The Gray In Between | ||||
---|---|---|---|---|
Studio album by | ||||
Released | May 3, 2023 | |||
Recorded | May–June 2022 [1] | |||
Studio | The Atomic Garden (Oakland) | |||
Genre | ||||
Length | 24:45 | |||
Label | ||||
Producer | Jack Shirley | |||
Jeromes Dream chronology | ||||
|
The Gray In Between is the fourth album by the American emo band Jeromes Dream. It was released in 2023 by Iodine Recordings.
The Gray In Between received positive reviews from critics. Brendan Schroer of Sputnikmusic gave the album a perfect score out of five stars, stating that the album "shows the band in peak form, retaining their signature extremity while expanding their sound past its usual borders". [2] Lars Gotrich of NPR said that The Gray In Between was a "welcome return" to the style of their older albums, stating that "The Gray In Between, while not exactly hopeful or despairing, empathetically injects split-second shrieks as punctuation marks between ruptured riffs and the ache of existence". [3]
No. | Title | Length |
---|---|---|
1. | "Conversations In Time, On Mute" | 2:50 |
2. | "Stretched Invisible From London" | 2:35 |
3. | "South By Isolation" | 2:30 |
4. | "Pines on the Hill (With Guests)" | 3:59 |
5. | "Cosmos In Season" | 1:01 |
6. | "AAEEAA" | 2:09 |
7. | "On Holiday with Infinity" | 2:12 |
8. | "The Future of Memory" | 2:02 |
9. | "Often Oceans" | 1:58 |
10. | "The Last Water Pearl" | 3:25 |
Total length: | 24:45 |
Personnel per liner notes. [1]
As Good as Dead is the second studio album by American rock band Local H. Following lackluster sales of their debut, Ham Fisted, and under pressure from their label Island Records, the band quickly returned to the studio to record their follow-up. Released on April 16, 1996, As Good as Dead is a concept album about dead-end, small-town life based on the band's origins in Zion, Illinois. The album was positively received by critics and became an unexpected success behind its second single, "Bound for the Floor", and it ultimately sold over 320,000 copies. As Good as Dead produced three other singles: "High-Fiving MF", "Eddie Vedder", and "Fritz's Corner". It remains Local H's best-selling album to date.
Romantic Warrior is a studio album by the American jazz fusion band Return to Forever, their first recorded for Columbia Records, after releasing their previous four albums on Polydor. In February 1976, the group retreated to Caribou Ranch near Nederland, Colorado to record. It was the first album to remove the "featuring Chick Corea" credit from beside the band name on the album cover. Despite the music being more dense and avant-garde than the funkier No Mystery, it remains the band's highest selling album with over 500,000 copies sold in the US alone.
Give Them Rope is the debut full-length album by American metalcore band Coalesce, originally released on June 1, 1997, through Edision Recordings. It was re-released in 2004 in a remastered and remixed format under the name Give Them Rope, She Said with new artwork. A two-disc deluxe compact disc edition was released by Relapse Records in 2011, this time using the original artwork and title. This album has never charted.
Romantic is the second studio album by American punk rock band Mannequin Pussy.
"Used to Be" is a song by American dream pop band Beach House from their third studio album, Teen Dream. It was written by lead vocalist and keyboardist Victoria Legrand and guitarist Alex Scally and produced by them along with Chris Coady. The song was released on October 21, 2008 as the album's lead single and features a B-side of a different version of "Apple Orchard", a song which featured on their self-titled debut album.
Document #8 is the third studio album by the American screamo band Pg. 99. The album was originally released as a vinyl LP on June 13, 2001, through Robotic Empire, with various versions also be released through Electric Human Project and Scene Police. A remixed and remastered edition was released in 2005 through Robotic Empire on CD with two additional bonus tracks, "The Lonesome Waltz of Leonard Cohen" and "The List", the latter being a Filth cover. Both tracks were previously released on Document #9: A Split Personality.
Swarth is the third studio album by Australian extreme metal band Portal. The album was released on October 20, 2009 through Profound Lore Records. The CD version of the album was packaged in a gatefold hard cover digi-sleeve, with a 16-page booklet.
Cormorant is an American progressive metal band from San Francisco, California, formed in 2007. The group consists of bassist and vocalist Marcus Luscombe, guitarists Nick Cohon and Matt Solis, and drummer Brennan Kunkel.
Path of Totality is the second full-length studio album from American metal band Tombs. It was released on June 7, 2011 through Relapse Records in CD, LP and digital download formats. It is the group's first album to be recorded by John Congleton.
Deathconsciousness is the debut studio album by American rock duo Have a Nice Life, released on January 24, 2008 on Enemies List Home Recordings. Recorded independently by the band members on a budget of less than $1,000, Deathconsciousness was released as a double album; the first disc is entitled "The Plow That Broke the Plains" and the second is entitled "The Future". The original cover art features a darkened version of the painting The Death of Marat, painted by Jacques-Louis David during the French Revolution.
Pain Is a Warning is the ninth album by Today Is the Day, released on August 16, 2011, by Black Market Activities.
The Unnatural World is the second studio album by American rock duo Have a Nice Life. It was released on February 4, 2014, via The Flenser and the band's own record label Enemies List Home Recordings. It is a follow-up to 2008's Deathconsciousness and 2010's Time of Land EP.
Jeromes Dream is an emo band formed in Connecticut and currently based in San Francisco, California, originally active from 1997 to 2001, and again from 2018 onwards.
Rheia is the third studio album by Belgian metal band Oathbreaker. The album was produced by Jack Shirley and released through independent record label Deathwish Inc. on September 30, 2016. Oathbreaker toured internationally in support of Rheia from September until December with Skeletonwitch and Iron Reagan. The title references Rhea, mother goddess in Greek mythology.
Disinformation Fix is the discography compilation album by Usurp Synapse, which was released as a double disc compact disc through the New York label Alone Records on July 29, 2003. The album collects every single recording made by the group during their initial run, including previously unreleased tracks.
"Hard Times" is a song by American rock band Paramore from their fifth studio album, After Laughter. It was released on April 19, 2017, through Fueled by Ramen as the album's lead single. The song was written by lead vocalist Hayley Williams and guitarist Taylor York and was recorded in the band's hometown, Nashville, Tennessee. It is the first single to be released by the band since the return of drummer Zac Farro and the departure of former bassist Jeremy Davis.
"Post Self" is a song by English industrial metal band Godflesh, taken from their 2017 album of the same name. It was released ahead of Post Self on 31 October 2017 through frontman Justin Broadrick's own label, Avalanche Recordings, as a digital download.
The Sciences is the fourth studio album by American stoner/doom metal band Sleep. The album was released with little warning on April 20, 2018, through Third Man Records. It was the band's first full-length album since Dopesmoker (2003).
"Here I Am" is a song written and recorded by American singer-songwriter Dolly Parton. The song was included on her 1971 album Coat of Many Colors. It was recorded on April 27, 1971, at RCA Studio B in Nashville, Tennessee, and produced by Bob Ferguson.
"Intrepid" is a song recorded by American rock band Pinegrove. The song was released on November 1, 2017 through Run for Cover Records, as the lead single from the band's third studio album Skylight (2018). It was written by singer-songwriter Evan Stephens Hall; lyrically, the song examines love and distance in a global context.