The Gypsy Moths | |
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Directed by | John Frankenheimer |
Screenplay by | William Hanley |
Based on | The Gypsy Moths 1964 novel by James Drought |
Produced by | Hal Landers Bobby Roberts Edward Lewis (executive) |
Starring | Burt Lancaster Deborah Kerr Gene Hackman Scott Wilson |
Cinematography | Philip H. Lathrop |
Edited by | Henry Berman |
Music by | Elmer Bernstein |
Production companies |
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Distributed by | Metro-Goldwyn-Mayer |
Release date |
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Running time | 107 min./110 min. |
Country | United States |
Language | English |
The Gypsy Moths is a 1969 American drama film, based on the 1955 novel of the same name by James Drought and directed by John Frankenheimer. The film tells the story of three barnstorming skydivers and their effect on a Midwestern American town, focusing on the differences in values between the town folk and the hard-living skydivers.
The Gypsy Moths stars Burt Lancaster and Deborah Kerr. The film also features Gene Hackman; and Bonnie Bedelia in her first film role. Kerr had worked previously with Lancaster in From Here to Eternity (1953) and Separate Tables (1958). The film had the only nude love scene in her film career. [1]
Elmer Bernstein composed the score.
A skydiving team called the Gypsy Moths visits a small town in Kansas (Benton) to put on a show for the Fourth of July weekend. Their leader, Mike Rettig, is accompanied by his partners, Joe Browdy and Malcolm Webson.
The skydivers stay at the home of Malcolm's uncle and aunt, John and Elizabeth Brandon. Mike becomes romantically involved with Elizabeth, and her husband overhears them having sex. Malcolm falls for local student Annie Burke, a boarder in the Brandon house, while Joe takes an interest in a topless dancer.
Mike eventually asks Elizabeth to leave town with him, but she declines. During the next skydiving exhibition, Mike performs a spectacular "cape jump" stunt but fails to pull the ripcord, intentionally falling to his death. Although nobody wants to discuss it, they suspect that he committed suicide. That night, Annie consoles Malcolm, and they have sex. Before the team leaves for good, they have to bury Mike. To pay for the funeral, Malcolm does the same stunt that killed Mike. He leaves by train that night, without attending Mike's funeral.
James William Drought's 1955 novel, The Gypsy Moths – A Fable, was originally acquired by Kirk Douglas and Edward Lewis' film production company Douglas and Lewis Productions in April 1966. [2] The plan was for Douglas to play the lead and the partners immediately hired David Heilweil to write the screenplay. [2] [3] John Frankenheimer, who had been directing and co-producing films in partnership with Douglas and Lewis since 1962 through his own film production company, John Frankenheimer Productions, was to direct the film from the start. [2] [3]
After Douglas and Lewis broke off their partnership in December 1966 (after eleven years of working together), Lewis formed his own film production company, Edward Lewis Productions, and took with him several of the properties that he had acquired and developed with Frankenheimer. [4] In January 1967, Lewis and Frankenheimer announced that they had together signed a four-picture financing and distribution deal with Metro-Goldwyn-Mayer, for a co-production deal between Edward Lewis Productions and John Frankenheimer Productions, including The Gypsy Moths. [5] The screenplay had been re-written by William Hanley and the film was to be co-produced by Hal Landers and Bobby Roberts (who formed their own film production company Landers-Roberts Productions), directed by Frankenheimer and with Lewis functioning as executive producer. [5] [6]
In September 1967, Burt Lancaster was announced as the lead and the film was scheduled to be filmed in the Midwest starting in May 1968. [7] [8] John Phillip Law was originally in the cast, but Scott Wilson replaced him after Law broke his wrist. [9]
The aerial sequences in The Gypsy Moths were filmed at locations in and around Benton, Kansas, with a Howard DGA-15 (N22418) used as the jump ship, flown by David Llorente and Larry Perkins. [10] After decoding the "DGA" designation of the aircraft, Browdy (Gene Hackman) jokes that "You're much better off jumping out of it, than taking a chance on landing it." [11]
At the time, the sport of skydiving was in its infancy, yet the film featured an extreme variation of the sport, the use of "batwings", a precursor to modern wingsuit flying. Jerry Rouillard was a key technical advisor and stunt double for Lancaster. Carl Boenish and Jay Gifford were responsible for the aerial photography, including photographing the jumps with a 35 mm camera mounted on their helmets, while they jumped with the stunt doubles, a team of a half dozen skydivers; Mike Milts, Garth Taggart, Russ Benefiel, Dave Thompson, Bill Ledbetter and Jerry Rouillard. [12]
The Gypsy Moths ran in limited release in the U.S., with few theaters giving it extended showings. Frankenheimer was depressed and felt that a recent management change at Metro-Goldwyn-Mayer resulted in the film only being partially re-edited "so it could debut at family-friendly Radio City Music Hall, where it promptly bombed. Only in Hollywood could dealing with clueless studio executives be more frightening than jumping out of an airplane into free fall." [13]
In his review for The New York Times , Vincent Canby noted that The Gypsy Moths had the semblance of an "action film," but "if this were a real action movie, I would be required to do little except look up at the sky and squint. Unfortunately, there isn't that much skydiving." [14]
After its initial showings, the film was lengthened to 110 minutes and the rating changed to M for mature audiences. This rating was an early version of the later PG. [15] As soon as it appeared, The Gypsy Moths disappeared. Director Frankenheimer claimed the film did not get the same attention as his thrillers,[ clarification needed ] like Seconds (1966) and The Manchurian Candidate (1962). Despite this, he would call The Gypsy Moths one of his two favorite films. [16]
The Gypsy Moths was widely seen in Australia, with a local skydiving fraternity quick to seize the opportunity to promote their sport, showing a 16 mm print at many club meetings. [17]
Burton Stephen Lancaster was an American actor and film producer. Initially known for playing tough guys with a tender heart, he went on to achieve success with more complex and challenging roles over a 45-year career in films and television series. He was a four-time nominee for the Academy Award for Best Actor, and he also won two BAFTA Awards and one Golden Globe Award for Best Lead Actor. The American Film Institute ranks Lancaster as #19 of the greatest male stars of classic Hollywood cinema.
Eugene Allen Hackman is an American retired actor. In a career that spanned more than six decades, he received two Academy Awards, two BAFTA Awards, four Golden Globes, a Screen Actors Guild Award, and the Silver Bear. Hackman's two Academy Award wins included one for Best Actor for his role as Jimmy "Popeye" Doyle in William Friedkin's acclaimed thriller The French Connection (1971) and the other for Best Supporting Actor for his role as "Little" Bill Daggett in Clint Eastwood's Western film Unforgiven (1992). His other Oscar-nominated roles were in Bonnie and Clyde (1967), I Never Sang for My Father (1970), and Mississippi Burning (1988).
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Seven Days in May is a 1964 American political thriller film about a military-political cabal's planned takeover of the United States government in reaction to the president's negotiation of a disarmament treaty with the Soviet Union. The film, starring Burt Lancaster, Kirk Douglas, Fredric March, and Ava Gardner, was directed by John Frankenheimer from a screenplay written by Rod Serling and based on the novel of the same name by Fletcher Knebel and Charles W. Bailey II, published in September 1962.
Wingsuit flying is the sport of skydiving using a webbing-sleeved jumpsuit called a wingsuit to add webbed area to the diver's body and generate increased lift, which allows extended air time by gliding flight rather than just free falling. The modern wingsuit, first developed in the late 1990s, uses a pair of fabric membranes stretched flat between the arms and flanks/thighs to imitate an airfoil, and often also between the legs to function as a tail and allow some aerial steering.
The Train is a 1964 war film directed by John Frankenheimer and starring Burt Lancaster, Paul Scofield and Jeanne Moreau. The picture's screenplay—written by Franklin Coen, Frank Davis, and Walter Bernstein—is loosely based on the non-fiction book Le front de l'art by Rose Valland, who documented the works of art placed in storage that had been looted by Nazi Germany from museums and private art collections. Arthur Penn was The Train's original director, but was replaced by Frankenheimer three days after filming had begun.
Drop Zone is a 1994 American action thriller film directed by John Badham, starring Wesley Snipes, Gary Busey, Yancy Butler, Michael Jeter, Sam Hennings, Luca Bercovici and Kyle Secor. When a U.S. Marshal has to break up a drug smuggling gang, he has to take to the skies. Drop Zone was released by Paramount Pictures in the United States on December 9, 1994.
Bonnie Bedelia is an American actress. After beginning her career in theatre in the 1960s, Bedelia starred in the CBS daytime soap opera Love of Life and made her film debut in The Gypsy Moths. Bedelia subsequently appeared in the films They Shoot Horses, Don't They?, Lovers and Other Strangers, Heart Like a Wheel, The Prince of Pennsylvania, Die Hard, Presumed Innocent, and Needful Things.
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99 and 44/100% Dead!, released in the UK as Call Harry Crown, is a 1974 American action comedy film directed by John Frankenheimer and starring Richard Harris. The title is a play on an advertising slogan for Ivory soap.
James William Drought was an American author, magazine editor, speech writer and press officer for the Office of Public Relations.
Separate Tables is a 1958 American drama film starring Rita Hayworth, Deborah Kerr, David Niven, Burt Lancaster, and Wendy Hiller, based on two one-act plays by Terence Rattigan that were collectively known by this name. Niven and Hiller won Academy Awards for Best Actor and Best Supporting Actress respectively for their performances. The picture was directed by Delbert Mann and adapted for the screen by Rattigan, John Gay and an uncredited John Michael Hayes. Mary Grant and Edith Head designed the film's costumes.
The Laurel Awards were American cinema awards that honored films, actors, actresses, producers, directors, and composers. This award was created by the Motion Picture Exhibitor magazine, and ran from 1948 to 1971.
Edward Lewis was an American film producer and writer. As producer, he worked on nine films in partnership with actor Kirk Douglas; from 1958 to 1966, Lewis was Vice-President of Kirk Douglas film production company, Bryna Productions, as well as its subsidiaries, Brynaprod, Joel Productions and Douglas and Lewis Productions. He also produced nine films directed by John Frankenheimer. Lewis also wrote several books.
Jacques Fonteray was a French costume designer active in the film industry. Amongst his credits were the costumes for the 1968 film Barbarella.
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