The New Centurions

Last updated
The New Centurions
The New Centurions.jpg
Directed by Richard Fleischer
Screenplay by Stirling Silliphant
Based on The New Centurions
by Joseph Wambaugh
Produced by Robert Chartoff
Irwin Winkler
Starring George C. Scott
Stacy Keach
Jane Alexander
Scott Wilson
Rosalind Cash
Cinematography Ralph Woolsey
Edited by Robert C. Jones
Music by Quincy Jones
Production
company
Chartoff-Winkler Productions
Distributed by Columbia Pictures
Release date
  • August 3, 1972 (1972-08-03)
Running time
103 minutes
CountryUnited States
LanguageEnglish
Box office$7.45 million (US/Canada rentals) [1]

The New Centurions is a 1972 American Panavision neo-noir action crime film based on the 1971 novel of the same name by author and policeman (both at that time) Joseph Wambaugh. [2]

Contents

It stars George C. Scott, Stacy Keach, Scott Wilson, Jane Alexander, Rosalind Cash, Erik Estrada, and James Sikking, and was directed by Richard Fleischer.

Plot

Three rookie cops, Roy Fehler, Gus Plebesly, and Sergio Duran, report for duty with the Los Angeles Police Department. Roy is married with a daughter and intends to eventually become a law student. Gus is a father of three. Sergio is a native of East L.A., who never expected to end up patrolling its streets.

Each is assigned a veteran partner. Roy's is the greatly experienced Andy Kilvinski, who has been on the force for nearly a quarter-century and has his own unique style of law enforcement. For example, he drives hookers Alice, Gloria, Wilma and others who he has supplied with liquor around the city streets for hours, in a paddy wagon, simply to keep them off the streets for a night.

Gus rides with Whitey Duncan. As they answer a burglary call at a market, Gus opens fire on an armed figure in a dark alley, only to discover, to his horror, that he has killed the owner of the store, who was pursuing the robber.

Roy begins to frustrate his wife, Dorothy, by becoming obsessed with police work, neglecting his family, and dropping out of law school. He likes the life on the street. But during a convenience store holdup, Roy tells a couple in a parked car to move. Because he was careless, he does not realize that they are the get-away crew for the robbers. Without warning, the man shoots Roy with a sawed-off shotgun before escaping, leaving him gravely wounded on the sidewalk.

Gus and Sergio discuss their fear of being shot. Sergio temporarily partners with Andy, and together they handle a call involving a slumlord. During this encounter, Andy becomes enraged and threatens the landlord for exploiting the "wetbacks" living in the apartment, in deplorable conditions. Roy gradually recovers and later encounters a shootout, but doesn't flinch.

As the rookies mark a year on the job, Andy reaches his 25th anniversary and mandatory retirement. He discusses the difficulties of police work with the younger men.

As their careers progress, Roy is assigned to the vice squad, where the job is anything but glamorous—mostly arresting "fruits" for homosexual behavior in public parks. Dorothy has had enough, saying she does not care about him anymore. She leaves for San Francisco (where she meets a real estate agent) and takes their daughter, Becky, with her.

Time passes, and Roy is back on car patrol. The cops are delighted when Andy pays an unexpected visit to the police station; Andy had retired to Florida but misses police work. He regrets never having spent more time on his personal life. Sometime later, after speaking with Roy on the telephone, Andy puts his service revolver in his mouth and commits suicide.

Depression gets the better of Roy, who begins to drink on the job. He answers a burglary call and the victim turns out to be Lorrie, a nurse who helped him after he got shot. Later on patrol, a prostitute named "Silverpants" speeds off with Roy hanging from her car door. He barely avoids serious injury and Lorrie helps patch him up, but he draws a three-week suspension for being drunk on the job.

Roy begins seeing Lorrie socially and comes to his senses, appreciating the need for personal relationships, remembering what led Andy to end his life.

Roy, Gus and Sergio each answer a wide call out to a large street brawl, which leads to banding together in a car chase, followed by a foot chase. Exhausted after booking the suspects, the trio are on the way to ending their shifts, when they are waved down by a woman who appeals for help with her threatening husband. Reluctantly, they decide to investigate. As Roy takes the back stairs, the husband suddenly appears and, without warning, fires a single shot from a handgun. Roy dies in Gus' arms, with Sergio at their side.

Cast

In addition, the film marks the debut of William Atherton, in a minor role as Johnson Roy's final young partner.

Production

The film on marquee of the Odeon Theatre Toronto (Ellis Wiley, 1972) Odeon Cinema Carlton Street Toronto 1972.jpg
The film on marquee of the Odeon Theatre Toronto (Ellis Wiley, 1972)

The producers made the movie under a "first look" deal they had at Columbia. They acquired the rights to the novel in a deal that included paying Wambaugh an additional US$1,250 for each week his source novel stayed on The New York Times Best Seller list, which ended up being 32 weeks and a $40,000 extra payout (equivalent to $300,900in 2023). [3] Stirling Silliphant wrote the original draft. When George C. Scott agreed to join the cast, Winkler felt they should take advantage of the actor's presence by adding scenes for his character; Sillipant was not available, so Towne was hired for two weeks (the production was already filming) at a fee of $200,000 (equivalent to $1.5 million in 2023), with one of the additional scenes being the character's final phone call and suicide. [3]

The movie was filmed on location in Los Angeles.

Reception

Roger Greenspun of The New York Times wrote:

Richard Fleischer's The New Centurions is an intermittently exciting, sometimes preachy, sometimes ironic, occasionally successful film about the lives of some fictional patrol-car cops on the Los Angeles police force...It is an awkwardly modern movie. Modern not so much in its attitudes toward cops (which are really pretty traditional) as in its attitudes towards fate...Fleischer's direction is technically adequate and emotionally absent. He does not so much direct actors as provide a void for them to fill — and among the principals, George C. Scott is almost shamefully good at filling voids and Stacy Keach is not. [2]

Related Research Articles

Michael Hammer is a fictional character created by the American author Mickey Spillane. Hammer debuted in the 1947 book I, the Jury. Hammer is a no-holds-barred private investigator who carries a Colt .45 M1911A1 in a shoulder holster under his left arm. His love for his secretary Velda is outweighed only by his willingness to kill a killer. Hammer's best friend is Pat Chambers, Captain of NYPD Homicide. Hammer was a World War II army veteran who spent two years fighting jungle warfare in the Pacific Ocean theater of World War II against Japan.

<span class="mw-page-title-main">Stacy Keach</span> American actor (born 1941)

Walter Stacy Keach Jr. is an American actor, active in theatre, film and television since the 1960s. Keach first distinguished himself in Off-Broadway productions and remained a prominent figure in American theatre across his career, particularly as a noted Shakespearean. He is the recipient of several theatrical accolades, four Drama Desk Awards, two Helen Hayes Awards and two Obie Awards for Distinguished Performance by an Actor. He was nominated for a Tony Award for Best Actor in a Play for his performance in Arthur Kopit's 1969 production of Indians.

<span class="mw-page-title-main">Joseph Wambaugh</span> American writer, former policeman (born 1937)

Joseph Aloysius Wambaugh, Jr. is a best-selling American writer known for his fictional and nonfictional accounts of police work in the United States. Many of his novels are set in Los Angeles and its surroundings and feature Los Angeles police officers as protagonists. He has been nominated for four Edgar Awards, and was named a Grand Master by the Mystery Writers of America.

<i>The Choirboys</i> (novel) 1975 novel by Joseph Wambaugh

The Choirboys (ISBN 0-440-11188-9), a novel, is a controversial 1975 work of fiction written by Los Angeles Police Department officer-turned-novelist Joseph Wambaugh. In 1995 the novel was selected by the Mystery Writers of America as Number 93 of The Top 100 Crime Novels of All Time.

<span class="mw-page-title-main">Richard Fleischer</span> American film director (1916–2006)

Richard Owen Fleischer was an American film director whose career spanned more than four decades, beginning at the height of the Golden Age of Hollywood and lasting through the American New Wave.

The Squeeze is a 1977 British gangster thriller, directed by Michael Apted, based on a novel by Bill James. The screenplay was written by Minder creator Leon Griffiths.

<i>Colors</i> (film) 1988 film directed by Dennis Hopper

Colors is a 1988 American police procedural action crime film starring Sean Penn and Robert Duvall, and directed by Dennis Hopper. The film takes place in the gang ridden neighborhoods of Los Angeles: late-1980s South Central Los Angeles, Echo Park, Westlake and East Los Angeles. The film centers on Bob Hodges (Duvall), an experienced Los Angeles Police Department C.R.A.S.H. officer, and his rookie partner, Danny McGavin (Penn), who try to stop the gang violence between the Bloods, the Crips, and Hispanic street gangs. Colors relaunched Hopper as a director 19 years after Easy Rider, and inspired discussion over its depiction of gang life and gang violence.

<i>Armored Car Robbery</i> 1950 film by Richard Fleischer

Armored Car Robbery is a 1950 American film noir starring Charles McGraw, Adele Jergens, and William Talman.

<span class="mw-page-title-main">James B. Sikking</span> American actor (born 1934)

James Barrie Sikking is an American actor, most known for his role as Lt. Howard Hunter on the 1980s TV series Hill Street Blues.

<i>He Walked by Night</i> 1948 film by Alfred L. Werker, Anthony Mann

He Walked by Night is a 1948 American police procedural film noir directed by Alfred L. Werker and an uncredited Anthony Mann. The film, shot in a semidocumentary tone, is loosely based on the real-life actions of Erwin "Machine-Gun" Walker, a former Glendale, California police department employee and World War II veteran who unleashed a crime spree of burglaries, robberies and shootouts in the Los Angeles area between 1945 and 1946.

<i>The Long Riders</i> 1980 film by Walter Hill

The Long Riders is a 1980 American Western film directed by Walter Hill. It was produced by James Keach, Stacy Keach and Tim Zinnemann and featured an original soundtrack by Ry Cooder. Cooder won the Best Music award in 1980 from the Los Angeles Film Critics Association Awards for this soundtrack. The film was entered into the 1980 Cannes Film Festival.

<i>Raw Justice</i> 1994 film by David A. Prior

Raw Justice is a 1994 American action thriller film starring Stacy Keach, David Keith, Robert Hays and Pamela Anderson.

<i>Police Academy 4: Citizens on Patrol</i> 1987 film by Jim Drake

Police Academy 4: Citizens on Patrol is a 1987 American comedy film. It is the fourth installment in the Police Academy franchise. It was released on April 3, 1987 and is the sequel to Police Academy 3: Back in Training.

<i>Cops and Robbers</i> (1973 film) 1973 film by Aram Avakian

Cops and Robbers is a 1973 crime comedy film directed by Aram Avakian with an original screenplay by Donald E. Westlake which Westlake subsequently expanded into a novel. The film stars Cliff Gorman as Tom and Joseph Bologna as Joe.

<i>The New Centurions</i> (novel)

The New Centurions (1971), is a novel by American writer Joseph Wambaugh. It explores the stresses of police work in Los Angeles, California, in the early 1960s. The author wrote the novel, his first, while he was still a working member of the Los Angeles Police Department (LAPD). The novel was adapted as a film of the same name starring George C. Scott and Stacy Keach.

<i>The Choirboys</i> (film) 1977 film by Robert Aldrich

The Choirboys is a 1977 American comedy-drama film directed by Robert Aldrich, written by Christopher Knopf and Joseph Wambaugh based on Wambaugh's 1975 novel of the same name. It features an ensemble cast including Charles Durning, Louis Gossett Jr., Randy Quaid, and James Woods. The film was released to theaters by Universal Pictures on December 23, 1977.

<i>The Last Run</i> 1971 film by Richard Fleischer

The Last Run is a 1971 American action film shot in Portugal, Málaga and elsewhere in Spain directed by Richard Fleischer, starring George C. Scott, Tony Musante, Trish Van Devere, and Colleen Dewhurst.

Aram A. Avakian was an American film editor and director. His work in the latter role includes Jazz on a Summer's Day (1959) and the indie film End of the Road (1970).

<i>Irresistible Force</i> (film) 1993 American film

Irresistible Force is a 1993 American thriller starring Stacy Keach and Cynthia Rothrock as a pair of police officers.

<i>Mickey Spillanes Mike Hammer</i> (1984 TV series) American crime drama television series

Mickey Spillane's Mike Hammer, with Stacy Keach in the title role, is an American crime drama television series that originally aired on CBS from January 28, 1984, to May 13, 1987. The series consisted of 51 installments: 46 one-hour episodes, a two-part pilot episode, and three TV Movies.

References

  1. "All-time Film Rental Champs", Variety , 1976-01-07, p. 44
  2. 1 2 Greenspun, Roger (1972-08-04). "'New Centurions': Police Patrol and Fate Make for Melodrama" . The New York Times . Archived from the original on 2023-06-26. Retrieved 2023-10-09.
  3. 1 2 Winkler, Irwin (2019). "PART II - Chapter 5 - (section) The New Centurions (1972)" . A Life in Movies: Stories from Fifty Years in Hollywood (ebook  ed.). New York: Abrams Press. pp. PT75–PT80. ISBN   978-1-68335-528-1 via Google Books.