Editors | Gardner Dozois Jonathan Strahan |
---|---|
Language | English |
Genre | Science fiction |
Publisher | Eos |
Publication date | 2007 |
Publication place | United States |
Media type | Print (Paperback) |
Pages | 515 |
ISBN | 978-0-06-084675-6 |
OCLC | 171049854 |
813/.0876608 22 | |
LC Class | PS648.S3 N47 2007 |
Followed by | The New Space Opera 2 |
The New Space Opera is a science fiction anthology edited by Gardner Dozois and Jonathan Strahan. It was published in 2007, and includes all original stories selected to represent the genre of space opera. It includes a five-page introduction, plus a brief introduction to each of the stories, and a dedication to Jack Dann. The front and back covers include endorsements by Orson Scott Card, Charles Stross, Joe Haldeman, Vernor Vinge, and Greg Bear. Ten out of the eighteen stories in the book were selected for the Locus recommended reading list for 2007. [1]
The anthology was followed with The New Space Opera 2 in 2009.
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The Mammoth Book of Extreme Science Fiction is a science fiction anthology edited by Mike Ashley, originally published in 2006 in the United Kingdom by Robinson, an imprint of Constable & Robinson Ltd. It was reprinted in the United States, also in 2006, by Carroll & Graf, and imprint of Avalon Publishing Group. It is one of a long series of "Mammoth Book" short story collections edited by Ashley and published by Robinson, most of which have themes outside of science fiction.
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With a Little Help: An Experiment in Publishing is a collection consisting of mostly previously published science fiction short stories and novellas by Cory Doctorow, with one new short story. This is Doctorow's third published collection, following Overclocked: Stories of the Future Present. Each story includes an afterword by the author, and the anthology includes an introduction by Jonathan Coulton and an afterword by Russell Galen.
Space opera is a subgenre of science fiction that emphasizes space warfare, with use of melodramatic, risk-taking space adventures, relationships, and chivalric romance. Set mainly or entirely in outer space, it features technological and social advancements in faster-than-light travel, futuristic weapons, and sophisticated technology, on a backdrop of galactic empires and interstellar wars with fictional aliens, often in fictional galaxies. The term does not refer to opera music, but instead originally referred to the melodrama, scope, and formulaic stories of operas, much as used in "horse opera", a 1930s phrase for a clichéd and formulaic Western film, and "soap opera", a melodramatic domestic drama. Space operas emerged in the 1930s and continue to be produced in literature, film, comics, television, video games and board games.
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