The Mark of the Lash | |
---|---|
Directed by | John Gavin |
Written by | Agnes Gavin |
Produced by | Stanley Crick Herbert Finlay |
Starring | John Gavin |
Production company | |
Release date | July 1911 |
Running time | 4,000 feet [1] |
Country | Australia |
Language | Silent film |
The Mark of the Lash is a 1911 Australian silent film. It is a convict-era melodrama made by the husband-and-wife team of John and Agnes Gavin. [2]
The movie broke into the following chapters:
It was the only movie Gavin made for the Australian Photo-Play Company, and was the last of four he had made in association with Stanley Crick and Herbert Finlay before setting up his own company in July 1911. [4] [5]
The movie was announced as being completed and available for screening by July 1911, but does not appear to have been released until the following year. [6]
During a screening in Toowoomba an Irish member of the audience took exception to a scene where a convict was being flogged and attacked the screen before being guided back to his seat. [7]
Thunderbolt is a 1910 film in the genre of "outlaw" films at the time that tended to glorify the life of the outlaw "Bushrangers" that roamed the Australian outback in pre-commonwealth days. Shortly after this film was made, the government of New South Wales banned the manufacture of this type of film on the basis that they were promoting crime.
John F. Gavin was a pioneer Australian film actor and director, one of the early filmmakers of the 1910s. He is best known for making films about bushrangers such as Captain Thunderbolt, Captain Moonlite, Ben Hall and Frank Gardiner. Known informally as 'Jack', Gavin worked in collaboration with his wife Agnes, who scripted many of his films.
The Hayseeds is a 1933 Australian musical comedy from Beaumont Smith. It centres on the rural family, the Hayseeds, about whom Smith had previously made six silent films, starting with Our Friends, the Hayseeds (1917). He retired from directing in 1925 but decided to revive the series in the wake of the box office success of On Our Selection (1932). It was the first starring role in a movie for stage actor Cecil Kellaway.
Moonlite is a 1910 bushranger film about Captain Moonlite, played by John Gavin, who also directed. It was also known as Captain Moonlite and is considered a lost film.
Ben Hall and his Gang is a 1911 Australian film about the bushranger Ben Hall, played by John Gavin, who also directed. It is considered a lost film.
Agnes Gavin (1872–1947), was an Australian actor and screenwriter in the silent film era. She worked in collaboration with her husband John Gavin throughout her career. She wrote the majority of his films and was arguably the first specialist screenwriter in the history of the Australian film industry. In newspapers she was advertised as the "well known picture dramatizer" and was praised for creating "cleverly constructed stories". Many of her films are considered lost.
The Drover's Sweetheart is a 1911 film from the team of Agnes and John Gavin.
His Convict Bride is a 1918 Australian silent film from the team of John and Agnes Gavin. It was a convict-era melodrama.
Assigned to his Wife is a 1911 Australian silent film from director John Gavin. It is a convict-era "military romantic melodrama".
The Fatal Wedding is a play by Theodore Kremer and a 1911 Australian silent film directed by Raymond Longford based on the melodrama, which he and Lottie Lyell had toured around Australia.
It Is Never Too Late to Mend is an Australian feature-length silent film written and directed by W. J. Lincoln. It was based on a stage adaptation of the popular 1865 novel It Is Never Too Late to Mend: A Matter-of-Fact Romance by Charles Reade about the corrupt penal system in Australia. It was called "certainly one of the best pictures ever taken in Australia."
The Double Event is a 1911 Australian feature-length film directed by W. J. Lincoln based on the first novel by Nat Gould, which had been adapted several times for the stage, notably by Bland Holt.
The Luck of Roaring Camp is a 1911 Australian feature-length film directed by W. J. Lincoln now considered a lost film. It was highly regarded in its day, in part because it was based on a play that was popular with audiences.
The Life of Rufus Dawes is a 1911 Australian silent film based on Alfred Dampier's stage adaptation of the 1874 novel For the Term of His Natural Life produced by Charles Cozens Spencer.
In the Nick of Time is a 1911 Australian silent film directed by Alfred Rolfe. It was described as a "sensational railway drama", although now is considered a lost film.
What Women Suffer is a 1911 Australian silent film directed by Alfred Rolfe. It is a Victorian melodrama, complete with a climax where a little child is placed on a moving saw bench and is considered a lost film.
The Cup Winner is a 1911 Australian silent film directed by Alfred Rolfe. It is set against a backdrop of horseracing and the finale involves real footage from the 1911 Melbourne Cup.
Caloola, or The Adventures of a Jackeroo is a 1911 Australian silent film directed by Alfred Rolfe based on a novel published the previous year by Clement Pratt.
A Daughter of Australia is a 1912 Australian silent film directed by Gaston Mervale starring Louise Lovely, then known as Louise Carbasse. It was set in the early days of the Australian goldfields and is considered a lost film.
The Australian Photo-Play Company was a short-lived but highly productive Australian film production company which operated from 1911 to 1912.