John Herbert Gleason was an American actor, comedian, writer, composer, and conductor known affectionately as "The Great One." Developing a style and characters from growing up in Brooklyn, New York, he was known for his brash visual and verbal comedy, exemplified by his city-bus-driver Ralph Kramden character in the television series The Honeymooners. He also developed The Jackie Gleason Show, which maintained high ratings from the mid 1950s through 1970. After originating in New York City, filming moved to Miami Beach, Florida, in 1964 after Gleason took up permanent residence there.
The Honeymooners is an American television sitcom which originally aired from 1955 to 1956, created by and starring Jackie Gleason, and based on a recurring comedy sketch of the same name that had been part of Gleason's variety show. It follows the lives of New York City bus driver Ralph Kramden (Gleason), his wife Alice, Ralph's best friend Ed Norton and Ed's wife Trixie as they get involved with various schemes in their day-to-day living.
Hugh Milburn Stone was an American actor, best known for his role as "Doc" on the CBS Western series Gunsmoke.
Chester Cooper Conklin was an early American film comedian who started at Keystone Studios as one of Mack Sennett’s Keystone Cops, often paired with Mack Swain. He appeared in a series of films with Mabel Normand and worked closely with Charlie Chaplin, both in silent and sound films.
Frank Jenks was an acid-voiced American supporting actor of stage and films.
The Music Man is a 1962 American musical film directed and produced by Morton DaCosta, based on Meredith Willson's 1957 Broadway musical of the same name, which DaCosta also directed. Robert Preston reprises the title role from the stage version, starring alongside Shirley Jones, Buddy Hackett, Hermione Gingold, Ron Howard, and Paul Ford.
Thomas Aloyisus Kennedy was an American actor known for his roles in Hollywood comedies from the silent days, with such producers as Mack Sennett and Hal Roach, mainly supporting lead comedians such as the Marx Brothers, W. C. Fields, Mabel Normand, Shemp Howard, Laurel and Hardy, and the Three Stooges. Kennedy also played dramatic roles as a supporting actor.
Vernon Bruce Dent was an American comic actor, who appeared in over 400 films. He co-starred in many short films for Columbia Pictures, frequently as the foil and the main antagonist and ally to The Three Stooges.
Russell Mack was an American vaudeville performer in the 1910s and a stage actor, film director, and producer in the 1920s and 1930s.
Edward Carlingford Waller was an American stage, film and television actor.
Wallis Hensman Clark was an English stage and film actor.
DeWitt Clarke Jennings was an American film and stage actor. He appeared in 17 Broadway plays between 1906 and 1920, and in more than 150 films between 1915 and 1937.
Edward Gargan was an American film and television actor, one of the most prolific bit players in the history of film.
Morgan Wallace, was an American actor. He appeared in more than 120 films between 1914 and 1946, including W.C. Fields' It's a Gift (1934) where he persistently asks Fields for some "Kumquats". He supported Fields again in My Little Chickadee (1940).
Edward McWade was a writer, stage actor and an American film actor.
Richard "Skeets" Gallagher was an American actor. He had blue eyes and his naturally blond hair was tinged with grey from the age of sixteen.
Charles David Tannen was an American actor and screenwriter.
Andrew Tombes was an American comedian and character actor.
Beyond Victory is a 1931 American pre-Code war film starring Bill Boyd, James Gleason, Lew Cody, and ZaSu Pitts. While John Robertson received directing credit, Edward H. Griffith supposedly took extensive re-takes after production ended and the film was deemed not audience ready. Two actresses with major roles in the original version were completely cut from the final release, Helen Twelvetrees and June Collyer. The original screenplay was written by Horace Jackson and James Gleason. While the film might not have made a profit at the box office, it was well received by critics.
Arthur T. Horman was an American screenwriter whose career spanned from the 1930s to the end of the 1950s. During that time he wrote the stories or screenplays for over 60 films, as well as writing several pieces for television during the 1950s.
