The Hunt (1966 film)

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The Hunt
La caza.jpg
Spanish film poster
Directed by Carlos Saura
Written by Angelino Fons
Carlos Saura
Produced by Elías Querejeta
Starring Alfredo Mayo
Emilio Gutiérrez Caba
Cinematography Luis Cuadrado
Edited by Pablo González del Amo
Music by Luis de Pablo
Release date
  • November 9, 1966 (1966-11-09)
Running time
91 minutes
CountrySpain
LanguageSpanish

The Hunt (in Spanish La Caza) is a 1966 Spanish film directed by Carlos Saura. The film is a psychological thriller about three veterans of the Spanish Civil War who meet to go rabbit hunting. It was Saura's first international success, winning the Silver Bear for Best Director at the 16th Berlin International Film Festival. It is considered a classic of Spanish Cinema, and Sam Peckinpah has said that it was a major influence upon him. [1]

Contents

Plot

José, Paco and Luis, three middle-aged men, veteran Falangists, reunite in a provincial village of Castile, spending a hot summer's day drinking, reminiscing and hunting rabbits. José instigates the hunt. He is in debt because of an impending divorce and is living beyond his means with a younger woman. His main objective at the reunion is to secure a loan from Paco, a shrewd businessman, also unhappily in love and looking for younger women. Paco brings with him Luis, now employed at his factory. Luis is a weak, forlorn individual, an alcoholic addicted to wine, women and science fiction rather than social conviviality or male camaraderie. A fourth member of the group, Enrique, a teenage relative of Paco's, comes along for the thrill of the rabbit hunt.

Meeting at the local bar, the men proceed to a run-down farm house and hire Juan and his young niece Carmen to aid them in the hunt, as well as several ferrets to rout the rabbits from their holes. As the hunters prepare their guns, they reminisce about the Civil War and the excitement of hunting men instead of animals. After a few drinks, José asks Paco for a loan; it will cement their relationship, he says. Paco, who has grudgingly been expecting this, refuses, but instead offers José a job.

From left to right Ismael Merlo, Alfredo Mayo, Jose Maria Prada and Emilio Gutierrez Caba in a shot of the film. La caza 1966.jpg
From left to right Ismael Merlo, Alfredo Mayo, José María Prada and Emilio Gutiérrez Caba in a shot of the film.

During the hunt, the men kill several rabbits and eventually lunch on them. Their relationships become more estranged as they fret over the past and rebuke each other in several ways. Luis becomes deranged and turns to practice-shooting with a mannequin; he also starts a fire that grows too large and has to be put out. Near the end, Paco kills a ferret; he claims he shot it accidentally, but José feels he did it maliciously. As the hunt gains in intensity, the gunfire becomes more rapid. The smoldering hatred and frustrations of the three men are triggered when Paco is hit by a blast from José's shotgun and falls mortally wounded, into a stream. Luis, enraged by the killing, tries to kill José by running him down with a land rover. José retaliates, shooting at Luis, but the latter manages to survive long enough to shoot at the escaping José and kill him before going down himself. Enrique, unhurt, is left alone in the midst of this carnage, trying to fathom the inexplicable behavior of the three wartime comrades. The movie ends in a freeze-frame as he runs away from the carnage.

Cast

Reception

The film was shot in a valley that once witnessed a Civil War battle similar to the one described in the dialogue. Saura won the Silver Bear for Best Director at the 16th Berlin International Film Festival in 1966. [2]

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References

  1. ↑ Kinder, Marsha (2001). "the Cultural Reinscription of The Wild Bunch" (PDF). In Slocum, John David (ed.). Violence and American Cinema (PDF). Marsha Kinder Legacies. Psychology Press. pp. 64–100. ISBN   9780415928106. ISSN   2577-7610 . Retrieved August 7, 2018.
  2. ↑ "Berlinale 1966: Prize Winners". berlinale.de. Retrieved 2010-02-23.

Notes

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