I, Don Giovanni (Italian: Io, Don Giovanni) is a 2009 Spanish-Italian-Austrian drama film directed by Carlos Saura.
The film narrates the life of Lorenzo da Ponte, an Italian Freemason who wouldn't give up his libertinism, despite being ordered to do so as a priest of the Roman Catholic Church. When the Holy Inquisition accused da Ponte of having betrayed the Christian faith through his licentiousness and publication of criticisms against the church (influenced by Casanova), condemning him to the exile, his close friend Giacomo Casanova wrote a presentation letter for Antonio Salieri, before da Ponte had to leave Venice for Vienna. Here, Salieri introduced him to Mozart, and da Ponte wrote le Nozze di Figaro.
At the intervention of Casanova, da Ponte persuaded Mozart to publish a second edition of the Don Giovanni, which was performed in presence of the Emperor Joseph II, to great success.
Antonio Salieri was an Italian classical composer, conductor, and teacher. He was born in Legnago, south of Verona, in the Republic of Venice, and spent his adult life and career as a subject of the Habsburg monarchy.
The Marriage of Figaro, K. 492, is a commedia per musica in four acts composed in 1786 by Wolfgang Amadeus Mozart, with an Italian libretto written by Lorenzo Da Ponte. It premiered at the Burgtheater in Vienna on 1 May 1786. The opera's libretto is based on the 1784 stage comedy by Pierre Beaumarchais, La folle journée, ou le Mariage de Figaro. It tells how the servants Figaro and Susanna succeed in getting married, foiling the efforts of their philandering employer Count Almaviva to seduce Susanna and teaching him a lesson in fidelity.
Don Giovanni is an opera in two acts with music by Wolfgang Amadeus Mozart to an Italian libretto by Lorenzo Da Ponte. Its subject is a centuries-old Spanish legend about a libertine as told by playwright Tirso de Molina in his 1630 play El burlador de Sevilla y convidado de piedra. It is a dramma giocoso blending comedy, melodrama and supernatural elements. It was premiered by the Prague Italian opera at the National Theater, now called the Estates Theatre, on 29 October 1787. Don Giovanni is regarded as one of the greatest operas of all time and has proved a fruitful subject for commentary in its own right; critic Fiona Maddocks has described it as one of Mozart's "trio of masterpieces with librettos by Da Ponte".
Giacomo Girolamo Casanova was a Venetian adventurer and author. His autobiography, Histoire de ma vie, is regarded as one of the most authentic sources of the customs and norms of European social life during the 18th century.
Don Juan, also known as Don Giovanni (Italian), is a legendary, fictional Spanish libertine who devotes his life to seducing women. Famous versions of the story include a 17th-century play, El burlador de Sevilla y convidado de piedra by Tirso de Molina, a 1787 opera, Don Giovanni, with music by Mozart and a libretto by Lorenzo da Ponte, and a satirical, epic poem, Don Juan, by Lord Byron.
Anastasio Martín Ignacio Vicente Tadeo Francisco Pellegrin Martín y Soler was a Spanish composer of opera and ballet. Although relatively obscure now, in his own day he was compared favorably with his contemporary and admirer, Wolfgang Amadeus Mozart, as a composer of opera buffa. In his time he was called "Martini lo spagnuolo" ; in modern times, he has been called "the Valencian Mozart". He was known primarily for his melodious Italian comic operas and his work with Lorenzo Da Ponte in the late 18th century, as well as the melody from Una cosa rara quoted in the dining scene of Mozart's Don Giovanni.
Lorenzo Da Ponte was an Italian, later American, opera librettist, poet and Roman Catholic priest. He wrote the libretti for 28 operas by 11 composers, including three of Mozart's most celebrated operas: The Marriage of Figaro (1786), Don Giovanni (1787), and Così fan tutte (1790).
Don Giovanni is a 1979 French-Italian film directed by Joseph Losey. It is an adaptation of Mozart's classic 1787 opera Don Giovanni, based on the Don Juan legend of a seducer, destroyed by his excesses. The opera itself has been called one of Mozart's "trio of masterpieces". The film stars Ruggero Raimondi in the title role, and the conductor is Lorin Maazel. Nearly three decades after the film's release, Nicholas Wapshott called it a "near perfect amalgamation of opera and the screen".
Axur, re d'Ormus is an operatic dramma tragicomico in five acts by Antonio Salieri. The libretto was by Lorenzo Da Ponte. Axur is the Italian version of Salieri's 1787 French-language work Tarare which had a libretto by Beaumarchais.
Don Juanism or Don Juan syndrome is a non-clinical term for the desire, in a man, to have sex with many different female partners. The name derives from the Don Juan of opera and fiction. The term satyriasis is sometimes used as a synonym for Don Juanism. The term has also been referred to as the male equivalent of nymphomania in women. These terms no longer apply with any accuracy as psychological or legal categories of psychological disorder.
La grotta di Trofonio is an opera, described as an opera comica, in two acts composed by Antonio Salieri to an Italian libretto by Giovanni Battista Casti.
Il ricco d'un giorno is a dramma giocoso in three acts composed by Antonio Salieri. The Italian libretto was by Lorenzo Da Ponte after a work by Giovanni Bertati.
There is no question that the Praguers of the late eighteenth century exhibited a special appreciation for the music of Wolfgang Amadeus Mozart, even though, as recently pointed out by Daniel E. Freeman, confirmations of this fact attributed to Mozart himself in sayings such as "Meine Prager verstehen mich" have only come down to posterity second or third hand. Perhaps the most valuable direct testimony that attests to the discernment of the musical public in Prague with regard to Mozart's music comes from Lorenzo Da Ponte, the librettist of Mozart's opera Don Giovanni, which was first performed in Prague:
It is not easy to convey an adequate conception of the enthusiasm of the Bohemians for [Mozart's] music. The pieces which were admired least of all in other countries were regarded by those people as things divine; and, more wonderful still, the great beauties which other nations discovered in the music of that rare genius only after many, many performances, were perfectly appreciated by the Bohemians on the very first evening.
A catalogue aria is a genre of opera aria in which the singer recounts a list of information that was popular in Italian comic opera in the latter half of the eighteenth and early nineteenth centuries. "Madamina, il catalogo è questo" from Wolfgang Amadeus Mozart's Don Giovanni is the most famous example, and is often referred to as "the catalogue aria". Leporello notes how many lovers the title character has had in each country he has visited. Pasquale sings two such arias in Joseph Haydn's Orlando paladino, "Ho viaggiato in Francia, in Spagna" in act one, which lists the countries to which he has traveled, and "Ecco spiano" in act 2, which rattles off all of his varied musical talents.
Mozart, l'opéra rock is a French musical with music by Dove Attia, Jean-Pierre Pilot, Olivier Schultheis, William Rousseau, Nicolas Luciani, Rodrigue Janois and François Castello, lyrics by Vincent Baguian and Patrice Guirao and a book by Attia and François Chouquet. The show is a dramatization of the life of Wolfgang Amadeus Mozart beginning from the age of 17 and culminating with his death in 1791 at the age of 35. It uses both original pop-rock compositions as well as pre-existing music composed by Mozart and other composers, including Antonio Salieri.
Francesco Benucci was an outstanding Italian bass/baritone singer of the 18th century. He sang a number of important roles in the operas of Wolfgang Amadeus Mozart, Antonio Salieri and other composers.
Caterino Tommaso Mazzolà was an Italian poet and librettist. Born into a wealthy family from the islands of Murano, he and his family moved to Venice around 1767, but after a few years he moved to Treviso. He married in 1780 and having already met Giacomo Casanova and Lorenzo Da Ponte, started work as a librettist.
Per la ricuperata salute di Ofelia, K. 477a, is a solo cantata for soprano and fortepiano composed in 1785 by Antonio Salieri and Wolfgang Amadeus Mozart, and a third, unknown composer, Cornetti, to a libretto written by the Vienna court poet Lorenzo Da Ponte. It is speculated that "Cornetti" may refer to Alessandro Cornetti, a vocal teacher and composer active in Vienna at the time, or that it is a pseudonym of either Salieri or Stephen Storace, a composer who organized the collaborative work to honor his famous sister. The music had been considered lost until November 2015, when German musicologist and composer Timo Jouko Herrmann identified the score while searching for music by one of Salieri's ostensible pupils, Antonio Casimir Cartellieri, in the archives of the Czech Museum of Music in Prague.
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