The Newcastle Eccentrics were a group of unrelated people who lived in and around the centre of Newcastle and its Quayside between the end of the 18th and early/mid 19th century.
Around the end of the 18th century and the early and mid 19th century there were many characters frequenting the town centre and quayside of old Newcastle, These were characters who were described as "Worthies", "Props" or "Eccentrics" and would later be more gently described as "unfortunates". All had some form of physical or mental disability, but were looked upon as "unfortunates" and generally liked, respected and looked after by the population of hard working inhabitants.
There was a famous picture painted in c1817 by Henry Perlee Parker, showing 14 of the characters (and a dog), all persons living in the area at the time. The painting is now known in some quarters as Hells Kitchen, (an alternative name for "Newcastle Worthies", "Newcastle Props" or "Newcastle Eccentrics"), which was the room in which the group were positioned, a room in The Flying Horse, a “down market” drinking house. The property in the Groat Market, Newcastle, has since gone through several name changes including "The Princess Hotel" and "The Golden Bengal Indian Restaurant".
Some of these appeared in songs of the time, some in several songs. Below are listed some of these (and other) "Worthies" :-
The person is In the song Newcassel Props written by William Oliver, but not in the painting
One of the Eccentrics in the painting Aud Judy, real name Judy Downey (or sometimes Judy Downing) The Monthly Chronicle of North Country Lore and Legend 1887 states "There is in the City Treasurer's office a half-length portrait in oils, by H. P. Parker, of Judith Dowlings, or "Old Judy" the messenger to the Council Chamber.
She is represented leaning upon the formidable stick which she was carried to keep the precinct of the town's chamber clear of loitering boys or others having no business there. [1]
Drucken Bella Roy was a well-known street trader, selling all kinds of food from fruit and vegetables to fish etc. She was an attractive and neat young woman but sixty years later was an object of pity, thanks to the abuse of alcohol. Robert Nunn wrote of her in his song "Drucken Bella Roy, O!", sung to the tune of "Duncan M'Callaghan".
This song appears in Allan's Tyneside Songs [2] and Fordyce's Tyne Songster [3]
One of the Eccentrics in the painting Bold Archy, or Archibald Henderson, alias Bold Archy or Bold Airchy, was a giant of a man of immense muscular power, but very inoffensive in his manners and with some excellent traits. He was attached to his mother who was a little woman, yet one word from her was all that was needed charm him into meekness. It was quite common for her to lead Archy away from any fights or arguments he may have got involved in. Although not a quarrelsome man, his size and eccentricity was often a magnet for bullies. Archibald was never married, but once apparently found a young maid who lived on the Quayside and of who he said she was almost as canny a woman as his mother. A compliment indeed. Archibald Henderson died 14 May 1828, aged 86 years.
Bold Archy appears in several songs including :-
One of the Eccentrics in the painting Captain Benjamin Starkey was an inhabitant of the Freeman's Hospital in Newcastle. He told Thomas Allan that he was unable to remember how or when he took, or was given, the title “Captain”. He was small in stature but “uncommonly polished in his manners, taking off his hat and kissing his hand with an air of excessive good breeding, and which at the same time bore no resemblance of either affection or buffoonery”. He was vain in so far as he revelled in being treated royally, and would talk freely about his friends Sir Matthew Ridley and Charles Brandling. Starkey was a very neat writer and had a habit of writing out promissory I.O.U's for just a few pence to certain people. He was fond of being treated to a glass of ale and very grateful for trifling favours and anyone showing him with deference were for ever entitled to a polite bow.
Captain Benjamin Starkey died 9 July 1822
Starkey was of dwarfish proportions and in his younger days he had been an usher at a school in Fetter-Lane, from where he was remembered by Charles Lamb, who attended the same school the year after Starkey left. Lamb mentions him in his book “1822 Essays and sketches by Charles Lamb”. [2]
Captain Benjamin Starkey appears in several songs including :-
John Wilson (1792 – 1860) was better known as Cuckoo Jack. His nickname came about because his father making cuckoo clocks. Cuckoo Jack worked for the corporation for much of his life. He was a barge –rower who seemed to have a remarkable knack of finding things in the river whether watches, money or similar objects and even bodies. He was known to be honest and would hand any and everything over to the authorities and in return received only a modest sum, described by Thomas Allan in his Illustrated Edition of Tyneside Songs and Readings as “restored to their owners for a trifling remuneration”.
Cuckoo Jack died 2 December 1860, aged 68.
Cuckoo Jack's name appears in several songs including :-
William Maclachlan was better known as "Cuddy Willy". [9] He was one of the several well-known Newcastle eccentrics who for years walked the streets without hat or shoes, and in scanty and tattered clothes. He eked out a living by playing his fiddle (a home-made contraption which was simply a flat piece of wood, on which he tied a few pieces of string) in the streets or public-houses. He was addicted to drink and his death was caused by some idiots in one of the public bars, shamefully feeding him brandy as long as he would drink it. The result was that he died from the effects of the excess.
His death took place 27 September 1847.
Cuddy Willy appears in "Cuddy Willy's Deeth" written by Joshua I. Bagnall, a song that appears in Allan's Tyneside Songs [2] Walker's Songs of the Tyne Volume 2 [10]
One of the Eccentrics in the painting William Scott was better known as "Cull Billy" or "Silly Billy" [9] and was a native of Newcastle, an inmate of St. John's poor-house. He was a very harmless creature, and once much pestered by the wantonness of the boys in the streets of Newcastle. He lived with his mother, a poor old woman who made her living by hawking wooden ware. She, like her son, was an object of ridicule to some distress, being only four feet (1.2m) high. [2] Billy, as many other handicapped people, could show signs of brilliance. He would often recite (with a degree of exactness not normally found), several prayers, scripture passages, poetry etc. He was very good natured and had a great wit. It is recorded that when a drunken gentlemen came out of a public house, he turned to Billy and said "Stand out of the way, Stand out of the way, I never give place to fools", to which Willy retorted, “But I do", bowing and stepping aside.
Billy died at St. John's Poor-house on 31 July 1831, aged 68 years.
Cull Billy appears in several songs including :-
Was an unknown character who appeared in several songs, including :-
One of the Eccentrics in the painting.
One of the Eccentrics in the painting - See separate entry for William Purvis (Blind Willie)
Tommy Ferns was a character, almost blind and suffering from partial paralysis of his hands. For around 30 years he stood on the Swing Bridge across the River Tyne between Newcastle and Gateshead begging. It was probably because of his sight problem he was able to tell the difference between the coins by both their feel and sound.
See separate entry for William Cleghorn
In the painting of Hells Kitchen, are the following characters (in alphabetical order)
Aud (or Awd) Judy, Blind Willie, Bold Archy (or Airchy), Bugle-Nosed Jack, Captain Starkey, Cull (or Cully) Billy, Donald, Doodem Daddum (with his Dog, Timour, added), Hangy (or Hangie), Jacky Coxon, Jenny Ballo, Pussy Willy, Shoe-tie Anty and Whin Bob
Geordie dialect words
Thomas Allan
Allan's Illustrated Edition of Tyneside Songs and Readings
W & T Fordyce
The Tyne Songster
P. France & Co.
France's Songs of the Bards of the Tyne - 1850
John Marshall
Marshall's Collection of Songs, Comic, Satirical 1827
John Ross
The Songs of the Tyne by Ross
William R Walker
The Songs of the Tyne by Walker
Thomas Marshall
Marshall's A Collection of original local songs
William Armstrong was an English concert hall songwriter and performer from Newcastle upon Tyne. His most famous song is probably The Newcassel Worthies.
The Newcassel Worthies is a famous Geordie folk song written in the 19th century by William "Willie" Armstrong, in a style deriving from music hall.
Robert Gilchrist (1797–1844) was a Tyneside poet, born in Gateshead in County Durham. Possibly his best-known work is "The Amphitrite" –.
Newcassel Props is a famous Geordie folk song written in the 19th century by William Oliver, in a style deriving from music hall.
John Morrison was a Tyneside songwriter from the early nineteenth century.
Thomas Marshall was a Tyneside songwriter of popular songs in the early and middle 19th century. His most well-known song is probably "Euphys Coronation".
R. Charlton, who lived in the early nineteenth century, was a Tyneside poet/songwriter.
Phill Hodgson was a Tyneside songwriter, who, according to the information given by John Bell in his Rhymes of Northern Bards published in 1812, has the short song "Jesmond Mill" attributed to his name.
Cecil Pitt was a Tyneside songwriter, who lived in the early nineteenth century
Metcalf Ross was an English master printer and sometime poet/songwriter in Tyneside. He was born in Sunderland, Tyne and Wear.
Songs of the Bards of the Tyne is a chapbook style songbook, giving the lyrics of local, now historical songs, with a few bits of other information. It was edited by J. P. Robson and published by P. France & Co. in 1850.
William Watson (1796–1840) was a Tyneside concert hall singer and songwriter in the early 19th century. His most famous song is "Dance To Thy Daddy".
Marshall's Collection of Songs, Comic, Satirical is a chapbook style songbook, giving the lyrics of local, now historical songs, with a few bits of other information. It was published by John Marshall in 1827.
William Stephenson (senior) (1763–1836) was a Geordie (from Gateshead) watchmaker, schoolteacher, poet and songwriter, and father of William Stephenson (junior). His best known works are probably "The Quayside Shaver" and "The Skipper’s Wedding"
Hell's Kitchen is one of the names of a famous painting showing many of the eccentrics living in the Newcastle area in the early 19th century.
Many Geordie songwriters used aliases, for whatever reason. This article lists many of these aliases, giving in some cases, where known, the real name, and in others, some of the songs or poems attributed to them.
The Newcastle Songster, by John Marshall is a volume of six chapbooks, giving the lyrics of local, now historical songs, but virtually no other information. It was published by John Marshall in stages between 1812 and 1826.