The Parade of the Tin Soldiers (Die Parade der Zinnsoldaten), also known as The Parade of the Wooden Soldiers, is an instrumental musical character piece, in the form of a popular jaunty march, written by German composer Leon Jessel, in 1897.
The Parade of the Tin Soldiers was originally composed for solo piano. Jessel later published it for orchestra in 1905, as Opus 123. Today, it is also a popular tune for marching bands, concert bands, and small orchestras, and for extremely diverse alternate instrumentations as well.[1]
Since the early 1920s, the piece has been very popular in the U.S., and has also been frequently performed and recorded worldwide. A song, "The Parade of the Wooden Soldiers", was also created from the piece in 1922, with English lyrics by Ballard MacDonald.
Rise to international popularity
1922 U.S. La Chauve-Souris program cover, with the famous "Wooden Soldiers" marching (left)1922 U.S. sheet musicPiano version
Recordings of The Parade of the Tin Soldiers were made in late 1910 and in 1911 and distributed internationally,[2] and Jessel republished the sheet music internationally as well in 1911. In 1912, John Philip Sousa and his band played it at the Hippodrome Theatre in New York City.[3]
In 1911, Russian impresario Nikita Balieff chose Jessel's whimsically rakish Parade of the Tin Soldiers for a choreography routine in his The Bat vaudeville revue, changing the title to "The Parade of the Wooden Soldiers".[4] Balieff's wooden-soldier choreography referenced a legend regarding Tsar Paul I: that he left his parade grounds without issuing a "halt" order to the marching soldiers, so they marched to Siberia before being remembered and ordered back.
In December 1920 Nikita Balieff's La Chauve-Souris (The Bat) revue reached Paris, to great acclaim, and in 1922 it was brought to Broadway. Balieff's entertainingly choreographed wooden-soldiers showpiece, with Jessel's popular tune, was a sensation, and a by-demand mainstay of his extremely long-running U.S. production.[5]
Balieff's Chauve-Souris routine greatly popularized Jessel's music, and in 1922 multiple editions of the sheet music were published in the U.S. — in fox-trot, march, and concert arrangements, and for numerous instrumentations: voice and piano, with lyrics by Ballard MacDonald; male quartet; small orchestra; full orchestra; violin, piano, and cello; military band; mandolin solo; mandolin and guitar; mandolin and piano; and mandolin, guitar, and piano.[6] In 1923, Lee DeForest filmed The Parade of the Wooden Soldiers, performed by Balieff's company, in the DeForest Phonofilm sound-on-film process. The film premiered on April 15, 1923 at the Rivoli Theater in New York City, and is now in the Maurice Zouary collection at the Library of Congress.
In 1922, the instrumental version of The Parade of the Wooden Soldiers was a hit single performed by Carl Fenton's Orchestra. Hit versions were also recorded by the Vincent Lopez Orchestra in 1922 and by Paul Whiteman and his Orchestra in 1923. The 1923 sound recordings of the song by Paul Whiteman and his Orchestra entered the public domain in the United States in 2024.[7]
Though far less often heard than Jessel's original instrumental piece, Ballard MacDonald wrote English song lyrics for the tune, in 1922.[10]
The toy shop door is locked up tight And everything is quiet for the night. And suddenly the clock strikes twelve, The fun's begun! The dolls are in their best arrayed, There's going to be a wonderful parade. Hark to the drum, Oh, here they come, cries everyone
Hear them all cheering, Now they are nearing, There's the captain stiff as starch. Bayonets flashing, Music is crashing, As the wooden soldiers march; Sabers a-clinking, Soldiers a-winking, At each pretty little maid.
Here they come! Here they come! Here they come! Here they come! Wooden soldiers on parade.
Daylight is creeping, Dollies are sleeping. In the toy shop window fast; Soldiers so jolly, Think of each dolly, Dreaming of the night that's past.
When in the morning, Without a warning, Toyman pulls the window shade,
There's no sign the Wood brigade Was ever out upon parade.
The Rockettes have been performing their own choreographed version of the piece, based on Balieff's La Chauve-Souris original, since 1933 in their annual Radio City Christmas Spectacular.
The work is a staple of the Boston Pops orchestra. They have recorded it at least 10 times.[11]
In Great Britain, The Parade of the Tin Soldiers was used for many years in BBC radio's Children's Hour to introduce the series Toytown, based on stories by S. G. Hulme Beaman. The recording used was by the New Light Symphony Orchestra.
Fairport Convention's Dave Swarbrick used the main melody as one part of the medley "Royal Seleccion No 13" on their album The Bonny Bunch of Roses, where it is titled "Toytown March". The band used the medley as their set opener on more than one tour.
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Babes in Toyland is a Laurel and Hardy musical Christmas film released on November 30, 1934. The film is also known by the alternative titles Laurel and Hardy in Toyland, Revenge Is Sweet, and March of the Wooden Soldiers, a 73-minute abridged version.
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Leon Jessel, or Léon Jessel, was a German composer of operettas and light classical music pieces. Today he is best known internationally as the composer of the popular jaunty march The Parade of the Tin Soldiers, also known as The Parade of the Wooden Soldiers. Jessel was a prolific composer who wrote hundreds of light orchestral pieces, piano pieces, songs, waltzes, mazurkas, marches, choruses, and other salon music. He achieved considerable acclaim with a number of his operettas — in particular Schwarzwaldmädel, which remains popular to this day.
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Nikita F. Balieff, was a Russian Armenian born vaudevillian, stage performer, writer, impresario, and director. He is best known as the creator and master of ceremonies of La Chauve-Souris theater group.
La Chauve-Souris was the name of a touring revue during the early 1900s. Originating in Moscow and then Paris, and directed by Nikita Balieff, the revue toured the United States, Europe, and South Africa. The show consisted of songs, dances, and sketches, most of which had been originally performed in Russia. The revue was enormously successful in the U.S., and one of its legacies is the popularization of the jaunty tune The Parade of the Wooden Soldiers by Leon Jessel.
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