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The year 1916 in film involved some significant events.
The year 1915 in film involved some significant events.
1913 was a particularly fruitful year for film as an art form, and is often cited one of the years in the decade which contributed to the medium the most, along with 1917. The year was one where filmmakers of several countries made great artistic advancements, producing notable pioneering masterpieces such as The Student of Prague, Suspense, Atlantis, Raja Harischandra, Juve contre Fantomas, Quo Vadis?, Ingeborg Holm, The Mothering Heart, Ma l’amor mio non muore!, L’enfant de Paris and Twilight of a Woman's Soul.
The year 1912 in film involved some significant events.
The year 1911 in film involved some significant events.
The year 1910 in film involved some significant events.
L'Homme qui vendit son âme au diable is a 1921 French silent film comedy directed by Pierre Caron. The plot was similar to Faust and The Student of Prague, about a man who makes a diabolical deal with the Devil.
Au Secours! is a 1924 short French silent comedy horror film, directed by Abel Gance and starring Max Linder. The French title translates into English as "Help!". The film is also known as The Haunted House in some reference books. The film was made on a dare, with Gance filming the entire project in three days, with the help of his friend, actor Max Linder. Linder had just returned to France after several years of trying to start an acting career in Canada.
The Mechanical Man is a 1921 Italian science fiction film directed by André Deed. It was produced in 1920 and released in November 1921. It is one of the first science fiction films produced in Italy, and the first film showing a battle between two robots. The cinematographer was Alberto Chentrens.
Satan is a 1920 silent German drama film in three parts, directed by F. W. Murnau, written and produced by Robert Wiene. It was one of Murnau's first directorial attempts, and along with his 1920 Der Januskopf, is today considered a lost film. The film starred Fritz Kortner, Sadjah Gezza and Conrad Veidt. Karl Freund was the cinematographer.
The Hunchback and the Dancer is a 1920 silent German horror film directed by F. W. Murnau and photographed by Karl Freund. This is now considered to be a lost film. The film was written by Carl Mayer, who also wrote The Cabinet of Dr. Caligari (1920). Karl Freund later emigrated to Hollywood where he directed such classic horror films as The Mummy (1932) and Mad Love (1935). It premiered at the Marmorhaus in Berlin.
Esmeralda is a 1922 British silent film and an adaptation of the 1831 novel The Hunchback of Notre-Dame by Victor Hugo, with more emphasis on the character of Esmeralda rather than Quasimodo. It was directed by Edwin J. Collins and starred Sybil Thorndike as Esmeralda and Booth Conway as the hunchback. The film is considered lost, but extant still photos show a 40-year-old Thorndike who appears to be too old for the role of the young and virginal Esmeralda. This version emphasized romance and melodrama over horror.
Harry Agar Lyons was an Irish-born British actor. He was born in Cork, Ireland in 1878 and died in Wandsworth, London, England in 1944 at age 72.
Lord Arthur Saville's Crime is a 1920 Hungarian silent crime film directed by Pál Fejös and starring Ödön Bárdi, Lajos Gellért and Margit Lux. It was also released as both Mark of the Phantom and Lidercnyomas. The film was based on the 1891 short story Lord Arthur Savile's Crime by Oscar Wilde. It was one of Pal Fejos' earliest films and is now considered lost. It was photographed by Jozsef Karban.
Carl Alwin Heinrich Neuß was a German film director and actor, noted for playing Sherlock Holmes in a series of silent films during the 1910s. He also played the dual role of Jekyll and Hyde in the 1910 Danish silent film version of Dr. Jekyll and Mr. Hyde, directed by August Blom. He played Jekyll and Hyde again in the 1914 German silent film Ein Seltsamer Fall, scripted by Richard Oswald.
Pan Twardowski is a 1921 Polish silent fantasy film directed by Wiktor Biegański and starring Bronisław Oranowski, Wanda Jarszewska and Antoni Nowara-Piekarski. Biegański was hired by the Polish government to make the film in an effort to foster a greater sense of Polish national identity—particularly in the ethnically mixed Upper Silesia. It is one of many films based on the legend of Pan Twardowski, the Polish word "Pan" being a respectable title often given to members of the nobility or diplomats.
Figures of the Night (German:Nachtgestalten) is a 1920 German silent horror film written, directed and produced by Richard Oswald and starring Paul Wegener, Conrad Veidt, Reinhold Schünzel and Erna Morena. It is based on the novel Eleagabal Kuperus by Karl Hans Strobl. Strobl was the editor of a German horror fiction magazine called Der Orchideengarten which was said to have been influenced by the works of Edgar Allan Poe. Strobl was an anti-Semitic and later willingly joined the Nazi Party, which may explain why he has become an obscure literary figure today.
Madness (German:Wahnsinn) is a 1919 German silent horror film directed by Conrad Veidt and starring Veidt, Reinhold Schünzel and Grit Hegesa. The film's art direction was by Willi Herrmann.
The Lost Shadow is a 1921 German silent film directed by Rochus Gliese and starring Paul Wegener, Wilhelm Bendow and Adele Sandrock. The cinematographer was Karl Freund. The film's sets were designed by the art director Kurt Richter. It was shot at the Tempelhof Studios in Berlin. For some reason, the film was only released in the US in 1928. It is today considered a lost film.
The Phantom Melody is a 1920 American silent drama film directed by Douglas Gerrard, and starring Monroe Salisbury, Henry A. Barrows, Ray Gallagher, Charles West and Jean Calhoun. The film was released by Universal Film Manufacturing Company on January 27, 1920. The film's "premature burial" plotline tilts it in the direction of being a horror film as well as a melodrama. Director Gerrard emigrated to Hollywood from Ireland in 1913 to become an actor, but quickly gravitated to film directing in 1916 with his The Price of Victory, but gave up directing soon after filming The Phantom Melody.
References
- ↑ Workman, Christopher; Howarth, Troy (2016). "Tome of Terror: Horror Films of the Silent Era". Midnight Marquee Press. p. 242. ISBN 978-1936168-68-2.
- ↑ Workman, Christopher; Howarth, Troy (2016). "Tome of Terror: Horror Films of the Silent Era". Midnight Marquee Press. p. 242. ISBN 978-1936168-68-2.
- ↑ Workman, Christopher; Howarth, Troy (2016). "Tome of Terror: Horror Films of the Silent Era". Midnight Marquee Press. p. 242. ISBN 978-1936168-68-2.
- ↑ Workman, Christopher; Howarth, Troy (2016). "Tome of Terror: Horror Films of the Silent Era". Midnight Marquee Press. p. 242. ISBN 978-1936168-68-2.
- ↑ Workman, Christopher; Howarth, Troy (2016). "Tome of Terror: Horror Films of the Silent Era". Midnight Marquee Press. p. 242. ISBN 978-1936168-68-2.
- ↑ Workman, Christopher; Howarth, Troy (2016). "Tome of Terror: Horror Films of the Silent Era". Midnight Marquee Press. p. 242. ISBN 978-1936168-68-2.
