Critical reception
The Monthly Film Bulletin wrote: "The "story within a story", which deals with the marital tragedy related by Kelly, is well done, but it seems to result in detracting somewhat from the climactic intensity of the later tragedy, that of the Trelawnes, which is painstakingly built up with every possible effect of horror and suspense as Mrs. Trelawne imagines the imminent entrance of her dead son. Milton Rosmer as Trelawne and Megs Jenkins as the bereaved mother are the mainstay of the film. The remainder of the cast, though adequate, fail to approach the same standard of excellence." [6]
Kine Weekly wrote: "Macabre melodrama, primarily addressed to the superstitious. Based on W. W. Jacobs's classic, it comes to the screen with the strongest credentials, but, unhappily, those responsible for its production have not left well alone. Clumsily embellished to make full-feature footage it repeatedly drifts from its point and baffles much more frequently than it thrills." [7]
In British Sound Films: The Studio Years 1928–1959 David Quinlan rated the film as "mediocre", writing: "Old chiller loses most of its sting in this version." [8]
The Spinning Image called it "a creaky diversion with stagey acting and an obvious lack of funds to open it out, yet the strength of Jacobs' yarn was such that it showed through even the most impoverished of tellings." [9]
On his website Fantastic Movie Musings and Ramblings, Dave Sindelar commended the film for its character development and climax which he called "suitably tense and eerie". [10]
This page is based on this
Wikipedia article Text is available under the
CC BY-SA 4.0 license; additional terms may apply.
Images, videos and audio are available under their respective licenses.
