Somethin' Else is a jazz album by alto saxophonist Julian "Cannonball" Adderley, his only album on the Blue Note label, recorded and released in 1958. Also on the session is trumpeter Miles Davis in one of his handful of recording dates for Blue Note. Adderley was a member of Davis' group at the time, and the album was recorded shortly after Davis' own landmark album Milestones. The Penguin Guide to Jazz selected Somethin' Else as part of its suggested "Core Collection."
David "Fathead" Newman was an American jazz and rhythm-and-blues saxophonist, who made numerous recordings as a session musician and leader, but is best known for his work as a sideman on seminal 1950s and early 1960s recordings by Ray Charles.
Henry Franklin "Buster" Smith, also known as Professor Smith, was an American jazz alto saxophonist and mentor to Charlie Parker. Smith was instrumental in instituting the Texas Sax Sound with Count Basie and Lester Young in the 1930s.
Johnny Winter is Johnny Winter's second studio album. Columbia Records released the album in 1969, after signing Winter to the label for a reported $600,000. As with his first album, The Progressive Blues Experiment, Winter mixes some original compositions with songs originally recorded by blues artists. The album reached number 24 on the Billboard 200 albums chart.
Song X is a collaborative studio album by American jazz guitarist Pat Metheny and saxophonist Ornette Coleman. It is a free jazz record that was produced in a three-day recording session in 1985. The album was released in June 1986 by Geffen Records.
Introducing Wayne Shorter is the debut album by jazz saxophonist Wayne Shorter. It was recorded on November 9th and 10th, 1959, at Bell Sound Studios in New York City. It features five Shorter compositions, plus Kurt Weill's "Mack the Knife”, performed by a quintet featuring trumpeter Lee Morgan, pianist Wynton Kelly, bassist Paul Chambers and drummer Jimmy Cobb. Shorter played with Morgan in the front line of Art Blakey's Jazz Messengers at this time while Kelly, Chambers and Cobb were the widely celebrated rhythm section with Miles Davis.
Sarah Vaughan, reissued in 1991 as Sarah Vaughan with Clifford Brown, is a 1955 jazz album featuring singer Sarah Vaughan and trumpeter Clifford Brown, released on the EmArcy label. It was the only collaboration between the two musicians. Well received, though not without some criticism, the album was Vaughan's own favorite among her works through 1980. The album was inducted into the Grammy Hall of Fame in 1999.
Straight Life is a 1979 jazz album by American saxophonist Art Pepper playing with Tommy Flanagan, Red Mitchell, Billy Higgins and Kenneth Nash.
Something Cool is a studio album recorded by June Christy in 1953, 1954, and 1955, and featuring Christy singing 11 jazz songs backed by the orchestra of Pete Rugolo, and her saxophonist husband, Bob Cooper. First issued in 1954 as a 10" mono LP, an expanded 12" mono LP was released the following year, with four newly recorded selections added to the track listing. In 1960, Christy and Rugolo re-recorded all 11 selections in stereo, so that a stereo version of Something Cool could be issued. For many years, this re-recorded version of the LP was the only one commercially available.
The Time Is Right is an album by jazz saxophonist Lou Donaldson recorded for the Blue Note label and performed by Donaldson with trumpeter Blue Mitchell, pianist Horace Parlan, bassist Laymon Jackson, drummer Dave Bailey, and congalero Ray Barretto with Sam Jones and Al Harewood replacing Jackson and Bailey on one track. The album was awarded 3 stars in an Allmusic review. It was released on CD only in Japan.
Chet is an album by jazz trumpeter Chet Baker first released in 1959. The record is sometimes subtitled The Lyrical Trumpet of Chet Baker. Chet features performances by Baker with alto flautist Herbie Mann, baritone saxophonist Pepper Adams, pianist Bill Evans, guitarist Kenny Burrell, bassist Paul Chambers, and either Connie Kay or Philly Joe Jones playing drums. It was recorded in December 1958 and January 1959 and released on the Riverside label.
Back to the Tracks is a hard bop album by tenor saxophonist Tina Brooks recorded in 1960 and released posthumously. The album was originally intended as BLP 4052, but, for some reason, it was shelved at the time. A song recorded during the session, "David the King", was rejected since it "never made it to releasable quality". The composition was later re-recorded for Brooks' final Blue Note session, eventually released as The Waiting Game. The tracks first appeared in a Mosaic 12" LP box-set (MR4-106) entitled The Complete Blue Note Recordings of The Tina Brooks Quintets. A Blue Note CD appeared in 1998, then reissued in 2006.
Manhattan Fever is an album by American jazz saxophonist Frank Foster recorded in 1968 and released on the Blue Note label. The CD reissue added five previously unreleased recordings from a 1969 session as bonus tracks.
Taking Care of Business is an album by saxophonist Oliver Nelson recorded in 1960 and released on the New Jazz label.
Gumbo! is an album by saxophonists Pony Poindexter and Booker Ervin which was released on the Prestige label in 1963. The 1999 CD reissue added eight unreleased selections from earlier sessions, three led by Poindexter and five by Ervin.
Harold in the Land of Jazz is the debut studio album by saxophonist Harold Land, recorded in 1958 and released on the Contemporary label.
Live at Sandy's! is a live album by saxophonist Arnett Cobb which was recorded at Sandy's Jazz Revival in 1978 and released on the Muse label in 1980. The 1996 CD reissue included tracks from More Arnett Cobb and the Muse All Stars Live at Sandy's!, while omitting one track from the original album due to time constraints.
623 C Street is the second album led by saxophonist Ralph Moore which was recorded in 1987 and released on the Dutch Criss Cross Jazz label.
Aspects is an album by saxophonist/composer Benny Carter recorded in late summer 1958 and originally released by the United Artists label the following year.
A Place in Time is an album by trumpeter/composer Wallace Roney which was recorded in 2016 and released on the HighNote label.
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