I. Routledge. p. 865. ISBN   9781317740636.
  4. "The Swordsman". The Monthly Film Bulletin . 43 (504): 129. 1 January 1976. ProQuest   1305831845.
  5. Bilbow, Marjorie (8 May 1976). "The Swordsman". Screen International (25): 28 via ProQuest.