The Girl from Calgary | |
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Directed by | Phil Whitman |
Written by | Lee Chadwick (continuity) Lee Chadwick (dialogue) Leon D'Usseau (story) Sid Schlager (story) |
Produced by | I. E. Chadwick |
Cinematography | Harry Neumann |
Edited by | Carl Pierson |
Music by | Albert Hay Malotte |
Production company | |
Distributed by | Monogram Studios |
Release date |
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Running time | 64 minutes |
Country | United States |
Language | English |
The Girl from Calgary is a 1932 American pre-Code musical comedy film directed by Phil Whitman, and starring Fifi D'Orsay and Paul Kelly.
A French-Canadian girl is a champion bronc rider and is also a nightclub singer. An ambitious young man sees her act one night and is struck by her talent, realizing that she is good enough to become a Broadway star.
He convinces her to accompany him to New York, where she indeed does become a Broadway star. However, the young man finds himself being squeezed out by greedy Broadway producers who see the talented young girl as their own personal gold mine.
The Broadway Melody, also known as The Broadway Melody of 1929, is a 1929 American pre-Code musical film and the first sound film to win an Academy Award for Best Picture. It was one of the early musicals to feature a Technicolor sequence, which sparked the trend of color being used in a flurry of musicals that would hit the screens in 1929–1930. Today, the Technicolor sequence survives only in black and white. The film was the first musical released by Metro-Goldwyn-Mayer and was Hollywood's first all-talking musical.
Fifi D'Orsay was a Canadian-American actress and singer.
Michael Kidd was an American film and stage choreographer, dancer and actor, whose career spanned five decades, and staged some of the leading Broadway and film musicals of the 1940s and 1950s. Kidd, strongly influenced by Charlie Chaplin and Léonide Massine, was an innovator in what came to be known as the "integrated musical", in which dance movements are integral to the plot.
Mack & Mabel is a musical with a book by Michael Stewart and music and lyrics by Jerry Herman. The plot involves the tumultuous romantic relationship between Hollywood director Mack Sennett and Mabel Normand, who became one of his biggest stars. In a series of flashbacks, Sennett relates the glory days of Keystone Studios from 1911, when he discovered Normand and cast her in dozens of his early "two-reelers", through his creation of Sennett's Bathing Beauties and the Keystone Cops to Mabel's death from tuberculosis in 1930.
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The Night They Raided Minsky's is a 1968 American musical comedy film written and produced by Norman Lear, with music and lyrics by the duo of Charles Strouse and Lee Adams, and directed by William Friedkin. Based on a 1960 novel by Rowland Barber, the film is a fictional account of the invention of the striptease at Minsky's Burlesque in 1925. It stars Jason Robards, Britt Ekland, Norman Wisdom, Forrest Tucker, Harry Andrews, Denholm Elliott, Elliott Gould and Bert Lahr.
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Kiss Me Again is a 1931 American pre-Code musical operetta film filmed entirely in Technicolor. It was originally released in the United States as Toast of the Legion late in 1930, but was quickly withdrawn when Warner Bros. realized that the public had grown weary of musicals. The Warner Bros. believed that this attitude would only last for a few months, but, when the public proved obstinate, they reluctantly re-released the film early in 1931 after making a few cuts to the film.
Paris is a 1929 American Pre-Code musical comedy film, featuring Irène Bordoni. It was filmed with Technicolor sequences: four of the film's ten reels were originally photographed in Technicolor.
Caitlynne Medrek is an international, award winning Canadian actress. She spent the first half of her career living and working in professional theatre around Canada, but has since set her sights on creating a cinematic career by performing in Film and Television. A Canadian College of Performing Arts alumna, Medrek is a true triple threat. She is best known for her roles in Heartland as Ms. Clarissa, Fargo, Season 3 as Grace Stussy, and Claire in the award-winning series, Out with Dad. She has had an incredible voice acting career with notable roles like Dawn in Total Drama: Revenge of the Island, Mikoto in My-HiME, Miu Matsuoka in Strawberry Marshmallow, Pan in Dragon Ball GT. Her latest mainstream voice work include: Haunted House, Secrets of the Ghost Ball (Netflix), Kongsuni (Netflix), Cardfight!! Vanguard, Arthur, and Gintama. She can be seen in the final season of Hell on Wheels, Season 2 of Wynonna Earp, Season 3 of Fargo as Grace Stussy, Season 3 of The Detour and recently, Seasons 15 and 16 of Heartland, Season 2 of Tribal and Season 2 of Yellowjackets. Caitlynne is also in production for two Feature Films set for 2023 release.
Wonder Bar is a 1934 American pre-Code film adaptation of a Broadway musical of the same name directed by Lloyd Bacon with musical numbers created by Busby Berkeley.
Copacabana is a 1947 American musical comedy film directed by Alfred E. Green starring Carmen Miranda, Groucho Marx and Steve Cochran. The film is a showcase for Miranda, who performs several numbers in her usual style, including a high-energy rendition of "Tico-Tico". Groucho, as Lionel, her fiance and agent, also sings a musical number, "Go West, Young Man", wearing his traditional greasepaint brows, mustache, and baggy suit. This was Groucho's first significant film appearance as a solo act, minus Harpo and Chico.
Hot for Paris is a 1929 American pre-Code black-and-white romantic adventure musical film. This film is believed to be lost. The film is also known as Fifì dimmi di sì in Italy and Un marido afortunado in Spain. The film length (metres) is 1710.84 m in the silent version and 2002.54 m in the sound version.
Fifi Young was an Indonesian actress of mixed French and Chinese descent who acted in at least 86 films over her 34-year career.
Sally is a 1925 American silent romantic comedy film starring Colleen Moore. The film was directed by Alfred E. Green, produced by Moore's husband John McCormick, and based on the musical Sally written by Guy Bolton and Clifford Grey that was adapted to film by June Mathis. The play was a Florenz Ziegfeld Jr. production written specifically for Marilyn Miller that opened on December 21, 1920, at the New Amsterdam Theatre on Broadway. It ran for 570 performances.