The Jelly Beans were an American rhythm and blues vocal group from Jersey City, New Jersey, United States. Formed in 1962 by five high schoolers, the group signed with Jerry Leiber and Mike Stoller's label, Red Bird Records, in 1963. [1] Working with songwriters Jeff Barry and Ellie Greenwich, the group released its debut single, "I Wanna Love Him So Bad", in 1964; [2] the song became a hit in the United States, peaking at No. 9 on the Billboard Hot 100 and No. 8 for 2 weeks in Canada. [3] The follow-up, "Baby Be Mine", peaked at No. 51 later that year and No. 31 in Canada, [4] and while the group recorded copiously, an album was never issued. [2] Red Bird dropped the group at the end of 1964; one final single was released on Eskee Records in November 1965, but it fizzled in the US while appearing at No. 36 in Canada and the group broke up in 1966. [5]
The Dixie Cups are an American pop music girl group established in the 1960s. They are best known for a string of hits including their singles "Chapel of Love", "People Say", and "Iko Iko".
Dino, Desi & Billy were an American singing trio that existed between 1964 and 1969. The group featured Dean "Dino" Martin, Desi Arnaz Jr., and their friend Billy Hinsche, the son of Otto “Doc” Hinsche and Celia Bautista. A reconstituted version of the group performed between 1998 and 2010.
"The Lion Sleeps Tonight" is a song originally written and first recorded in 1939 by Solomon Linda under the title "Mbube", through South African Gallo Record Company. Lyrics of Linda's original version were written in Zulu, while those of the English one were later written by George David Weiss.
"Baby Love" is a song by American music group the Supremes from their second studio album, Where Did Our Love Go. It was written and produced by Motown's main production team Holland–Dozier–Holland and was released on September 17, 1964.
American girl group The Supremes has released 29 studio albums, four live albums, two soundtrack albums, 32 compilation albums, four box sets, 66 singles and three promotional singles. The Supremes are the most successful American group of all time, and the 26th greatest artist of all time on the US Billboard charts; with 12 number-one songs on the Billboard Hot 100 and three number-one albums on the Billboard 200. The Supremes were the first artist to accumulate five consecutive number-one singles on the US Hot 100 and the first female group to top the Billboard 200 albums chart with The Supremes A' Go-Go (1966). In 2017, Billboard ranked The Supremes as the number-one girl group of all time, publishing, 'although there have been many girl group smashes in the decades since the Supremes ruled the Billboard charts, no collective has yet to challenge their, for lack of a better word, supremacy.' In 2019, the UK Official Charts Company placed 7 Supremes songs—"You Can't Hurry Love" (16), "Baby Love" (23), "Stop! In the Name of Love" (56), "Where Did Our Love Go?" (59), "You Keep Me Hangin' On" (78), "Come See About Me" (94) and "Stoned Love" (99)—on The Official Top 100 Motown songs of the Millennium chart, which ranks Motown releases by their all-time UK downloads and streams.
"Reach Out I'll Be There" (also formatted as "Reach Out (I'll Be There)") is a song recorded by American vocal quartet Four Tops from their fourth studio album, Reach Out (1967). Written and produced by Motown's main production team, Holland–Dozier–Holland, the song is one of the most widely-known Motown hits of the 1960s and is today considered the Four Tops' signature song.
"The Tracks of My Tears" is a song written by Smokey Robinson, Pete Moore, and Marv Tarplin. It is a multiple award-winning 1965 hit R&B song originally recorded by their group, The Miracles, on Motown's Tamla label. The Miracles' million-selling original version has been inducted into The Grammy Hall of Fame, has been ranked by the Recording Industry Association of America and The National Endowment for the Arts at No. 127 in its list of the "Songs of the Century" – the 365 Greatest Songs of the 20th Century, and has been selected by Rolling Stone as No. 50 on its list of "The 500 Greatest Songs of All Time", among many other awards. In 2021, Rolling Stone ranked the Miracles' original recording of "The Tracks of My Tears" as "The Greatest Motown Song of All Time".
"Shakin' All Over" is a song originally performed by Johnny Kidd & the Pirates. It was written by leader Johnny Kidd, and his original recording reached No. 1 on the UK Singles Chart in August 1960. The song is sometimes credited to Frederick Albert Heath, which is Kidd's real name. Kidd's recording was not a hit outside Europe. In other parts of the world the song is better known by recordings from other artists.
"Chapel of Love" is a song written by Jeff Barry, Ellie Greenwich and Phil Spector, and made famous by The Dixie Cups in 1964, spending three weeks at number one on the Billboard Hot 100. The song tells of the happiness and excitement the narrator feels on her wedding day, for she and her love are going to the "chapel of love", and "[they'll] never be lonely anymore." Many other artists have recorded the song.
"She's Not There" is the debut single by the English rock band the Zombies, written by keyboardist Rod Argent. It reached No. 12 in the UK Singles Chart in September 1964, and No. 2 on the Billboard Hot 100 in the United States at the beginning of December 1964. In Canada, it reached No. 2.
The Paupers were a Canadian psychedelic rock band from Toronto, Ontario, who recorded between 1965 and 1968. They released two albums for Verve Forecast Records and appeared at the Monterey International Pop Festival.
"Love Hurts" is a song written and composed by the American songwriter Boudleaux Bryant. First recorded by the Everly Brothers in July 1960, the song is most well known in two hit versions by UK artists; by Scottish hard rock band Nazareth in 1974 and by English singer-songwriter Jim Capaldi in 1975.
"Go Now" is a song composed by Larry Banks and Milton Bennett and first recorded by Bessie Banks, released as a single in January 1964. The best-known version was recorded by the Moody Blues and released the same year.
Clifford James Nobles was an American soul singer, who is best known for his instrumental hit, "The Horse".
"Concrete and Clay" is a 1965 hit single recorded by the UK pop group Unit 4 + 2. It reached No. 1 on the UK Singles Chart in April 1965. The song was written by group members Tommy Moeller and Brian Parker. It was also a top 40 hit for Eddie Rambeau in 1965.
"Oh, Pretty Woman", or simply "Pretty Woman", is a song recorded by Roy Orbison and written by Orbison and Bill Dees. It was released as a single in August 1964 on Monument Records and spent three weeks at number one on the Billboard Hot 100 from September 26, 1964, making it the second and final single by Orbison to reach number one in the United States. It was also Orbison's third single to top the UK Singles Chart, where it spent three weeks at number one.It was written for the prettiest girl, named Eleana Alafouzou
"Then You Can Tell Me Goodbye" is a song written by John D. Loudermilk. It was first released in 1962 by Don Cherry, as a country song and again as a doo-wop in 1967 by the group The Casinos on its album of the same name, and was a number 6 pop hit that year. The song has since been covered by Eddy Arnold, whose version was a number 1 country hit in 1968, and by Neal McCoy, whose version became a Top 5 country hit in 1996.
The Beau Brummels were an American rock band that formed in 1964 and originally consisted of singer Sal Valentino, lead guitarist Ron Elliott, bassist Ron Meagher, rhythm guitarist Declan Mulligan and drummer John Petersen. Local radio disc jockeys Tom Donahue and Bobby Mitchell discovered the band at a club near San Francisco. They signed the Beau Brummels to their fledgling Autumn Records label, and their house producer, Sylvester Stewart, later known as Sly Stone, recorded the band's early sessions.
"Where Did Our Love Go" is a 1964 song recorded by American music group the Supremes for the Motown label.
"Come Tomorrow" is a song written by American songwriters Bob Elgin, Dolores Phillips and Frank Augustus for rhythm and blues singer Marie Knight, who issued it as a single in October 1961 through Okeh Records, a release which received good reviews, though failed to chart. The best known version of the song was recorded by British pop band Manfred Mann, who took it to the top-ten in the United Kingdom in 1965.