The Four Step Brothers were an African-American dance group. The group started out as a trio in 1925, with the original members, Maceo Anderson, Al Williams and Red Walker. [1] Although their original name was the Step Brothers, because that was also the name of another famous young tap dancing quartet, they subsequently changed their name to "The Three Step Brothers." [2] In 1927, after accepting a new member, Sherman Robinson, they became The Four Step Brothers. Dubbed "The Eight Feet of Rhythm," the group soon traveled with Duke Ellington. [1] While starring with the "Brothers," Anderson also appeared at the Hoofers Club and worked part-time as a newsboy. [2]
The quartet was the first black act to perform at Radio City Music Hall, the first to appear at the Chez Paree Club in Chicago and the first to break television's color bar. [3]
The group became known for their complex dance routines. The "Brothers" incorporated snake hips, five-tap wings, slides, rhythm (jazz) tap, the camel walk, the strut, straight acrobatics, etc. They tried not to change their dance steps except to make them better or when incorporating new dancers. They were known for their "challenge dances" in which they tried to outdo one another in routines that used no music. Each dancer would solo while the other dancers stood back, clapping hands and stomping feet. [4]
The Four Step Brothers played the Cotton Club for four years, traveled the Keith-Orpheum circuit and the "Chitlin' Circuit," danced annually (for a decade) at Radio City Music Hall, and went around the world four times. [5] They toured twelve European countries, receiving standing ovations from royalty. In the U.S., they danced for presidents Truman and Eisenhower. [2]
They appeared in numerous films including Check and Double Check (1930), the Vitaphone short Barbershop Blues (1933), When Johnny Comes Marching Home Again (1942), It Ain't Hay (1943), Rhythm of the Islands (1943), Carolina Blues (1944), Greenwich Village (1944), That's My Gal (1947), Here Come the Girls (1953), and The Patsy (1964). [2]
In 1950, they appeared on Milton Berle's Texaco Star Theater , over the objections of the show's sponsor. Berle wrote in his autobiography:
I remember clashing with the advertising agency and the sponsor over my signing the Four Step Brothers for an appearance on the show. The only thing I could figure out was that there was an objection to black performers on the show, but I couldn't even find out who was objecting. "We just don't like them," I was told, but who the hell was "we"? Because I was riding high in 1950, I sent out the word: "If they don't go on, I don't go on." At ten minutes of eight—ten minutes before showtime—I got permission for the Step Brothers to appear. If I broke the color-line policy or not, I don't know, but later on I had no trouble booking Bill Robinson or Lena Horne. [6]
During the 1950s and 1960s, the "Brothers" appeared on The Ed Sullivan Show, the ABC variety program The Guy Mitchell Show , on Bob Hope specials, and in telecasts featuring Dean Martin and Jerry Lewis, Perry Como and Steve Allen. [4]
The Four Step Brothers became one of the longest-lasting dance groups, surviving for more than four decades into the 1960s. [4]
The Dance Masters of America awarded the group a lifetime achievement award in 1960, and again in 1985 for helping to break the color barrier. In 1988, they received their own star on the Hollywood Walk of Fame. [5]
Other members of the group during its long tenure included Sylvester "Happy" Johnson; Prince Spencer, who joined the group in 1941 replacing Johnson; Freddie James, who performed with the group from 1939 to 1943; Rufus "Flash" McDonald, who joined the act in 1943 when James left; Ernie "Sunshine Sammy" Morrison; and Norman Rowe. [2]
When Prince Spencer left the group to go into the Chicago grocery business, he was replaced by Edward Bozeman. Before his Step Brother days, Bozeman also danced professionally under the name of “Prince.” The name was not the only coincidence. Like Spencer, Bozeman did the acrobatics and flips part of the routine and always danced last, in the same spot that Spencer had held. Step Brother Flash McDonald said at the time, “Let him be himself, instead of doing Prince’s (Spencer’s) routines.” They all agreed. “They thought I was a kid, but I was 35,” Bozeman recalled. Although there is very rare footage of Edward Bozeman performing with the Four Step Brothers, he performed with them from 1964 up to the disbandment of the group in 1989-1990. [7]
Subsequent to the addition of Bozeman, there was one other dancer who, essentially, may be considered the "final" addition to the famous dance quartet's immediate family. In 1968, a ten year-old, acrobatic ball of energy, named Terry Criner was brought on at the end of the quartet's already superior performance. The four simultaneously pointed towards stage right and Little Terry dashed onto the stage – with a series of acrobatic moves. His routine was very similar to Bozeman's, however; the kid added head spins, somersaults, no-hand head flip – all done with lightning speed. Several newspapers described him as a blur. Criner, who courageously followed Bozeman, was up to the task and was acknowledged by the group's charter members as a "great addition." [8]
Terry Criner was a fourth-grade elementary student when he was picked to share the stage with some of the greatest dancers in tap history. Although a novice in the art of tap dancing, his acrobatic-dance skills combined landed him into a unique place in history. Criner was the protégé of Maceo E. Anderson, one of the original members. Criner simultaneously toured with the Step Brothers and opened as a solo act for Donald O'Connor for nearly three years. [9]
Criner eventually agreed with Maceo Anderson's idea of starting a new group. Initially called Four Steps and a Miss, the troupe became the Third Generation Steps. The group went on to successes of its own. In 1979, after eleven years of a rather successful show business stent, the 21-year-old Criner shocked Maceo Anderson and group members Cindy Notz and Ivery Wheeler by announcing his retirement—at the peak of the group's success. [9]
During his performing years, Terry Criner became Nevada State Diving Champion, Clark County Theater Arts Ensemble Acting Co-Champion, and Recipient of the DeVos Scholarship in Theater Arts to UNLV. In 1980, he entered the gospel ministry. During those years he added United States Marine, Clark County School District New Teacher of the Year at the Intermediate Level and Middle and High School Administrator to his experiences. In 1992, Criner ordained Maceo Anderson as an elder in the church. Elder Anderson resided with the Criner family in Las Vegas, Nevada, for seven years, until he moved to Los Angeles, California. Criner eulogized Maceo Anderson at his "Home-going" celebration. His favorite song was "When the Saints Go Marching In." And, Anderson's all-time favorite saying was, "Watch your step, brother!" Dr. Terry Criner continues in ministry today as Bishop of Holy Tabernacle Outreach Mission, Inc. [9]
Milton Berle was an American actor and comedian. His career as an entertainer spanned over eight decades, first in silent films and on stage as a child actor, then in radio, movies and television. As the host of NBC's Texaco Star Theatre (1948–1953), he was the first major American television star and was known to millions of viewers as "Uncle Miltie" and "Mr. Television" during the first Golden Age of Television. He was honored with two stars on the Hollywood Walk of Fame for his work in both radio and TV.
Tap dance is a form of dance that uses the sounds of tap shoes striking the floor as a form of percussion; it is often accompanied by music. Tap dancing can also be a cappella, with no musical accompaniment; the sound of the taps is its own music.
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Aerobics is a form of physical exercise that combines rhythmic aerobic exercise with stretching and strength training routines with the goal of improving all elements of fitness. It is usually performed to music and may be practiced in a group setting led by an instructor. With the goal of preventing illness and promoting physical fitness, practitioners perform various routines. Formal aerobics classes are divided into different levels of intensity and complexity and will have five components: warm-up, cardiovascular conditioning, muscular strength and conditioning, cool-down and stretching and flexibility. Aerobics classes may allow participants to select their level of participation according to their fitness level. Many gyms offer different types of aerobic classes. Each class is designed for a certain level of experience and taught by a certified instructor with a specialty area related to their particular class.
The gumboot dance is a South African dance that is performed by dancers wearing wellington boots. In South Africa these are more commonly called gumboots.
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Bill "Bojangles" Robinson, was an American tap dancer, actor, and singer, the best known and the most highly paid black entertainer in the United States during the first half of the 20th century. His long career mirrored changes in American entertainment tastes and technology. His career began in the age of minstrel shows and moved to vaudeville, Broadway theatre, the recording industry, Hollywood films, radio, and television.
The Nicholas Brothers were an entertainment act composed of brothers, Fayard (1914–2006) and Harold (1921–2000), who excelled in a variety of dance techniques, primarily between the 1930s and 1950s. Best known for their unique interpretation of a highly acrobatic technique known as "flash dancing", they were also considered by many to be the greatest tap dancers of their day, if not all time. Their virtuoso performance in the musical number "Jumpin' Jive" featured in the 1943 movie Stormy Weather has been praised as one of the greatest dance routines ever captured on film.
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The Major Bowes Amateur Hour was an American radio talent show broadcast in the 1930s and 1940s, created and hosted by Edward Bowes (1874–1946). Selected performers from the program participated in touring vaudeville performances, under the "Major Bowes" name. The program later transitioned to television under host Ted Mack.
The Show of Shows is a 1929 American pre-Code musical revue film directed by John G. Adolfi and distributed by Warner Bros. The all-talking Vitaphone production cost almost $800,000 and was shot almost entirely in Technicolor.
Henry LeTang was an American theatre, film, and television choreographer and a dance instructor.
Maceo Anderson was an American dancer.
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