The Mummy Theme Park | |
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Directed by | Alvaro Passeri |
Screenplay by |
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Story by |
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Produced by | Alvaro Passeri |
Starring |
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Cinematography | David Williams |
Edited by | Gianfranco Amicucci |
Music by | Stefano Panunzi |
Production company | Production Film 82 |
Release date |
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Running time | 88 minutes |
Country | Italy |
Language | English |
The Mummy Theme Park is a 2000 English-language Italian horror adventure film directed, produced and co-written by Alvaro Passeri. The film's plot centers around an underground amusement park in Egypt built on the tomb of a pharaoh, and an ancient curse that leads to the park's animatronic mummies being brought back to life and wreaking havoc.
Nekhebet, a descendent of Cleopatra named after the ancient Egyptian goddess, wishes to revive the ancient culture, religion, and monarchical government of Egypt in the modern day. She prays to the gods Osiris and Ra, causing an earthquake that opens a deep fissure in the Egyptian desert, leading to the discovery of a subterranean necropolis with a tomb belonging to a pharaoh who once ruled both Upper and Lower Egypt. Lecherous businessman Sheik El Sahid orders that the tomb be opened, in spite of his associate Professor Mason reading hieroglyphics which warn of an ancient curse that will be unleashed if the tomb is disturbed. El Sahid converts the site into an underground amusement park known as the Mummy Theme Park, and invites American photographer Daniel Flynn and his assistant Julie to visit and publicise the venture.
Daniel and Julie arrive at El Sahid's palace, where they are shown to their bedrooms by Nekhebet, who works with El Sahid despite refusing his lustful advances towards her. After being offended by Julie's ignorance of Egyptian culture, Nekhebet beseeches Osiris to enact vengeance on Julie and Daniel. Daniel awakes to a souvenir wrapped in papyrus being thrown through the window of his room. The next day, El Sahid takes Daniel and Julie on a behind-the-scenes tour of the Mummy Theme Park, where they see ancient Egyptian mummies being augmented with animatronic parts and microchips which allow park personnel to control the mummies from a monitoring room. Daniel and Julie join El Sahid on an educational train ride about daily life in ancient Egypt. One of El Sahid's guardsmen learns that Nekhebet is seeking to sabotage the park; she becomes aware of this and prays to Osiris, resulting in the guard violently transforming into a snake.
Some time later, Daniel brings the papyrus thrown through his window to Professor Mason, who translates hieroglyphics inscribed on it as a warning describing the ancient curse and stating that the park's existence offends the memory of the pharaohs. Nekhebet activates one of the robotically enhanced mummies, who arms himself with a sword and kills several of El Sahid's guardsmen before disappearing through a portal. Daniel and Julie take photographs of the different scenes featured on the educational ride, including an area where riders meet the pharaoh in whose tomb the park was built. The flash of Daniel's camera causes the microchip in the pharaoh-mummy's head to malfunction, and the pharaoh begins chasing Daniel and Julie through the ride.
The pharaoh corners Julie and Daniel, but is distracted by Julie's breasts, allowing Daniel to grab a nearby container of acid and pour it onto the pharaoh, causing his wraps and skin to dissolve. His skeleton continues chasing Daniel and Julie, but Daniel crushes it with a large rock. El Sahid's guardsmen find Daniel and Julie, restrain them, and bring them to El Sahid, who apologizes to them for the pharaoh-mummy running amok. The following day, El Sahid stages a photoshoot with himself, the pharaoh-mummy, and Professor Mason, but Nekhebet arrives and calls upon the Egyptian gods to reseal the fissure in which the park was built. As the ride begins to collapse, other mummies awaken and kill several more of El Sahid's guardsmen as well as Professor Mason.
Julie hacks into the park's computer system using her laptop, and she and Daniel escape on one of the park's trains. El Sahid is encased in mummy wraps while still alive, and Nekhebet, having overheard Daniel expressing sympathy towards her view of the Mummy Theme Park as an affront to the pharaohs, bids him and Julie farewell. Once above ground, Daniel and Julie kiss, and Nekhebet is seen sitting and cuddling with a pharaoh.
In 2014, Milwaukee Public Museum curator and anthropologist Carter Lupton listed The Mummy Theme Park as being among a number of "amateurish efforts" belonging to the subgenre of mummy films. [2] The following year, author Clive Davies wrote that, "This bizarre, ultra-low budget horror adventure (comedy?) has some real laughable sets and FX, but on the other hand has some oddly effective moments that make you think that the filmmakers have their tongues firmly in cheek." [3] In 2024, author Bryan Senn referred to The Mummy Theme Park as "[an] execrable Westworld wannabe". [4]
Osiris was the god of fertility, agriculture, the afterlife, the dead, resurrection, life, and vegetation in ancient Egyptian religion. He was classically depicted as a green-skinned deity with a pharaoh's beard, partially mummy-wrapped at the legs, wearing a distinctive atef crown, and holding a symbolic crook and flail. He was one of the first to be associated with the mummy wrap. When his brother Set cut him up into pieces after killing him, Osiris' wife Isis found all the pieces and wrapped his body up, enabling him to return to life. Osiris was widely worshipped until the decline of ancient Egyptian religion during the rise of Christianity in the Roman Empire.
The Mummy is a 1932 American pre-Code supernatural horror film directed by Karl Freund. The screenplay by John L. Balderston was adapted from a treatment written by Nina Wilcox Putnam and Richard Schayer. Released by Universal Studios as a part of the Universal Monsters franchise, the film stars Boris Karloff, Zita Johann, David Manners, Edward Van Sloan and Arthur Byron.
Menpehtyre Ramesses I was the founding pharaoh of ancient Egypt's 19th Dynasty. The dates for his short reign are not completely known but the timeline of late 1292–1290 BC is frequently cited as well as 1295–1294 BC. While Ramesses I was the founder of the 19th Dynasty, his brief reign mainly serves to mark the transition between the reign of Horemheb, who had stabilized Egypt in the late 18th Dynasty, and the rule of the powerful pharaohs of his own dynasty, in particular his son Seti I, and grandson Ramesses II.
Deir el-Bahari or Dayr al-Bahri is a complex of mortuary temples and tombs located on the west bank of the Nile, opposite the city of Luxor, Egypt. This is a part of the Theban Necropolis.
The ushabti was a funerary figurine used in ancient Egyptian funerary practices. The Egyptological term is derived from 𓅱𓈙𓃀𓏏𓏭𓀾 wšbtj, which replaced earlier 𓆷𓍯𓃀𓏏𓏭𓀾 šwbtj, perhaps the nisba of 𓈙𓍯𓃀𓆭 šwꜣb "Persea tree".
The Royal Cache, technically known as TT320, is an Ancient Egyptian tomb located next to Deir el-Bahari, in the Theban Necropolis, opposite the modern city of Luxor.
Sekhemre Shedtawy Sobekemsaf II was an Egyptian king who reigned during the Second Intermediate Period, when Egypt was fragmented and ruled by multiple kings. He was once thought to belong to the late Thirteenth Dynasty, but is today believed to be placed as a king of the Seventeenth Dynasty of Egypt.
The Egyptian civilization used a number of different crowns throughout its existence. Some were used to show authority, while others were used for religious ceremonies. Each crown was worn by different pharaohs or deities, and each crown had its own significance and symbolic meaning. In early Egypt, one significant and important characteristic of the many crowns, was the color white. The color symbolized kingship or nisut in the early periods and Upper Egypt. The color blue was also an important color from the 18th Dynasty on. The crowns include the Atef, the Deshret, the Hedjet, the Khepresh, the Pschent, and the Hemhem.
The Book of the Earth is an Ancient Egyptian funerary text that has been called many names such as The Creation of the Sun Disk and the Book of Aker. The Book primarily appears on the tombs of Merneptah, Twosret, Ramesses III, Ramesses VI, and Ramesses VII and serves as a counterpart to the Book of Caverns.
The curse of the pharaohs or the mummy's curse is a curse alleged to be cast upon anyone who disturbs the mummy of an ancient Egyptian, especially a pharaoh. This curse, which does not differentiate between thieves and archaeologists, is claimed to cause bad luck, illness, or death. Since the mid-20th century, many authors and documentaries have argued that the curse is 'real' in the sense of having scientifically explicable causes such as bacteria, fungi or radiation. However, the modern origins of Egyptian mummy curse tales, their development primarily in European cultures, the shift from magic to science to explain curses, and their changing uses—from condemning disturbance of the dead to entertaining horror film audiences—suggest that Egyptian curses are primarily a cultural, not scientific, phenomenon.
Imhotep is the main antagonist of the 1932 film The Mummy. He is also the main antagonist in the 1999 remake and its 2001 sequel The Mummy Returns. Sofia Boutella plays a female version of this character named Ahmanet in the 2017 reboot. Imhotep is loosely inspired by the historical figure Imhotep, a noted polymath and counselor to the Pharaoh Djoser in the 27th century BC.
Nauny or Nany was an ancient Egyptian princess during the Twenty-first Dynasty, probably a daughter of High Priest, later Pharaoh Pinedjem I. The name of her mother, Tentnabekhenu is known only from Nauny's funerary papyrus.
The Twentieth Dynasty of Egypt is the third and last dynasty of the Ancient Egyptian New Kingdom period, lasting from 1189 BC to 1077 BC. The 19th and 20th Dynasties together constitute an era known as the Ramesside period owing to the predominance of rulers with the given name "Ramesses". This dynasty is generally considered to mark the beginning of the decline of Ancient Egypt at the transition from the Late Bronze to Iron Age. During the period of the Twentieth Dynasty, Ancient Egypt faced the crisis of invasions by Sea Peoples. The dynasty successfully defended Egypt, while sustaining heavy damage.
This page list topics related to ancient Egypt.
Lost Kingdom Adventure is a Sally Corporation Interactive Dark Ride located at Legoland theme parks around the globe. Locations include Legoland California, Legoland Windsor, Legoland Billund, Legoland Florida, Legoland Deutschland, and Legoland Malaysia.
Revenge of the Mummy, officially named Revenge of the Mummy: The Ride, is an enclosed roller coaster located at Universal Studios Florida, Universal Studios Hollywood, and Universal Studios Singapore. It is themed to The Mummy film franchise, and the ride features linear induction motors (LIMs) that launch riders to a maximum speed of 40 mph (64 km/h) in a matter of seconds. The Florida and Singapore locations have the same track layout, although each location offers a slightly different virtual experience. Manufactured by Premier Rides, the attractions feature track switches installed by Dynamic Structures. Universal Creative and ITEC Entertainment Corporation created the theme at each location, with Adirondack Studios responsible for several of the unique elements implemented at the Singapore location.
Christine El Mahdy was an English Egyptologist, lecturer and author.
The mask of Tutankhamun is a gold funerary mask of the 18th-dynasty ancient Egyptian pharaoh Tutankhamun. After being buried for over 3,000 years, it was excavated by Howard Carter in 1925 from tomb KV62 in the Valley of the Kings. It has been displayed in the Egyptian Museum in Cairo from 1925 to present. The death mask is one of the best-known works of art in the world and a prominent symbol of ancient Egypt.
Mummies are commonly featured in horror genres as undead creatures wrapped in bandages. Similar undead include skeletons and zombies.
The archaeology of Ancient Egypt is the study of the archaeology of Egypt, stretching from prehistory through three millennia of documented history. Egyptian archaeology is one of the branches of Egyptology.