The Mughal Harem is a book by historian K.S. Lal published in 1988 about the Mughal Harem. [1] The book has been praised for its description of the harem's internal dynamics, but has also been criticized for focusing on the sexual role of the harem and as anti-Muslim propaganda.
Based on contemporary sources, Lal studies queens, princesses, dancing girls, and slaves who belonged to Mughal harem from 15th to 18th century. [2] The political roles of Nur Jahan, Jahanara and Roshanara are described in detail. [2] The ladies were kept beside lawfully wedded wives for the sole purpose of sexual enjoyment by the Mughal emperors. [3] Moreover, no one was allowed to enter the harem except the emperor himself which primarily created the dearth of physical evidence. [4] Women played a vital role in the Mughal dynasty due to the diverse religio-political society of India. [5] Additionally, women were used to exchange as a gift by the Mughal emperors. [6]
The book commences with an examination of the sources utilized to conduct a detailed analysis of the Mughal harem across different reigns. These sources range from memoirs penned by contemporary writers and visitors of the Mughal court to artworks of the era and originate from both native Indian and European perspectives . [7]
The second chapter delves into the establishment of the harem by Akbar and its subsequent perpetuation under his successors. [8] Subsequent chapters center on the palaces inhabited by the harem members, detailing the laccommodations and amenities at their disposal. [9] The book explores the process by which women were recruited into the harem, their influence on cultural affairs within the palaces, and their impact on the lives of princes and princesses. It also discusses the garden parties organized by these women and their wealth and sway over various Mughal rulers. [10]
In later chapters, the book examines the lifestyles pursued by Mughal emperors and the harem residents, emphasizing their involvement in pleasure-seeking activities. Finally, the narrative culminates in an exploration of the moral deterioration precipitated by this institution and its role in the eventual downfall of the Mughal empire. The internal strife among princes, fueled by the influence of these women, is highlighted as a major contributing factor to the empire's decline. [11]
"The Mughal Harem" has been lauded as a seminal work for its comprehensive exploration of the harem's dynamics, which had been marginalized in historical discourse. However, it has also been criticized as biased against Muslim rule in India. [12] [6] Many scholars contend that this book diminishes the role women played in the empire to merely that of concubines, despite their substantial contributions in various positions. [13]
A. Jan Qaiser of Aligarh Muslim University was very dismissive of the book. [14] Ruby Lal noted Lal's work to be one of the few academic accounts on the topic but laden with oriental tropes of sexuality and seclusion. [15] Karuna Sharma shared Ruby Lal's concerns; K. S. Lal's was the first comprehensive study of the subject but it exoticized the Harem and failed to account for members, who did not have any sexual role. [16] Gianna Carotenuto found the work to be laced with "salacious tales and the sexy exploits of mythic heroes and heroines"; Lal's approach was intended to reinforce the oriental reputation of harem as a haven of sexual extremes and intrigues, and his laments about the evils of Harem being siphoned onto the society were reflective of personal and political agendas. [1]
Indrani Chatterjee remarked of Lal to have treated of Muslims as a "hermetically sealed" category, thereby producing a communalised historiography in pursuit of a political agenda. [17] Harbans Mukhia found Lal's account descriptive but stereotypical. [18] In a review of another work of Lal for the Bulletin of the School of Oriental & African Studies, A. A. Powell noted his conclusion about the Mughals being responsible for religious persecution and socioeconomic exploitation of Hindus to have been in tune with his recent publications including The Mughal Harem. [19] Irfan Habib concured with the assessment of Chatterjee and Powell.
Despite these criticisms, the claims made in the book have been corroborated by other scholars, lending credibility to its assertions. [3] [20] Notably, the book establishes that the Mughal harem was indeed instituted by Emperor Akbar, a detail that has been verified by various historians and scholars. [12] However, the strangers and European travelers are not authentic or credible sources due to their little understanding of the cultural aspects of India and Muslims. [12]
Furthermore, numerous other scholars have contributed to the discourse by critically examining the perspectives of historians and travelers who documented their encounters with the Mughal emperors and their empires. [21] Additionally, an essential aspect of this debate involves exploring the cultural and religious comprehension of Islam by those who have studied the institution of the harem. [3]
Jahanara Begum was a princess of the Mughal Empire. She was the second and the eldest surviving child of Mughal Emperor Shah Jahan and Mumtaz Mahal.
The Muzaffarid dynasty, sometimes referred as Ahmedabad dynasty, were Sultans of Gujarat in western India from 1391 to 1583. They ruled mostly over Ahmedabad, however at times, their influence extended over a considerable portion of Gujarat.
Zenana is the part of a house belonging to a Muslim, Sikh, or Hindu family in the Indian subcontinent, which is reserved for the women of the household. The zenana was a product of Indo-Islamic culture and was commonly found in aristocratic Muslim families. Due to prolonged interactions between Hindus and Muslims, upper-class Hindu households, inclined to imitate elite cultural trends, also embraced these designated spaces. The zenana were the inner rooms of a house where the women of the family lived and where men and strangers were not allowed to enter. The outer apartments for guests and men are called the mardana. Conceptually in those that practise purdah, it is the equivalent in the Indian subcontinent of the harem.
Kishori Saran Lal (1920–2002), better known as K. S. Lal, was an Indian historian. He is the author of several works, mainly on the medieval history of India.
Darogas were police officials in the Mughal Empire and the British Raj. In the Mughal Empire, a daroga was superintendent of the "slaves" of a Mughal monarch.
Manavati Bai, also spelled Manvati Bai,, better known by her title, Jagat Gosain, was the second wife and the empress consort of the fourth Mughal emperor Jahangir and the mother of his successor, Shah Jahan.
Bega Begum was Empress consort of the Mughal Empire from 26 December 1530 to 17 May 1540 and 22 February 1555 to 27 January 1556 as the first wife and chief consort of the second Mughal emperor Humayun. She was known as Zan-i-Kalan being the first wife of Humayun and was also known as Haji Begum after she performed the Hajj pilgrimage.
Sahib Jamal was the wife of Prince Salim, the future Mughal emperor Jahangir and the mother of his second son, Prince Parviz.
The Mughal Harem was the harem of Mughal emperors of the Indian subcontinent. The term originated with the Near East, meaning a "forbidden place; sacrosanct, sanctum", and etymologically related to the Arabic حريم ḥarīm, "a sacred inviolable place; female members of the family" and حرام ḥarām, "forbidden; sacred". It has the same meaning as the Turkish word seraglio and the Persian word zenana. It is also similar to the Sanskrit word anthapura, meaning ‘the inner apartment’ of the household. It came to mean the sphere of women in what was usually a polygynous household and their segregated quarters which were forbidden to men.
Zainab Sultan Begum was Queen consort of Ferghana Valley and Kabul as the second wife of Emperor Babur. She like two of his other wives Aisha Sultan Begum and Masuma Sultan Begum was a direct cousin of the Babur.
During the Mughal Dynasty, urdubegis were the class of women assigned to protect the emperor and inhabitants of the zenana.
Tehwildars in the Mughal court, were the female financial officers assigned to the zenana.
Saliha Banu Begum was the chief consort of Emperor Jahangir. She was the Padshah Begum for the most part of the reign of her emperor husband until her death in the year 1620.
Alauddin Khalji's conquest of Gujarat, also known as the Muslim Conquest of Gujarat, began in 1299 when the Delhi Sultanate ruler Alauddin Khalji sent an army to ransack the Gujarat region of India, which was ruled by the Vaghela king Karna. The Delhi forces plundered several major cities of Gujarat, including Anahilavada (Patan), Khambhat, Surat and Somnath. Karna was able to regain control of at least a part of his kingdom in the later years. However, in 1304, a second invasion by Alauddin's forces permanently ended the Vaghela dynasty, and resulted in the annexation of Gujarat to the Delhi Sultanate.
The Tomaras of Gwalior were a dynasty who ruled the Gwalior Fort and its surrounding region in central India during 14th–16th centuries. They are known for their patronage to the cultural activities in Gwalior.
Nusrat Khan was a general of the Delhi Sultanate ruler Alauddin Khalji. He served as Alauddin's wazir during the start of his reign, and played an important role in the Sultan's Devagiri (1296) and Gujarat (1299) campaigns. He was killed during the Siege of Ranthambore in 1299.
Malika Jahan was a Jaisalmer princess, and wife of Mughal emperor Jahangir.
A qaba is a long coat with sleeves and buttons, similar to a cassock, open at the front. A qaba is similar to a wadded coat. It is considered of Turkic origin.
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