The New Jazz Composers Octet | |
---|---|
Origin | New York, New York [1] |
Genres | Jazz, Hard Bop |
Years active | 1997 | –present
Labels | Motéma Music Fresh Sound/New Talent |
Members | David Weiss Myron Walden Jimmy Greene Steve Davis Norbert Stachel Xavier Davis Dwayne Burno Nasheet Waits |
Past members | Andrew Williams Craig Handy Danny Grissett Gregory Tardy James Farnsworth Dave Rickenberg Chris Karlic Joe Chambers |
The New Jazz Composers Octet is an all-acoustic jazz ensemble founded by trumpeter/arranger David Weiss in 1996. NPR's Josh Jackson described them as "part New York hustle and part writer's workshop, all of it redolent with the aroma of newness." [2] The title track of The Turning Gate won the group a Chamber Music Association grant. [2] [3]
After meeting some of the musicians in 1996—pianist Xavier Davis, bassist Dwayne Burno, and drummer Nasheet Waits—David Weiss, who was working on arrangements for Freddie Hubbard, decided to form a self-determining cooperative ensemble, eventually deciding on an octet, leading to a search for wind players. The first musicians added to the group were Gregory Tardy, Myron Walden, and James Farnsworth. Farnsworth died after the release of their first recording, and the chair of baritone saxophone has been revolving — three others have filled the position since. Jimmy Greene who was a guest artist on the first album was a full member by the second, as were Steve Davis and Chris Karlic. The second album featured guest appearances by Craig Handy and Joe Chambers. Their third and most recent album, The Turning Gate added Norbert Stachel on baritone sax.
David Weiss (trumpet and fluglehorn)
Myron Walden (alto sax, flute)
Jimmy Greene (tenor sax, soprano sax, flute)
Steve Davis (trombone)
Norbert Stachel (baritone sax, bass clarinet)
Xavier Davis (piano)
Dwayne Burno (bass)
Nasheet Waits (drums)
Andrew Williams (trombone)
Danny Grissett (piano)
Gregory Tardy (tenor saxophone)
James Farnsworth (baritone sax)
Dave Rickenberg (baritone sax)
Chris Karlic (baritone sax)
Craig Handy (saxophone)
Joe Chambers (drums)
The baritone saxophone is a member of the saxophone family of instruments, larger than the tenor saxophone, but smaller than the bass. It is the lowest-pitched saxophone in common use - the bass, contrabass and subcontrabass saxophones are relatively uncommon. Like all saxophones, it is a single-reed instrument. It is commonly used in concert bands, chamber music, military bands, big bands, and jazz combos. It can also be found in other ensembles such as rock bands and marching bands. Modern baritone saxophones are pitched in E♭.
The bass saxophone is one of the lowest-pitched members of the saxophone family—larger and lower than the more common baritone saxophone. It was likely the first type of saxophone built by Adolphe Sax, as first observed by Berlioz in 1842. It is a transposing instrument pitched in B♭, an octave below the tenor saxophone and a perfect fourth below the baritone saxophone. A bass saxophone in C, intended for orchestral use, was included in Adolphe Sax's patent, but few known examples were built. The bass saxophone is not a commonly used instrument, but it is heard on some 1920s jazz recordings, in free jazz, in saxophone choirs and sextets, and occasionally in concert bands and rock music.
David Van Kriedt was a composer, saxophonist and music teacher.
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Myron Walden is a jazz saxophonist, flutist, and bass clarinetist.
David Weiss is a jazz trumpeter and the founder of The New Jazz Composers Octet.
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Chivas Jazz Festival was a jazz festival held annually from 2000 to 2005 in Brazil, known for high-quality stricto sensu jazz. It was one of two annual jazz festivals in Brazil when it was launched, and for some time was the only such festival. It featured many well-known international jazz musicians, and was known for its insistence on true jazz, avoiding other forms of popular music. In 2005 a change in sponsorship led to a change in name to the Playboy Jazz Festival Brasil.
Omer Avital is an Israeli-American jazz bassist, composer and bandleader.
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The Gerry Mulligan Songbook is an album by American jazz saxophonist Gerry Mulligan featuring performances recorded in late 1957 and released on the World Pacific label.
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