The Victoria and Albert Museum in London is the world's largest museum of applied arts, decorative arts and design, housing a permanent collection of over 2.8 million objects. It was founded in 1852 and named after Queen Victoria and Prince Albert.
The Palace of Westminster, the medieval royal palace used as the home of the British parliament, was largely destroyed by fire on 16 October 1834. The blaze was caused by the burning of small wooden tally sticks which had been used as part of the accounting procedures of the Exchequer until 1826. The sticks were disposed of carelessly in the two furnaces under the House of Lords, which caused a chimney fire in the two flues that ran under the floor of the Lords' chamber and up through the walls.
The Raphael Cartoons are seven large cartoons for tapestries, surviving from a set of ten cartoons, designed by the High Renaissance painter Raphael in 1515–16, commissioned by Pope Leo X for the Sistine Chapel in the Vatican Palace. The tapestries show scenes from the Gospels and Acts of the Apostles and are hung below the frescoes of the Life of Christ and the Life of Moses commissioned by Pope Sextus. The cartoons belong to the British Royal Collection but since 1865 are on loan to the Victoria and Albert Museum in London.
Bernard van Orley, also called Barend or Barent van Orley, Bernaert van Orley or Barend van Brussel, was a versatile Flemish artist and representative of Dutch and Flemish Renaissance painting, who was equally active as a designer of tapestries and, at the end of his life, stained glass. Although he never visited Italy, he belongs to the group of Italianizing Flemish painters called the Romanists, who were influenced by Italian Renaissance painting, in his case especially by Raphael.
Louis-François Roubiliac was a French sculptor who worked in England. One of the four most prominent sculptors in London working in the rococo style, he was described by Margaret Whinney as "probably the most accomplished sculptor ever to work in England".
Morris, Marshall, Faulkner & Co. (1861–1875) was a furnishings and decorative arts manufacturer and retailer founded by the artist and designer William Morris with friends from the Pre-Raphaelites. With its successor Morris & Co. (1875–1940) the firm's medieval-inspired aesthetic and respect for hand-craftsmanship and traditional textile arts had a profound influence on the decoration of churches and houses into the early 20th century.
Jean-François de Troy was a French Rococo easel and fresco painter, draughtsman and tapestry designer. One of France's leading history painters in his time, he was equally successful with his decorative paintings, genre scenes and portraits. He was the inventor of the tableaux de modes, which attempted to provide a spirited portrayal of contemporary fashions, pastimes and manners.
The Palazzo Ducale di Mantova is a group of buildings in Mantua, Lombardy, northern Italy, built between the 14th and the 17th century mainly by the noble family of Gonzaga as their royal residence in the capital of their Duchy. The buildings are connected by corridors and galleries and are enriched by inner courts and wide gardens. The complex includes some 500 rooms and occupies an area of c. 34,000 m2, which make it the sixth largest palace in Europe after the palaces of the Vatican, the Louvre Palace, the Palace of Versailles, the Royal Palace of Caserta and the Castle of Fontainebleau. It has more than 500 rooms and contains seven gardens and eight courtyards. Although most famous for Mantegna's frescos in the Camera degli Sposi, they have many other very significant architectural and painted elements.
The Painted Chamber was part of the medieval Palace of Westminster. It was gutted by fire in 1834, and has been described as "perhaps the greatest artistic treasure lost in the fire". The room was re-roofed and re-furnished to be used temporarily by the House of Lords until 1847, and it was demolished in 1851.
Denis van Alsloot or Denijs van Alsloot was a Flemish landscape and genre painter, draughtsman, and tapestry designer. He was employed as a court painter and worked for the local elite in Brussels. He is considered to be a member of the Sonian Forest school of landscape painters, which included landscape painters such as Jacques d'Arthois and Cornelis Huysmans. These painters working in Brussels had a preference for depicting scenes from the Sonian Forest near Brussels. Van Alsloot was also a specialist in depicting civil processions, local festivals and ceremonies.
Brussels tapestry workshops produced tapestry from at least the 15th century, but the city's early production in the Late Gothic International style was eclipsed by the more prominent tapestry-weaving workshops based in Arras and Tournai. In 1477 Brussels, capital of the duchy of Brabant, was inherited by the house of Habsburg; and in the same year Arras, the prominent center of tapestry-weaving in the Low Countries, was sacked and its tapestry manufacture never recovered, and Tournai and Brussels seem to have increased in importance.
Pasquier Grenier was a Flemish tapestry and wine merchant working in Tournai, and the greater region under the control of the Dukes of Burgundy. Once believed to be a master tapestry weaver, archival documents reveal that he was actually one of the most prominent tapestry dealers of the fifteenth-century in Western Europe, working with tapestry workshops in cities such as Tournai, Bruges, and Antwerp.
Sheldon tapestries were produced at Britain's first large tapestry works in Barcheston, Warwickshire, England, established by the Sheldon family. A group of 121 tapestries dateable to the late 16th century were produced. Much the most famous are four tapestry maps illustrating the counties of Gloucestershire, Worcestershire, Oxfordshire and Warwickshire, with most other tapestries being small furnishing items, such as cushion covers. The tapestries are included in three major collections: the Victoria and Albert Museum, London; the Metropolitan Museum of Art, New York; and the Burrell Collection, Glasgow, Scotland. Pieces were first attributed in the 1920s to looms at Barcheston, Warwickshire by a Worcestershire antiquary, John Humphreys, without clear criteria; on a different, but still uncertain basis, others were so classified a few years later. No documentary evidence was then, or is now, associated with any tapestry, so no origin for any piece is definitely established.
The Story of Abraham is a set of ten Brussels tapestries depicting stories from the life of the biblical prophet Abraham. They appear to have been designed by Bernaert van Orley initially, but completed by Pieter Coecke van Aelst around 1537, both artists who were leading designers for the Brussels workshops. Three sets survive.
Walter of Durham was a thirteenth-century painter and craftsman who was in service to Henry III and his son Edward I. Details of his life have been ascertained from records in royal ledgers, which show that his son Thomas of Westminster followed the same career. Walter's work, principally in Westminster Palace and Westminster Abbey, included the decoration of the walls and ceiling of the Painted Chamber, the painting and gilding of royal tombs, and the construction of the Coronation Chair to house the Stone of Scone.
The Franses Tapestry Archive and Library in London is devoted to the study of European tapestries and figurative textiles. It is the world’s largest academic research resource on the subject.
The Armada Tapestries were a series of ten tapestries that commemorated the defeat of the Spanish Armada. They were commissioned in 1591 by the Lord High Admiral, Howard of Effingham, who had commanded the Royal Navy against the Armada. In 1651 they were hung in the old House of Lords chambers, which at the time was used for the meetings of the committee of Parliament. They remained there until destroyed in the Burning of Parliament of 1834.
The Pastrana Tapestries are four large tapestries commissioned by king Afonso V of Portugal to celebrate the successful conquest of the Moroccan cities of Asilah and Tangier by the Portuguese in 1471. Each measures about 11 by 4 meters, and are made of wool and silk.
William Morris (1834-1898), a founder of the British Arts and Crafts movement, sought to restore the prestige and methods of hand-made crafts, including textiles, in opposition to the 19th century tendency toward factory-produced textiles. With this goal in mind, he created his own workshop and designed dozens of patterns for hand-produced woven and printed cloth, upholstery, and other textiles.
The Church of St. Quentin is a Roman Catholic parish church in Tournai, Belgium. The largely Romanesque building is located on the main square of the town, the Grand-Place.
