The Lana Sisters | |
---|---|
Origin | England |
Genres | Pop |
Years active | 1958–1963 |
Labels | Fontana Records |
Past members | Riss Long Lynne Abrams Mary O'Brien |
The Lana Sisters were a British vocal group formed by Iris Long in 1958, with Lynne Abrams. [1] They put an advert in The Stage for a third member and got a reply from Mary O'Brien, who would go on to solo success a few years later as Dusty Springfield.
They were managed by Evelyn Taylor, and toured around England. Initial publicity for the group claimed they were three actual sisters with the surname Lana: Iris (or Riss), Lynne, and Shann (or Shan). (Iris Long and Lynne Abrams were Riss and Lynne Lana, Mary O'Brien was Shann Lana.) They appeared on the BBC's Six-Five Special and Drumbeat with Adam Faith and John Barry, and later took part in a Christmas special "Tommy Steele’s Spectacular" with the song "Seven Little Girls Sitting in the Backseat". [2] [3]
They appeared twice at the Royal Albert Hall and toured with Cliff Richard, Adam Faith, and Morecambe & Wise. Their cover of the Marv Johnson song "You Got What It Takes" became a Top 10 hit in Ireland in 1960.
Mary O'Brien left the Lana Sisters in 1960, taking the stage name Dusty Springfield and joining her brother Tom Springfield and another friend (Tim Feild) to make The Springfields. She went solo in 1963.
The Lana Sisters continued until 1963, [4] when Lynne Abrams left to get married. Riss Long then formed the Chantelles with two friends, Sandra Orr and Jay Adams. [5] They appeared in the 1965 music film Dateline Diamonds .
Mary Isobel Catherine Bernadette O'Brien, better known by her stage name Dusty Springfield, was an English singer. With her distinctive mezzo-soprano sound, she was a popular singer of blue-eyed soul, pop and dramatic ballads, with French chanson, country, and jazz in her repertoire. During her 1960s peak, she ranked among the most successful British female performers on both sides of the Atlantic. Her image–marked by a peroxide blonde bouffant/beehive hairstyle, heavy makeup and evening gowns, as well as stylised, gestural performances–made her an icon of the Swinging Sixties.
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