The Kid and the Brute | ||||
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Studio album by | ||||
Released | 1955 | |||
Recorded | December 13, 1954 New York City | |||
Genre | Jazz | |||
Label | Clef MGC 680 | |||
Producer | Norman Granz | |||
Illinois Jacquet chronology | ||||
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Ben Webster chronology | ||||
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The Kid and the Brute is an album by American jazz saxophonists Illinois Jacquet and Ben Webster recorded in late 1954 and released on the Clef label. [1] [2] [3]
Review scores | |
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Source | Rating |
Allmusic | [4] |
Allmusic reviewer Scott Yanow described the album as "An excellent example of Illinois Jacquet's hard-swinging and accessible music". [4] in JazzTimes , Stanley Dance observed: "The two long blues on which Ben Webster plays are by far the most exciting tracks. Opening the record on the first, he lays down a ferocious challenge, but Jacquet, who in no way appears intimidated by the huffing and puffing, replies in an alert, sparring fashion that contrasts his leaner sound effectively. Jacquet opens on the second, their subsequent exchanges having rare, toe-to-toe intensity, as befits two of the swingingest tenors there have ever been". [5]
All compositions by Illinois Jacquet except as indicated
Jean-Baptiste Illinois Jacquet was an American jazz tenor saxophonist, best remembered for his solo on "Flying Home", critically recognized as the first R&B saxophone solo. He is also known as one of the writers of the jazz standard "Don'cha Go 'Way Mad."
Paul Quinichette was an American jazz tenor saxophonist. He was known as the "Vice President" or "Vice Prez" for his emulation of the breathy style of Lester Young, whose nickname was "The President", or simply "Prez". Young called Quinichette "Lady Q".
Benjamin Francis Webster was an American jazz tenor saxophonist.
John Adriano Acea was an American jazz pianist. He was born in Philadelphia to Adriano Acea of Cuba and Leona Acea of Virginia. One of six children, he was expected to die during his first decade of life from rheumatic fever, as did his youngest sister, Anna.
James "Osie" Johnson was a jazz drummer, arranger and singer.
Matthew Gee was an American bebop trombonist.
Albert Bennington Lucas was a Canadian jazz double-bassist.
Bennie Green Blows His Horn is an album by American trombonist Bennie Green. It was recorded in 1955 and released on the Prestige label.
The Voice That Is! is an album by American jazz vocalist Johnny Hartman featuring performances recorded in 1964 for the Impulse! label.
Bluesin' Around is an album by guitarist Kenny Burrell, recorded in 1961 and 1962 and first released on the Columbia label in 1983.
Porgy & Bess is an album by American jazz guitarist Mundell Lowe and his All Stars featuring their interpretations of the George Gershwin folk opera Porgy and Bess recorded in 1958 for the RCA Camden label.
Zoot! is an album by American jazz saxophonist Zoot Sims featuring tracks recorded in 1956 for the Riverside label.
Coleman Hawkins All Stars is an album by saxophonist Coleman Hawkins featuring trumpeter Joe Thomas and trombonist Vic Dickenson which was recorded in 1960 and released on the Swingville label.
The Birth of a Band! is an album by Quincy Jones that was released by Mercury with performances by Zoot Sims, Clark Terry, Harry Edison, and Phil Woods.
Groovin' with Jacquet is an album by American jazz saxophonist Illinois Jacquet, recorded in 1951 and late 1953 and released on the Clef label.
Illinois Jacquet and His Orchestra is an album by American jazz saxophonist Illinois Jacquet recorded in 1955 and originally released on the Clef label.
Kansas City Revisited is an album by jazz trombonist and arranger Bob Brookmeyer featuring Brookmeyer's new orchestrations of 1920s and '30s era Kansas City jazz tunes. The album was recorded in 1958 for the United Artists label.
From A to...Z is an album by the Al Cohn/Zoot Sims Sextet recorded in early 1956 for the RCA Victor label.
I Feel Like a Newman is an album by jazz trumpeter Joe Newman recorded in 1956 and originally released on the Storyville label.
Gerry Mulligan and the Concert Jazz Band on Tour is a live album recorded by American jazz saxophonist and bandleader Gerry Mulligan featuring performances recorded in California, Berlin and Milan 1960 which were released on the Verve label. In the CD era it has been superseded by The Complete Santa Monica Concert