|Wanted by Scotland Yard|
|Directed by||Norman Lee|
|Produced by||John Argyle|
|Written by||Vernon Clancey|
|Starring|| James Stephenson |
|Edited by||Ted Richards|
|Distributed by||Pathé Pictures (UK)|
|1937 or 1938|
Wanted by Scotland Yard is a 1937[ citation needed ] or 1938 British crime film directed by Norman Lee and starring James Stephenson, Betty Lynne and Leslie Perrins. It was made at Welwyn Studios, and is sometimes known by the alternative title of Dangerous Fingers. Its year of release is often described as 1939, the year of its American distribution, but it had premiered in Britain earlier. When jewel thief Fingers (James Stephenson) recognises intended victim Standish (Leslie Perrins) as the man who caused the death of his girlfriend, his motivations switch from robbery to revenge.
Crime films, in the broadest sense, are a cinematic genre inspired by and analogous to the crime fiction literary genre. Films of this genre generally involve various aspects of crime and its detection. Stylistically, the genre may overlap and combine with many other genres, such as drama or gangster film, but also include comedy, and, in turn, is divided into many sub-genres, such as mystery, suspense or noir.
Norman Lee was a British screenwriter and film director.
James Albert Stephenson was a British actor who found success in Hollywood, but who died prematurely.
Leslie Perrins was an English actor who often played villains. After training at RADA, he was on stage from 1922, and in his long career, appeared in well over 60 films.
Frederick George Merritt was an English theatre, film and television actor, often in authoritarian roles. He studied German theatre in Magdeburg, Germany, and taught at the Berlitz School at the outbreak of the First World War, when he was held as a British Civil Prisoner of War, and interned at Ruhleben, 1914–1918. He was involved in over 50 plays at Ruhleben.
Old Iron is a 1938 British drama film directed by Tom Walls and starring Richard Ainley, Henry Hewitt, Eva Moore and Cecil Parker.
The Stickpin is a 1933 British crime film directed by Leslie S. Hiscott and starring Henry Kendall, Betty Astell and Francis L. Sullivan.
Glamour Girl is a 1938 British comedy film directed by Arthur B. Woods and starring Gene Gerrard, Lesley Brook, Ross Landon, Betty Lynne and Leslie Weston.
Dead Men are Dangerous is a 1939 British crime film directed by Harold French and starring Robert Newton, Betty Lynne, John Warwick, and Peter Gawthorne. It was released in the U.S. as Dangerous Masquerade. Its plot concerns an unsuccessful writer who is wrongly accused of a murder.
The Man I Want is a 1934 British comedy film directed by Leslie S. Hiscott and starring Henry Kendall, Wendy Barrie and Betty Astell. The screenplay concerns a man who accidentally comes across some stolen jewells. The film was made at Beaconsfield Studios.
The Lost Chord is a 1933 British drama film directed by Maurice Elvey and starring John Stuart, Elizabeth Allan and Jack Hawkins. The screenplay concerns a musician who becomes embroiled in the domestic rows of an aristocratic family. It was inspired by the Arthur Sullivan song The Lost Chord. Two earlier films directed by Wilfred Noy The Lost Chord (1917) and The Lost Chord (1925) were both also based on the song. The film was made at Twickenham Studios.
Mr. Satan is a 1938 British spy thriller, directed by Arthur B. Woods and starring James Stephenson and Chili Bouchier. Unlike a majority of Woods' quota quickie productions of the 1930s which are believed lost, this film survives in the British Film Institute National Archive.
French Leave is a 1937 British comedy film directed by Norman Lee and starring Betty Lynne, Edmund Breon and John Longden. It was based on a play by Reginald Berkeley which had previously been made into a film of the same title in 1930. It was made at Welwyn Studios.
Blind Folly is a 1939 British comedy film directed by Reginald Denham and starring Clifford Mollison, Lilli Palmer, and Leslie Perrins. A man inherits a nightclub that belonged to his brother but soon discovers that it is the headquarters for a dangerous criminal gang.
Great Stuff is a 1933 British comedy film directed by Leslie S. Hiscott and starring Henry Kendall, Betty Astell and Alfred Wellesley. In the film, a woman's parents became robbers in a desperate effort to prevent her marrying an unsuitable man.
Gay Love is a 1934 British musical comedy film directed by Leslie S. Hiscott and starring Florence Desmond, Sophie Tucker and Sydney Fairbrother. It is about two sisters.
Saturday Night Revue is a 1937 British musical film directed by Norman Lee and starring Billy Milton, Sally Gray and John Watt.
D'Ye Ken John Peel? is a 1935 British adventure film directed by Henry Edwards and starring John Garrick, Winifred Shotter and Stanley Holloway. It was made at Julius Hagen's Twickenham Studios. It takes its name from the traditional hunting song of the same name. The film's sets were designed by the art director James A. Carter.
Lily of Killarney is a 1934 British musical film directed by Maurice Elvey and starring John Garrick, Gina Malo and Leslie Perrins. The film was made at Twickenham Studios. It is based on the play The Colleen Bawn by the Irish writer Dion Boucicault. The film's sets were designed by the art director James A. Carter.
Josser in the Army is a 1932 British war comedy film directed by Norman Lee and starring Ernie Lotinga, Betty Norton, Jack Hobbs. It was part of the Josser series of films featuring Lotinga. It was made at Elstree Studios by British International Pictures.
Calling All Crooks is a 1938 British comedy film directed by George Black and starring Douglas Wakefield, Billy Nelson and Leslie Perrins. It was made by the Manchester-based Mancunian Film, but shot at Cricklewood Studios in London.
Cleaning Up is a 1933 British comedy film directed by Leslie S. Hiscott and starring George K. Gee, Betty Astell and Davy Burnaby. It was made at Beaconsfield Studios as a quota quickie.
Sunshine Ahead is a 1936 British musical comedy film directed by Wallace Orton and starring Eddie Pola, Betty Astell and Leslie Perrins. It was made at Cricklewood Studios as a quota quickie for release by Universal Pictures.
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