Related Research Articles
Early music generally comprises Medieval music (500–1400) and Renaissance music (1400–1600), but can also include Baroque music (1600–1750). Originating in Europe, early music is a broad musical era for the beginning of Western classical music.
The viol, viola da gamba, or informally gamba, is any one of a family of bowed, fretted, and stringed instruments with hollow wooden bodies and pegboxes where the tension on the strings can be increased or decreased to adjust the pitch of each of the strings. Frets on the viol are usually made of gut, tied on the fingerboard around the instrument's neck, to enable the performer to stop the strings more cleanly. Frets improve consistency of intonation and lend the stopped notes a tone that better matches the open strings. Viols first appeared in Spain in the mid-to-late 15th century, and were most popular in the Renaissance and Baroque (1600–1750) periods. Early ancestors include the Arabic rebab and the medieval European vielle, but later, more direct possible ancestors include the Venetian viole and the 15th- and 16th-century Spanish vihuela, a six-course plucked instrument tuned like a lute that looked like but was quite distinct from the four-course guitar.
The Newberry Library is an independent research library, specializing in the humanities and located on Washington Square in Chicago, Illinois. It has been free and open to the public since 1887. Its collections encompass a variety of topics related to the history and cultural production of Western Europe and the Americas over the last six centuries. The Library is named to honor the founding bequest from the estate of philanthropist Walter Loomis Newberry. Core collection strengths support research in several subject areas, including maps, travel, and exploration; music from the Renaissance to the early twentieth century; early contact between Western colonizers and Indigenous peoples in the Western Hemisphere; the personal papers of twentieth-century American journalists; the history of printing; and genealogy and local history.
Trevor David Pinnock is a British harpsichordist and conductor.
Historically informed performance is an approach to the performance of classical music, which aims to be faithful to the approach, manner and style of the musical era in which a work was originally conceived.
A consort of instruments was a phrase used in England during the 16th and 17th centuries to indicate an instrumental ensemble. These could be of the same or a variety of instruments. Consort music enjoyed considerable popularity at court and in households of the wealthy in the Elizabethan era, and many pieces were written for consorts by the major composers of the period. In the Baroque era consort music was absorbed into chamber music.
During the reign of Queen Elizabeth I (1558–1603), English art and high culture reached a pinnacle known as the height of the English Renaissance. Elizabethan music experienced a shift in popularity from sacred to secular music and the rise of instrumental music. Professional musicians were employed by the Church of England, the nobility, and the rising middle-class.
The Harp Consort is an international early music ensemble directed by Andrew Lawrence-King, specialising in Baroque opera, early dance-music, and historical World Music.
Lord Hay's Masque was an early Jacobean era masque, written by Thomas Campion, with costumes, sets and stage effects designed by Inigo Jones. The masque was performed on Twelfth Night, 6 January 1607, in the Great Hall of Whitehall Palace. It was the premier event at the Stuart Court for the 1606-7 Christmas holiday season.
Nigel North is an English lutenist, musicologist, and pedagogue.
In the years centering on 1600 in Europe, several distinct shifts emerged in ways of thinking about the purposes, writing and performance of music. Partly these changes were revolutionary, deliberately instigated by a group of intellectuals in Florence known as the Florentine Camerata, and partly they were evolutionary, in that precursors of the new Baroque style can be found far back in the Renaissance, and the changes merely built on extant forms and practices. The transitions emanated from the cultural centers of Northern Italy, then spread to Rome, France, Germany, and Spain, and lastly reached England . In terms of instrumental music, shifts in four discrete areas can be observed: idiomatic writing, texture, instrument use, and orchestration.
Robert Mealy is a performer and teacher of baroque violin. He holds a joint position at the Yale School of Music and the Department of Music of Yale University, where he directs the Yale Collegium Musicum and teaches classes in musical rhetoric and historically-informed performance. He has recorded over 50 CDs of early music, ranging from Hildegard of Bingen with Sequentia, to Renaissance consorts with the Boston Camerata, to Rameau operas with Les Arts Florissants. At home in New York, he is a frequent leader and soloist with the New York Collegium, Early Music New York, the Clarion Music Society, and the ARTEK early music ensemble.
Baroque music is a period or style of Western classical music from approximately 1600 to 1750 originated in Western Europe. This era followed the Renaissance music era, and was followed in turn by the Classical era, with the galant style marking the transition between Baroque and Classical eras. The Baroque period is divided into three major phases: early, middle, and late. Overlapping in time, they are conventionally dated from 1580 to 1650, from 1630 to 1700, and from 1680 to 1750. Baroque music forms a major portion of the "classical music" canon, and is now widely studied, performed, and listened to. The term "baroque" comes from the Portuguese word barroco, meaning "misshapen pearl". The works of George Frideric Handel and Johann Sebastian Bach are considered the pinnacle of the Baroque period. Key composers of the Baroque era include, Claudio Monteverdi, Domenico Scarlatti, Alessandro Scarlatti, Antonio Vivaldi, Henry Purcell, Georg Philipp Telemann, Jean-Baptiste Lully, Jean-Philippe Rameau, Marc-Antoine Charpentier, Arcangelo Corelli, François Couperin, Heinrich Schütz, Dieterich Buxtehude, and others.
Archiv Produktion is a classical music record label of German origin. It originated in 1949 as a classical label for the Deutsche Grammophon Gesellschaft (DGG), and in 1958 Archiv was established as a subsidiary of DGG, specialising in recordings of Early and Baroque music. It has since developed a particular focus on "historically informed performance" and the work of artists of the Early music revival movement of the 20th and 21st centuries.
The concerto for two harpsichords in C minor, BWV 1060, is a concerto for two harpsichords and string orchestra by Johann Sebastian Bach. It is likely to have originated in the second half of the 1730s as an arrangement of an earlier concerto, also in C minor, for oboe and violin. That conjectural original version of the concerto, which may have been composed in Bach's Köthen years (1717–1723), is lost, but has been reconstructed in several versions known as BWV 1060R.
Byron Schenkman is an American harpsichordist, pianist, music director, and educator. Schenkman has recorded over 40 CDs and has won several awards and accolades. He co-founded the Seattle Baroque Orchestra, and was its artistic director. Schenkman currently directs a baroque and classical chamber music concert series, Byron Schenkman & Friends, and performs as a recitalist and concert soloist. He also performs with chamber music ensembles, and is a teacher and lecturer.
Maude Gratton is a French classical musician. She is pursuing a career of soloist, mastering the pipe organ, the piano-forte and the harpsichord.
Judith Davidoff was an American viol player, cellist, and performer on the medieval bowed instruments. She was considered the “Grande Dame of the viol”, "a master of the viola da gamba and other stringed instruments" and "a central part of the early-music scene." Her recorded performances reflect her wide range of repertoire and styles, including such works as Schoenberg's Verklaerte Nacht and 13th-century monody. She is responsible for the catalog of 20th- and 21st-century viol music.
References
- ↑ "The Newberry Consort".
- ↑ "Music fit for the Medicis | the Newberry Consort". 26 August 2021.
