The Luck of Roaring Camp (1911 film)

Last updated

The Luck of Roaring Camp
Directed by W. J. Lincoln
Written byW. J. Lincoln [1]
Based onstage adaptation by Mark Blow and Ida Molesworth of the novel The Luck of Roaring Camp by Francis Bret Harte [2]
Produced by William Gibson
Millard Johnson
John Tait
Nevin Tait
StarringEthel Buckley
Robert Inman
George Marlow's Dramatic Company
Cinematography Orrie Perry
Production
company
Distributed byTait's Pictures [3]
Release dates
8 April 1911 (Sydney) [4] [5] [6]
  • 24 March 1911 (1911-03-24)(Melbourne) [7] [8]
Running time
4,000 feet [9] [10]
CountryAustralia
Languages Silent film
English intertitles

The Luck of Roaring Camp is a 1911 Australian feature-length film directed by W. J. Lincoln now considered a lost film. It was highly regarded in its day, in part because it was based on a play that was popular with audiences. [11]

Contents

It was one of several films Lincoln made with the Tait family, who had produced The Story of the Kelly Gang . [12] [13]

Plot

The setting is California during the California Gold Rush. On the California goldfields, Will Gordin is falsely accused of murder and is about to be lynched when his girlfriend rides to the rescue. Scenes included:

Cast

Production

It was based on a stage adaptation of the story by Francis Bret Harte which had proved popular with Australian audiences as performed by George Marlow's Dramatic Company since 1910. [19] This production moved to the Princess Theatre in Melbourne started 4 February 1911. [20] [21] The Bulletin reviewed this saying:

When The Luck of Roaring Camp was staged in Sydney by George Marlow, Ltd., a year ago. The Bulletin remarked that the bellow drama had taken the name of Bret Harte’s novel in vain. Probably the audience at Melbourne Princess’s last Saturday didn’t seek for Bret Harte’s story in the drama that wore its title, but was merely looking for a mining camp and listening for roars. In which case the audience’s expectations were fulfilled. The mine, located in America, provides Diver with lurid opportunities in the way of murder and false accusation; but he is ultimately brought to grief by a hero who wins the girl and secures the property, and, in fact, gets the Luck. Many things, including some stirring episodes of comic relief, happen before the ends of poetic justice are served. If the people who goto the Princess’s are fond of this sort of melodrama, this is the sort of melodrama which should suit them down to the ground and up to the roof. [22]

The Age said it "was not badly constructed." [23] On 1 February 1911 it was announced the partnership of Millard Johnson and Willard Gibson had made a film version that went for 4,000 feet. [10] According to Table Talk "Over 130 people are taking part, and horses and stage coaches are conspicuous in the picture. It has taken 11 days to complete the film." [24] The George Marlow company provided the cast for the film, with the lead played by Marlow's wife Ethel Buckley. A cast of over a hundred was reportedly used. [25] [26] According to the Sydney Morning Herald "The picture is said to convey a more adequate idea of the place than the staged drama." [27]

Reception

The movie premiered at the Glacarium Theatre in Melbourne, where the Sydney Morning Herald said it did "big business". [28] Then it played the Palace in Sydney. [29] [30]

It followed the release of Lincoln's earlier film The Mystery of the Hansom Cab . [31]

Reviews were generally strong. The critic from the Sydney Morning Herald called it:

A thrilling story without words that is complete in itself without the words and that makes the drama more realistic than ever it could be on a stage without the aid of the pictures. The play has been carefully selected for this method of portrayal because it teems with exciting episodes and thrilling incidents in the life of the hard-living westerners. One part in particular that could never be seen on a stage without the camera is the splendid exhibition of horsemanship shown by a team of rough riders who were specifically employed for the purpose... almost every foot of it [the film] is bristling with exciting incidents. [32]

Table Talk wrote that:

Nightly Mr. Walter Dalgieish gives a' descriptive lecture which tends to supply the want of dialogue so adequately that the whole play seems heard as. well as seen. The pictures are very life-like and clear, and are reproduced in a most effective way. These pictures, taken in Australia. for Australians, certainly compare veryfavorably with those manufactured overseas the acting is not marked by' that excess gesture and—to us—overdrawn-marks of yisible emotion, which are so often noticeable' in the picture dramas which have been prepared on the Continent. [33]

The Daily Telegraph called it "a fine biograph melodrama". [34] The Sydney Truth called it "a splendid show." [35] "A Triump of cinematography" said the Evening News. [36]

The Sydney Sun said "Tho actors and actresses In tho sevoral scenes ore all Australians, specially organised foe the purpose, and they performed their allotted tasks with keen appreciation of the requirements of tho many sensational sltua«tions... The film is an exceilont one, and on Saturday, night was highly appreciated by a largo audience." [37]

The Bulletin said "The fabrication is all right in its way, though this paper prefers Taits’ occasional displays of color subjects." [38]

Everyone's later said Buckley's performance in this film and Driving a Girl to destruction "was so marked, even in those early efforts, that she received several flattering offers to continue the work, but it was a medium which did not suit the electric temperament of one who had proved herself to be one of the most versatile soubrettes of the Australian stage, and she preferred to rest on her laurels." [39]

Related Research Articles

<i>Thunderbolt</i> (1910 film) 1910 film

Thunderbolt is a 1910 Australian feature film based on the life of the bushranger Captain Thunderbolt. It was the directorial debut of John Gavin who later claimed it was the first "four-reel movie" made in Australia. It has also been called the first film made in New South Wales.

<span class="mw-page-title-main">W. J. Lincoln</span> Australian playwright, film director and screenwriter

William Joseph Lincoln was an Australian playwright, theatre manager, film director and screenwriter in the silent era. He produced, directed and/or wrote 23 films between 1911 and 1916.

<span class="mw-page-title-main">George Marlow</span> Australian theatrical entrepreneur

George Marlow was an Australian theatrical entrepreneur born in London of Jewish extraction, noted for bringing melodrama and pantomime to Sydney audiences in the early 1900s. His name has been frequently mis-spelled as "George Marlowe".

Harmony Row is a 1933 Australian musical comedy directed by F. W. Thring and starring popular stage comedian George Wallace. It marked the film debut of Bill Kerr.

<i>The Hayseeds</i> 1933 film

The Hayseeds is a 1933 Australian musical comedy from Beaumont Smith. It centres on the rural family, the Hayseeds, about whom Smith had previously made six silent films, starting with Our Friends, the Hayseeds (1917). He retired from directing in 1925 but decided to revive the series in the wake of the box office success of On Our Selection (1932). It was the first starring role in a movie for stage actor Cecil Kellaway.

Diggers in Blighty is a 1933 Australian film starring and directed by Pat Hanna. Hanna decided to direct this film himself after being unhappy with how F. W. Thring had handled Diggers (1931).

<span class="mw-page-title-main">Alfred Rolfe (director)</span> Australian stage and film director and actor

Alfred Rolfe, real name Alfred Roker, was an Australian stage and film director and actor, best known for being the son-in-law of the celebrated actor-manager Alfred Dampier, with whom he appeared frequently on stage, and for his prolific output as a director during Australia's silent era, including Captain Midnight, the Bush King (1911), Captain Starlight, or Gentleman of the Road (1911) and The Hero of the Dardanelles (1915). Only one of his films as director survives today.

Walter Franklyn Barrett, better known as Franklyn Barrett, was an Australian film director and cinematographer. He worked for a number of years for West's Pictures. It was later written of the filmmaker that "Barrett's visual ingenuity was to be the highlight of all his work, but... his direction of actors was less assured".

<i>It Is Never Too Late to Mend</i> (1911 film) 1911 Australian film

It Is Never Too Late to Mend is a 1911 Australian feature-length silent film written and directed by W. J. Lincoln.

<i>The Double Event</i> (1911 film) 1911 Australian film

The Double Event is a 1911 Australian feature-length film directed by W. J. Lincoln based on the first novel by Nat Gould, which had been adapted several times for the stage, notably by Bland Holt.

<i>For the Term of His Natural Life</i> (1908 film) 1908 Australian film

For the Term of His Natural Life is a 1908 Australian silent film based on the 1874 novel by the same name by Marcus Clarke. The film is an adaptation of MacMahon's stage adaptation of the novel.

<i>The Five of Hearts</i> 1911 Australian film

The Five of Hearts, or Buffalo Bill's Love Story is a 1911 Australian film from Edward Irham Cole based on a stage play about Buffalo Bill which Cole had performed extensively. It is also known as A Maiden's Distress or Buffalo Bill. It was reportedly the longest of Cole's films.

<i>Dan Morgan</i> (film) 1911 film

Dan Morgan is a 1911 Australian film from Charles Cozens Spencer about the bushranger Daniel Morgan. It was said to be starring "Alfred Rolfe and company". Rolfe directed three movies for Spencer, all starring himself and his wife Lily Dampier so there is a chance he may have directed this one and that it starred his wife. A prospectus for the Australian Photo Play Company said he directed it. It is considered a lost film.

Driving a Girl to Destruction is an Australian film directed by George Marlow. It is considered a lost film.

Amalgamated Pictures Ltd was a film exchange company in Australia.

<span class="mw-page-title-main">New Tivoli Theatre, Sydney</span>

The New Tivoli Theatre, Sydney, previously known as the Adelphi Theatre and the Grand Opera House, was a theatre and music hall at 329, Castlereagh Street, Sydney, Australia, which was long at the heart of the Tivoli circuit.

<i>Mates from the Murrumbidgee</i> 1911 Australian film

Mates from the Murrumbidgee is a 1911 Australian silent movie. It is considered a lost film and was arguably the first Australian war film, being set during the Boer War.

Charles Darrell was an English playwright who specialized in melodrama.

Wilton Welch was an Australian comic actor and dramatist, husband and collaborator of Louise Carbasse, best known as Louise Lovely.

Humping the Bluey is a 1911 Australian stage play by Dora Mostyn produced by George Marlow. It was one of the last plays in the "bushranging cycle" of Australian playwriting.

References

  1. "Advertising". The Argus . Melbourne. 24 March 1911. p. 12. Retrieved 1 July 2015 via National Library of Australia.
  2. "DRAMATIC NOTES". The Advertiser . Adelaide. 4 February 1911. p. 9. Retrieved 30 September 2013 via National Library of Australia.
  3. "Advertising". The Argus . Melbourne. 24 March 1911. p. 12. Retrieved 30 September 2013 via National Library of Australia.
  4. "PICTURE ENTERTAINMENTS". The Sydney Morning Herald . No. 22, 847. New South Wales, Australia. 5 April 1911. p. 9. Retrieved 23 July 2024 via National Library of Australia.
  5. "The Colonial Theatre, Ltd., management announces a". The Daily Telegraph. No. 9927. New South Wales, Australia. 22 March 1911. p. 10. Retrieved 23 July 2024 via National Library of Australia.
  6. "GENERAL GOSSIP". Referee. No. 1268. New South Wales, Australia. 22 February 1911. p. 16. Retrieved 23 July 2024 via National Library of Australia.
  7. Mary Bateman, 'W. J. Lincoln', Cinema Papers, June–July 1980 p 214
  8. "Advertising". The Argus . Melbourne. 23 March 1911. p. 12. Retrieved 30 September 2013 via National Library of Australia.
  9. "DRAMATIC NOTES". The Advertiser . Adelaide. 4 February 1911. p. 9. Retrieved 28 January 2012 via National Library of Australia.
  10. 1 2 "GENERAL GOSSIP". The Referee . Sydney. 22 February 1911. p. 16. Retrieved 30 September 2013 via National Library of Australia.
  11. McGuire, Dan (10 June 1944). "Australia's first film". ABC Weekly. p. 26.
  12. Endean, Lin (13 December 1933). "134 Years in the Industry: The Perrys' Record identifier". Everyones. p. 44.
  13. "AUSTRALIAN MOVIE PIONEERS". 1 February 1939. p. 38.{{cite magazine}}: Cite magazine requires |magazine= (help)
  14. "Advertising". The Morning Bulletin . Rockhampton, Qld. 17 October 1911. p. 2. Retrieved 28 January 2012 via National Library of Australia.
  15. "PALACE THEATRE". Sydney Sportsman . Vol. X, no. 616. New South Wales, Australia. 12 April 1911. p. 2. Retrieved 23 July 2024 via National Library of Australia.
  16. "LIFE & LETTERS". The West Australian . Perth. 4 May 1946. p. 5. Retrieved 16 September 2013 via National Library of Australia.
  17. "MISS NELLIE FERGUSSON". Punch. Vol. CXIV, no. 2899. Victoria, Australia. 16 February 1911. p. 14. Retrieved 23 July 2024 via National Library of Australia.
  18. "No title". Table Talk. No. [?]. Victoria, Australia. 9 February 1911. p. 13. Retrieved 23 July 2024 via National Library of Australia.
  19. "MUSIC AND DRAMA". The Brisbane Courier . 15 January 1910. p. 12. Retrieved 30 September 2013 via National Library of Australia.
  20. "AMUSEMENTS". The Age . No. 17, 433. Victoria, Australia. 30 January 1911. p. 8. Retrieved 23 July 2024 via National Library of Australia.
  21. "GROUP OF CHARACTERS FROM "THE LUCK OF ROARING CAMP,"". Punch. Vol. CXIV, no. 2897. Victoria, Australia. 2 February 1911. p. 17. Retrieved 23 July 2024 via National Library of Australia.
  22. "SUNDRY SHOWS". The Bulletin. 8 February 1911. p. 8.
  23. "PRINCESS'S THEATRE--THE LUCK OF ROARING CAMP". The Age . No. 17, 439. Victoria, Australia. 6 February 1911. p. 11. Retrieved 23 July 2024 via National Library of Australia.
  24. "ON and OFF the STAGE". Table Talk. No. 1332. Victoria, Australia. 2 February 1911. p. 24. Retrieved 23 July 2024 via National Library of Australia.
  25. ""THE LUCK OF ROARING CAMP."". The Sydney Morning Herald . 3 April 1911. p. 5. Retrieved 30 September 2013 via National Library of Australia.
  26. "Advertising". The Bulletin. 13 April 1911. p. 35.
  27. "PALACE THEATRE". The Sydney Morning Herald . No. 22, 850. New South Wales, Australia. 8 April 1911. p. 18. Retrieved 23 July 2024 via National Library of Australia.
  28. "PICTURE ENTERTAINMENTS". The Sydney Morning Herald . No. 22, 835. New South Wales, Australia. 22 March 1911. p. 8. Retrieved 23 July 2024 via National Library of Australia.
  29. "GENERAL GOSSIP". The Referee . Sydney. 22 March 1911. p. 16. Retrieved 30 September 2013 via National Library of Australia.
  30. "SUNDRY SHOWS". 6 April 1911. p. 6.{{cite magazine}}: Cite magazine requires |magazine= (help)
  31. "THEATRES AND ENTERTAINMENTS". The Argus . Melbourne. 20 March 1911. p. 9. Retrieved 18 June 2015 via National Library of Australia.
  32. "THE LUCK OF ROARING CAMP". The Sydney Morning Herald . 10 April 1911. p. 4. Retrieved 30 September 2013 via National Library of Australia.
  33. "TAIT'S PICTURES". Table Talk. Victoria, Australia. 30 March 1911. p. 21. Retrieved 23 July 2024 via National Library of Australia.
  34. "THE PALACE". The Daily Telegraph. No. 9943. New South Wales, Australia. 10 April 1911. p. 4. Retrieved 23 July 2024 via National Library of Australia.
  35. ""THE LUCK OF ROARING CAMP" BIOGRAPH". Truth. No. 1028. New South Wales, Australia. 2 April 1911. p. 2. Retrieved 23 July 2024 via National Library of Australia.
  36. "AMUSEMENTS". Evening News. No. 13, 677. New South Wales, Australia. 10 April 1911. p. 12. Retrieved 23 July 2024 via National Library of Australia.
  37. "STAGE SONG and SHOW". The Sun. No. 243. New South Wales, Australia. 10 April 1911. p. 3 (LATEST EDITION). Retrieved 23 July 2024 via National Library of Australia.
  38. "SUNDRY SHOWS.", The Bulletin, Sydney, N.S.W: John Haynes and J.F. Archibald, 6 April 1911, nla.obj-651745940, retrieved 23 July 2024 via Trove
  39. "Marlow Again in Entertainment Field.", Everyones., 5 (316 (24 March 1926)), Sydney: Everyones Ltd, nla.obj-577683222, retrieved 9 March 2024 via Trove