Funk is a music genre that originated in African American communities in the mid-1960s when musicians created a rhythmic, danceable new form of music through a mixture of various music genres that were popular among African-Americans in the mid-20th century. It deemphasizes melody and chord progressions and focuses on a strong rhythmic groove of a bassline played by an electric bassist and a drum part played by a percussionist, often at slower tempos than other popular music. Funk typically consists of a complex percussive groove with rhythm instruments playing interlocking grooves that create a "hypnotic" and "danceable" feel. It uses the same richly colored extended chords found in bebop jazz, such as minor chords with added sevenths and elevenths, and dominant seventh chords with altered ninths and thirteenths.
Bluegrass music is a genre of American roots music that developed in the 1940s in the Appalachian region of the United States. The genre derives its name from the band Bill Monroe and the Blue Grass Boys. Like mainstream country music, it largely developed out of old-time string music, though in contrast, bluegrass is traditionally played exclusively on acoustic instruments and also has roots in traditional English, Scottish, and Irish ballads and dance tunes as well as in blues and jazz. Bluegrass was further developed by musicians who played with Monroe, including 5-string banjo player Earl Scruggs and guitarist Lester Flatt. Monroe characterized the genre as, "Scottish bagpipes and ole-time fiddlin'. It's a part of Methodist, Holiness and Baptist traditions. It's blues and jazz, and it has a high lonesome sound."
Parliament-Funkadelic is an American music collective of rotating musicians headed by George Clinton, primarily consisting of the funk bands Parliament and Funkadelic, both active since the 1960s. Their distinctive funk style drew on psychedelia, outlandish fashion, science-fiction, and surreal humor. They released albums such as Maggot Brain (1971), Mothership Connection (1975), and One Nation Under a Groove (1978) to critical praise, and scored charting hits with singles such as "Tear the Roof Off the Sucker" (1975) and "Flash Light" (1978). Overall, the collective achieved thirteen top ten hits in the American R&B music charts between 1967 and 1983, including six number one hits. Their work would have an influential effect on subsequent funk, post-punk, hip-hop, and techno artists of the 1980s and 1990s, while their collective mythology would help pioneer Afrofuturism.
Can were a German experimental rock band formed in Cologne in 1968 by Holger Czukay, Irmin Schmidt (keyboards), Michael Karoli (guitar), and Jaki Liebezeit (drums). The group featured several vocalists, most prominently the American Malcolm Mooney (1968–70) and the Japanese Damo Suzuki (1970–73). They have been widely hailed as pioneers of the German krautrock scene.
Men Without Hats are a Canadian new wave and synth-pop band, originally from Montreal, Quebec. Their music is characterized by the baritone voice of their lead singer Ivan Doroschuk, as well as their elaborate use of synthesizers and electronic processing. They achieved their greatest popularity in the 1980s with "The Safety Dance", a worldwide top ten hit, and "Pop Goes the World". After a hiatus for most of the 1990s and 2000s, Doroschuk reformed the band in 2010, and released Love in the Age of War (2012). The group, based in Vancouver, has continued to perform, including tour dates announced in support of the release of two studio albums, Men Without Hats Again , in 2021 and 2022 respectively.
The Necks are an Australian avant-garde jazz trio formed in 1987 by founding mainstays Chris Abrahams on piano and Hammond organ, Tony Buck on drums, percussion and electric guitar, and Lloyd Swanton on bass guitar and double bass. They play improvisational pieces of up to an hour in length that explore the development and demise of repeating musical figures. Their double LP studio album Unfold was named by Rolling Stone as "one of the top 20 avant albums of 2017."
The swing era was the period (1933–1947) when big band swing music was the most popular music in the United States. Though this was its most popular period, the music had actually been around since the late 1920s and early 1930s, being played by black bands led by such artists as Duke Ellington, Jimmie Lunceford, Bennie Moten, Cab Calloway, Earl Hines, and Fletcher Henderson, and white bands from the 1920s led by the likes of Jean Goldkette, Russ Morgan and Isham Jones. An early milestone in the era was from "the King of Swing" Benny Goodman's performance at the Palomar Ballroom in Los Angeles on August 21, 1935, bringing the music to the rest of the country. The 1930s also became the era of other great soloists: the tenor saxophonists Coleman Hawkins, Ben Webster and Lester Young; the alto saxophonists Benny Carter and Johnny Hodges; the drummers Chick Webb, Gene Krupa, Jo Jones and Sid Catlett; the pianists Fats Waller and Teddy Wilson; the trumpeters Louis Armstrong, Roy Eldridge, Bunny Berigan, and Rex Stewart.
A rhythm section is a group of musicians within a music ensemble or band that provides the underlying rhythm, harmony and pulse of the accompaniment, providing a rhythmic and harmonic reference and "beat" for the rest of the band. The rhythm section is often contrasted with the roles of other musicians in the band, such as the lead guitarist or lead vocals whose primary job is to carry the melody.
"Thela Hun Ginjeet" is a single by the band King Crimson, released in 1981 and on the album Discipline (1981). The song name is an anagram of "heat in the jungle", which is a reference to crime in the city.
The Ex is an underground band from the Netherlands, started in 1979 at the height of the original punk explosion as a Dutch punk band. The Ex originated from the squatting movement in Amsterdam and Wormer, and was inspired by bands like The Fall and The Mekons. Although initially known as an anarcho-punk band associated with the Dutch post-punk ultra scene, over the decades The Ex's sound has gradually developed into its current form of highly intricate, experimental punk/post-punk/no wave-inspired work. This sound includes a combination of diverse genres and styles, such as noise, folk, world music, free jazz, and crossovers between these genres. Other examples of branching out stylistically include the improvised double album Instant and a release under the moniker Ex Orkest, a 20 piece big band assembled for performances at Holland Festival. "One reason we are hard to describe is that we never had an education at music school, and in that sense we are not influenced by any traditional playing," explained Katherina Bornefeld, drummer for The Ex since 1984. The Ex's lyrics consist of straightforward statements about politics and abuses in society. The band enjoys international acclaim for this socially critical message, as well as for the energetic, rhythmic, atonal guitar playing, and for the furious vocals of singer G.W. Sok, who was replaced in recent years by Arnold de Boer of the duo Zea. The Ex have released over 20 full-length albums.
As Cities Burn is an American post-hardcore band from Mandeville, Louisiana, that formed in 2002 and has released four studio albums. Their debut, Son, I Loved You at Your Darkest, was released in 2005. Two years later, they released Come Now Sleep. Then, in 2009, As Cities Burn released their third album, Hell or High Water. The band had performed from 2011 through 2016, but drummer Aaron Lunsford announced, on August 16, 2016, that the group disbanded. In December 2017, As Cities Burn reunited and went on tour to open up for Emery, and announced that they were staying together and writing new music.
"Once in a Lifetime" is a song by the American new wave band Talking Heads, produced and cowritten by Brian Eno. It was released in January 1981 as the lead single from Talking Heads' fourth studio album, Remain in Light (1980), through Sire Records.
Träd, Gräs & Stenar is a Swedish rock band formed in 1969, from previous incarnations Pärson Sound, International Harvester and Harvester. The group was one of the front acts of the Swedish progg scene, although noticeably less political than their contemporary counterparts. Their sound has been described as raw, psych rock jam, by the writer David Pescovitz, who also notes the band would invite their audiences to improvise and collaborate.
Orchestral jazz or symphonic jazz is a form of jazz that developed in New York City in the 1920s. Early innovators of the genre, such as Fletcher Henderson and Duke Ellington, include some of the most highly regarded musicians, composers, and arrangers in all of jazz history. The fusion of jazz's rhythmic and instrumental characteristics with the scale and structure of an orchestra, made orchestral jazz distinct from the musical genres that preceded its emergence. Its development contributed both to the popularization of jazz, as well as the critical legitimization of jazz as an art form.
Ufomammut is an Italian doom metal band formed in 1999 by guitarist Poia, bassist and vocalist Urlo, and drummer Vita.
This is a glossary of jazz and popular music terms that are likely to be encountered in printed popular music songbooks, fake books and vocal scores, big band scores, jazz, and rock concert reviews, and album liner notes. This glossary includes terms for musical instruments, playing or singing techniques, amplifiers, effects units, sound reinforcement equipment, and recording gear and techniques which are widely used in jazz and popular music. Most of the terms are in English, but in some cases, terms from other languages are encountered.
The Bunny the Bear is an American post-hardcore band from Buffalo, New York. The band is known for its eclectic style of post-hardcore, influenced by a variety of rock and electronic subgenres, including synthpop, metalcore, experimental rock, alternative rock, and electronica.
Heavy metal drumming is a style of rock music drum kit playing that developed in the late 1960s and early 1970s, largely in the United States and the United Kingdom. With roots in blues rock and psychedelic/acid rock drum playing, heavy metal drummers play with emphatic beats, and overall loudness using an aggressive performing style. Heavy metal drumming is traditionally characterized by emphatic rhythms and dense bass guitar-and-drum sound. The essence of metal drumming is creating a loud, constant beat for the band using the "trifecta of speed, power, and precision".
The Railway Prince Hotel is the seventh studio album by American band Tullycraft, released by Happy Happy Birthday To Me Records in February 2019. The album had a modestly different sound than the band's previous releases, somewhat due to the fact that long-time drummer Jeff Fell, did not make an appearance on the album, but also because of the new approach the members of the band took to the recording process. Much of the album was improvised during the recording sessions. This was an untried approach for Tullycraft. Equipped with lyrics and vocal melodies the band composed many of the new songs from the ground up in the studio.
Shelley Washington is an American composer and performer. She is also a saxophonist, vocalist, and plays flute, clarinet, and English handbells.
