Big Audio Dynamite were an English band, formed in London in 1984 by Mick Jones, former lead guitarist and co-lead vocalist of the Clash. The band mixed various musical styles, incorporating elements of punk rock, dance music, hip hop, reggae, and funk. After releasing a number of well-received studio albums and touring extensively throughout the 1980s and 1990s, Big Audio Dynamite broke up in 1997. In 2011, the band embarked on a reunion tour.
Earthbound is the twelfth album by American pop group the 5th Dimension, released in 1975 by ABC Records. It is the last album for the group's original line-up of Billy Davis Jr., Marilyn McCoo, Florence LaRue, Lamonte McLemore and Ron Townson. After touring with the 5th Dimension in support of this album, Billy Davis Jr. and Marilyn McCoo left the group to work as a duo and as solo artists.
London SS is a British rock group founded in March 1975 by drummer Geir Wade, bassist John Brown, guitarist Mick Jones, and guitarist Eunan Brady. They later became associated with the then new punk rock scene when the Sex Pistols broke in early 1976. In 2012 Brady put together a new lineup, featuring himself along with Jimi McDonald, Taj Sagoo, Michael Kane, and Andi Emm.
Sigue Sigue Sputnik were a British new wave band formed in 1982 by former Generation X bassist Tony James. The band have had three UK top-40 hit singles, including "Love Missile F1-11" and "21st Century Boy".
Nicholas Bowen "Topper" Headon is an English drummer and multi-instrumentalist, best known as the drummer of punk rock band the Clash. Known for his contributions to the drumming world, Headon was inducted in the Rock and Roll Hall of Fame with the rest of The Clash in 2003.
The Rolling Stones Rock and Roll Circus was a concert film hosted by and featuring the Rolling Stones, filmed on 11–12 December 1968. It was directed by Michael Lindsay-Hogg, who proposed the idea of a "rock and roll circus" to Jagger. The show was filmed on a makeshift circus stage with Jethro Tull, The Who, Taj Mahal, Marianne Faithfull, and the Rolling Stones. John Lennon and his fiancee Yoko Ono performed as part of a one-shot supergroup called The Dirty Mac, featuring Eric Clapton on guitar, Mitch Mitchell on drums, and the Stones' Keith Richards on bass. The recently formed Led Zeppelin had been considered for inclusion, but the idea was rejected.
Michael Geoffrey Jones is a British musician, singer, songwriter, and record producer best known as the co-founder of the Clash, and as that group's guitarist until 1983. In 1984, he formed Big Audio Dynamite with Don Letts. Jones has played with the band Carbon/Silicon along with Tony James since 2002 and was part of the Gorillaz live band for a world tour in 2010–2011. In late 2011, Jones collaborated with Pete Wylie and members of the Farm to form the Justice Tonight Band.
Anthony Eric James is an English pop musician and record producer, who was the bassist for the 1970s–1980s bands Generation X, Sigue Sigue Sputnik and the Sisters of Mercy.
Changesonebowie is a compilation album by English musician David Bowie, issued through RCA Records in 1976. It collected songs from the 1969–1976 period, including the first LP appearance of "John, I'm Only Dancing". A "sax version" of this song, cut during the Aladdin Sane sessions in 1973, appeared on the first 1000 copies of the UK pressing. Later pressings of Changesonebowie featured the original version of the single that had been recorded and released in 1972. All US pressings of the LP contain this original version as well.
Did I Shave My Legs for This? is the debut studio album by American country music artist Deana Carter, released via Patriot Records in the United Kingdom on February 27, 1995. Two singles were released from the album in the UK, "Angel Without a Prayer" and "Are You Coming Home Today?", which charted at numbers 100 and 93 respectively on the UK Singles Chart.
Night Flight is a studio album by Moody Blues frontman Justin Hayward, released on Decca Records in 1980. It was reissued on CD in September 1989.
Vous êtes toujours là is the first live album by Australian singer Tina Arena released in 2003 primarily in French-speaking Europe. It includes the studio duet with Jay, "Je te retrouve un peu" which was the only single released from the album in France. The bonus track "Never " was released internationally and reached number one on the US Billboard Dance Airplay chart.
Carbon/Silicon is a rock music duo consisting of Mick Jones and Tony James. The band formed around 2002.
Don't Stop is the first EP by English rock singer Billy Idol, released in 1981 by Chrysalis Records.
Bowie at the Beeb is a compilation album by English singer-songwriter David Bowie, first released in 2000. Originally, it came in a three-CD set, the third, bonus CD being a live recording made on 27 June 2000 at the Portland BBC Radio Theatre. Later editions contain only the first two CDs. The bonus disc was also released as a separate single CD entitled BBC Radio Theatre, London, June 27, 2000.
Magic is the sixth and final studio album by British hard rock band Gillan, released in September 1982. It features eight original songs, mostly co-written by Ian Gillan and Colin Towns, and a cover of Stevie Wonder's 1973 hit single "Living for the City". This cover was released as a 7" single, in both picture-bag and picture-disc editions, and was accompanied by a promotional video.
Megatop Phoenix is the fourth and final studio album by the original line-up of English band Big Audio Dynamite, released on 4 September 1989 by CBS Records. Mick Jones and Bill Price produced the album. It was recorded at the Kinks' Konk Studios in Hornsey, London, who were considered an inspiration in the album's liner notes.
Love Is is the eighth studio album by Kim Wilde, released in spring 1992.
Short Back 'n' Sides is the fifth studio album by Ian Hunter. He collaborated with Mick Jones, fellow Clash member Topper Headon as well as Mick Ronson, Todd Rundgren and Ellen Foley.
Sign of the Times is the fourth studio album by the English band The Rubettes. It was released on the State Records label in June 1976. The album represented a significant change in direction for the band, as it was the first not produced by Wayne Bickerton and Tony Waddington – instead the Rubettes took on production responsibilities themselves, with Alan Blakley as co-producer. The band made the decision due to the disappointing sales of their previous two Bickerton/Waddington singles and the desire to forge new musical directions.
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