The Nuns | |
---|---|
Studio album by | |
Released | 1980 |
Genre | |
Label | Bomp! |
The Nuns is the debut studio album by American rock band The Nuns, released in 1980 by record label Bomp!.
Review scores | |
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Source | Rating |
AllMusic | [1] |
Trouser Press | favourable [2] |
AllMusic called it "a minor classic of the late-'70s punk era". [1]
The Dead C are a New Zealand based music and art trio made up of members Bruce Russell, Michael Morley and Robbie Yeats. Russell plays electric guitar, Morley sings and plays electric guitar or laptop, and Yeats plays drums. They have been called one of the most interesting bands in the world by Thurston Moore, and have been cited as influences by Bardo Pond, Flying Saucer Attack, Labradford, and Pavement.
Don Dixon is an American record producer, songwriter, and musician. He is considered to be one of the key producers of what is called the jangle pop movement of the early 1980s, including working with R.E.M. and The Smithereens.
Able Tasmans were an indie pop band from Auckland, New Zealand, initially formed as a duo in 1983. They released four albums and two EPs on Flying Nun Records before splitting up in 1996.
The Sporting Life is an album by singer Diamanda Galás and multi-instrumentalist John Paul Jones, released on September 6, 1994 by record label Mute.
After Murder Park is the third album by British alternative rock band The Auteurs, released in March 1996. The album was recorded at Abbey Road Studios and produced by Steve Albini. In 2014, British independent record label 3 Loop Music re-released the album as a 2CD Expanded Edition which included b-sides, alternate versions, radio session tracks and live recordings.
Juvenilia is a compilation album by the New Zealand group The Verlaines, released in 1987 by Flying Nun Records. It collects the band's early singles and EPs on CD. Juvenilia was the first Verlaines album to be released on CD.
Some Disenchanted Evening is an album by The Verlaines. It was released in 1990 on Flying Nun Records.
The Law of Things is an album by the New Zealand band The Bats, released in 1990. It was released by Mammoth Records in the United States.
You Must Be Certain of the Devil is the fifth album by American avant-garde performer Diamanda Galás, released on May 23, 1988 by record label Mute.
Hamish Kilgour was a New Zealand musician who co-founded the indie rock band The Clean with his brother David in 1978. Kilgour also co-founded the band Bailter Space in 1987 and later recorded as a solo artist.
And Here Is 'Music for the Fireside' is an 1985 EP by New Zealand indie rock group The Bats.
By Night is the debut recording of New Zealand indie rock group The Bats, released in 1984.
Be Careful What You Wish For is the ninth studio album by British experimental music group Ramleh. It was released on 20 November 1995 through American independent record label Sympathy for the Record Industry.
The Graveyard and the Ballroom is the debut album by English band A Certain Ratio, released in January 1980 by record label Factory. It was produced by Martin Hannett. It was originally released only as a cassette, designed by Peter Saville. The album has been re-released on CD by Creation Records in 1994 and by Mute Records in 2017. The latter also reissued the album on vinyl, replicating the original PVC pouch of the cassette release.
I'd Like to See You Again is the fourth studio album by English post-punk band A Certain Ratio, released in 1982 by Factory Records.
The Quality of Mercy Is Not Strnen is the debut album by the Mekons, released in 1979.
Will You Speak This Word is the fourth studio album by English post-punk band Dome, released in 1982 by Norwegian record label Uniton.
Where Are All the Nice Girls? is the debut studio album by English band Any Trouble, released in 1980 by Stiff Records.
Seizure is the second album by New Zealand musician Chris Knox, released in 1989 by record label Flying Nun.
Love Child was a New York City-based alternative rock band whose music combined elements of punk rock and no wave. According to Trouser Press's David Sprague, Love Child was "...one of Gotham's most mercurial bands, able to leap from twee pop tunes to galvanizing skronkadelic constructs in a single bound."